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MODERN AND CONTEMPORARY ASIAN ART - University of Sydney

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308<br />

Sharjah:<br />

2003<br />

Peter Lewis (Editor), Sharjah International Biennial 6 Guide. United Arab Emirates, Sharjah International<br />

Biennial, 2003. (Director: Hoor Al-Qasimi).<br />

Turner, Grady, ‗Fast Forward in the Persian Gulf (Report From the U.A.E.‘ in Art in America<br />

(November 2003), pp. 86-91.<br />

2009<br />

Lee, Pamela M., ‗Sharjah Biennal 9‘ in Artforum, Vol. 47, Iss. 9, Summer 2009, p. 326.<br />

Thomson, J., ‗New Strategies for Exciting Art‘, in AsianArtNews, Vol. 19 No. 3 May/June 2009, pp. 84-<br />

88.<br />

<strong>Sydney</strong>: Biennale <strong>of</strong> <strong>Sydney</strong>:<br />

1998<br />

Fink, Hannah, ‗Speechless‘ Art AsiaPacific, 23, 1999<br />

2002<br />

Chen Hsiang-chun, Elsa, ‗ Identity Politics? Allegorical Existence? On the way to the fantastic‘, Yishu,<br />

vol.1, no.2, 2002;<br />

Duncan, Michael, 'Self-created worlds', <strong>Sydney</strong> Biennale Review, Art in America, Vol. 90, Issue 10,<br />

October 2002<br />

2004<br />

Felicia Fenner, ‗On Reason and Emotion‘ (Interview with Isabel Carlos), in in Art & Australia, Vol. 41,<br />

No. 4 (Winter 2004), pp. 557-559;<br />

‗No Big Picture [2004 Biennale <strong>of</strong> <strong>Sydney</strong>]‘ (Commentaries by Alex Gawronski, Jacqueline Millner and<br />

Adam Geczy) in Broadsheet, Vol. 33, No. 3 (September- November 2004), pp. 48-53<br />

2006<br />

Macdonald, Ewan & Parker, Luke editors, 2006 Biennale <strong>of</strong> <strong>Sydney</strong>: Zones <strong>of</strong> Contact, <strong>Sydney</strong>, Biennale <strong>of</strong><br />

<strong>Sydney</strong>, 2006<br />

Merewether, Charles, ‗Zones <strong>of</strong> Contact‘, Art & Australia, vol.43, no.4, Winter 2006.<br />

Merewether, Charles, ‗Interview‘, Broadsheet, Contemporary Visual Arts + Culture, June-August, 2006<br />

Merewether Charles, ‗Taking Place: acts <strong>of</strong> survival for a time to come‘, Macdonald, Ewan & Parker,<br />

Luke editors, 2006 Biennale <strong>of</strong> <strong>Sydney</strong>: Zones <strong>of</strong> Contact, <strong>Sydney</strong>, Biennale <strong>of</strong> <strong>Sydney</strong>, 2006<br />

Mordue, Mark, ‗Cultural Chamelon‘ [interview with Charles Merewether], The Weekend Australian, May<br />

20-21, 2006, R6.<br />

2008<br />

‗Revolutions. Forms that turn: Carolyn Christov-Bakargiev in conversation with Russell Storer‘, in art<br />

& Australia, vol. 45, no. 4, Winter 2008, June/July/August, pp. 602 – 608.<br />

Begg, Zanny, ‗confusion, a trip to the dentist and the biennale <strong>of</strong> <strong>Sydney</strong>: in conversation with Carolyn<br />

christov-bakargiev and michael rakowitz‘, in Contemporary Visual Arts + Culture Broadsheet, vol. 37,<br />

no. 2, June, 2008, pp. 90 – 97.<br />

Bianpoen, Carla, ‗Revolutions – Forms that Turn. An Electronic Interview with Carolyn Christove-<br />

Bakargiev on the 2008 Biennale <strong>of</strong> <strong>Sydney</strong>‘, in C Arts. Asian Contemporary Art and Culture, vol. 02,<br />

March/April, 2008, pp. 78 – 80.<br />

‗Carolyn Christov-Bakargiew on Turning Upside Down‘, in Flash Art, Vol. XLI, No. 260,May-June<br />

2008, p. 87.<br />

Clark John, The 1968 ―Euronale‖ <strong>of</strong> <strong>Sydney</strong> and other matters‘, in Contemporary Visual Art + Culture<br />

Broadsheet, Vol 37, no. 3, p. 176-7.<br />

Gardner, Anthony, ‗Biennale <strong>of</strong> <strong>Sydney</strong> 2008‘, in Artforum, Vol 47, Iss. 2, p. 405<br />

King, Natalie, ‗Carolyn Christov-Bakargiev on the Biennale <strong>of</strong> <strong>Sydney</strong>‘, in Flash Art, vol. XLI, no. 260,<br />

May/June, 2008, p. 87.

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