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MODERN AND CONTEMPORARY ASIAN ART - University of Sydney

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145<br />

Kim Whanki: Schwabsky, Barry, ‗Kim Whanki‘ [Seoul] Review, Art & Text 67, Nov. 1999- Jan. 2000<br />

Kim Yeong gil: Goodman, Jonathan, ‗Small marks, small spaces‘, Art AsiaPacific, 22, 1999<br />

Kim Youngae: Fusco, Cassandra, ‗An archaeology <strong>of</strong> experience‘, Asian Art News, vol.12, no.3, 2002. ;<br />

Fusco, Cassandra, ‗Traces <strong>of</strong> Time and Change‘, Asian Art News, vol. 17, no. 1, Jan-Feb 2007.<br />

Kim, Soo: review, Artforum, vol. 44, Iss. 8, 2006.<br />

Kimsooja: Pasini, Francesca, ed., Kimsooja: To Breathe: Respiare, Charta, Milan, 2006<br />

Ko, Jae: review, Artforum, vol. 45, iss. 5, 2007.<br />

Koo Jeong-A: ‗Koo Jeong-A Wins 2005 Hermes Korea Art Award‘, ArtAsiaPacific, no. 48, 2006. ; Macel,<br />

Christine, ‗Invisible Things‘, Flash Art, vol. XXXVIII, no. 245, November-December, 2005.<br />

Ku Ja-Young: Shinyoung Chung, ‗Ja-Young Ku: Illusion in the Post-Medium Condition‘, ArtAsiaPacific,<br />

no. 51, 2007.<br />

Kwak Hoon: ‗Hoon Kwak‘, Asian Art News, 2, no.3, May June 1992.<br />

Lee Bul: Lee, James B., ‗Desire under siege‘, World Art, no.3, 1995; Fukuoka Asian Art Museum,<br />

Contemporary Asian Artists-I 9Korea), Lee Bul: Monsters+Cyborg, Fukuoka: Fukuoka Asian Art<br />

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Journal, vol.59, 3, Fall 2000; Obrist Hans-Ulrich with Lee Bul, ‗Cyborgs and Silicone‘ in Lee Bul,<br />

Seoul, Artsonje Center, 1998; Fouser Robert J., ‗The question <strong>of</strong> body ownership‘, Art AsiaPacific<br />

28, 2001; H<strong>of</strong>fman, Frank, ‗Lee Bul: cyborgs and karaoke‘, Art in America, May 2002; Kantor,<br />

Jordan, ‗Lee Bul‘, Artforum International, Vol.41, Issue 2, October 2002; H<strong>of</strong>fman, Frank, ‗Lee Bul:<br />

Cyborgs and karaoke‘, Art in America, Vol. 90, Issue 5, May 2002. Lee Bul, Theatrum Orbis<br />

Terrarum, Tokyo, Japan Foundation Asia Center, 2003; Rhee, Jieun, ―From Godess to Cyborg:<br />

Lee Bul and Mariko Mori‖ in N. Paradoxa, Vol. 14, 2004 (July, 2004) ; Lee Bul On Every New<br />

Shadow, Paris, Foundation Cartier pour l‘art contemporain, 2007.; Masters, HG., ‗Lee Bul.<br />

Wayward Tangents‘, in ArtAsiaPacific, No. 56, Nov/Dec, 2007, p. 126 - 133. ; Lee, James B., ‗Yi<br />

Bul: the aesthetics <strong>of</strong> cultural complicity and subversion‘, Art & Asia Pacific, vol.2, no.2,<br />

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Foundation Asia Center, 2002<br />

Lee, Il: review, Art in America, 94:9 (October 2006)<br />

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September 1994<br />

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Noh, Sang-kyoon: review, Artforum, vol. 44, Iss. 6, 2006.<br />

Paik Nam-jun /Nam June Paik: Tomkins, C., ‗Video Visionary‘, in The Scene: Reports on Post-Modern Art,<br />

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San Gimignano, Arte Continua, 2002; Rhee Jong-soong, ‗Portapaik, Nam June Paik interviewed‘,<br />

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Video Space, New York, Harry N. Abrams, 1993. Butt, Zoe, ‗The Moon is the oldest television‘,<br />

TAASA Review, vol.12, no.2, 2003; Rhee, Jieun, ―Reconstructing the Korean Body: Nam June<br />

Paik as Specular Border‖ in Oriental Art, Vol. XLVIII, No. 4 (2002), pp. 47-50 ; Decker-Phillips,<br />

Edith, Paik Video, Station Hill Arts Series, Barrytown, 1998.; Eine Data Base: Nam June Paik, La<br />

Biennale di Venezia, XLV Esposizione Internationale D‘Arte, Edition Gantz, 1993.; Kim, Alice,<br />

‗Coyotes and Wolves: An Interview with Nam June Paik‘, New Art Examiner, vol.28, no.7 (April,<br />

2001), p.41.; Millett, Kate, ‗Bonyari‘, Nam June Paik: Video Time, Video Space, pp.110-13.; Nam June

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