MODERN AND CONTEMPORARY ASIAN ART - University of Sydney

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Australia
Cramer, Sue, C., ed., Postmodernism: A consideration of the appropriation of aboriginal imagery , Brisbane,
Institue of Modern Art, 1989.
Dallas, C., ‗Conjuring Tricks‘, Artscribe, September/October,1989
Fry, T., ‗Art as Ethnocide: The Case of Australia‘, Third Text, no.5.
Fry, T., Willis, A-M., ‗Aboriginal Art:Symptom or Success?‘, Art in America, July 1989.
Gascoigne, John, The enlightenment and the origins of European Australia, Cambridge, Cambridge University
Press, 2002.
Gibson, Ross, Postcolonialism and the narrative construction of Australia, Bloomington, Indiana University
Press, 1992
Gunew, Sneja & Rizvi, Fazal, Culture, Difference, and the Arts, Sydney, Allen and Unwin, 1994.
Gunew, Sneja, Framing Marginality, Multicultural Literary Studies, Melbourne, Melbourne University Press,
1994.
Murphy, B., ‗‗Provincialism Refigured‘ or Culture Disfigured?‘, Art Monthly [Australia], no.15, October
1988 [reply to Smith,T., below]
Smith, T., ‗Provincialism Refigured‘, Art Monthly [Australia], no.13, August 1988 [and the reply to
Murphy, no.15, in no.16, 1988].
Smith, T., ‗Second person/first peoples: writing about post-colonial art‘, Art Monthly Australia, 64,
October 1993
Smith, T., ‗The Provincialism Problem‘, Art Forum, 1974, reprinted in Taylor, P. ed., Anything Goes:
Smith, Terry, What is Contemporary Art?, Sydney, Artspace, 2001.
Smith, Terry, Transformations in Australian Art, Volume One: The Nineteenth Century – Landscape, Colony and
Nation; Volume Two, The Twentieth Century, Modernism and Aboriginality, Sydney, Craftsman House,
2002 [review by Ian Maclean, Art Monthly Australia, no.164, October, 2003]
The Islamic World
Ali, W., Modern Islamic Art: Development and Continuity, Gainesville, University Press of Florida, 1997
Ali, W., ed., Contemporary Art from the Islamic World, London, Scorpion Publishing, 1989
A History of Turkish Painting, Seattle, University of Washington Press, 1988.
Khatbi, Abdelkébir, L‘art contemporain arabe, Paris, Institut du Monde Arabe, 2001
Renda G., Kortepeter, Carl M., eds, The Transformation of Turkish Culture, Princeton, Kingston Press,
1986
Meso- and South America
Baddeley, Oriana, ‗Nostalgia for a New World‘, Third Text, n21, Winter 1992/93, 29-34.
Berelowitz, Jo-Anne, ‗Conflict over ―Border Art‖: Whose subject, whose border, whose show?‘, n40,
Autumn 1997, 69-83
Berg, Stephen, ‗An Introduction to Oswald de Andrade‘s Cannibalist Manifesto‘, n46, Spring 1999, 89-
91
Camnitzer, Luis, ‗Spanglish Art‘, Third Text, n13, Winter 1990/91, 43-47.
Canclini, Nestor Garcia, ‗Remaking Passports: Visual Thought in the Debate on Multiculturalism‘, Third
Text, n28/9, Autumn/Winter 1994, 139-146.
Canclini, Néstor García, Hybrid Cultures: Strategies for entering and leaving modernity, Minneapolis, University
of Minnesota Press, 1995
Craven, David, ‗The Latin American Origins of ―Alternative Modernity‖‗, Third Text, n36, Autumn
1996, 29-44
Goldman, Shifra M., ―Metropolitan Splendors: The buying and selling of Mexico‘ Third Text, 14, Spring
1991.
Goldman, Shifra M., ‗How Latin American Artists in the US View Art, Politics and Ethnicity in a
Supposedly Multicultural World‘, Third Text, n16/17, Autumn/Winter 1991, 188-192.
Goldman, Shifra M., ‗Metropolitan Splendors: The Buying and Selling of Mexico‘, n14, Spring 1991,