08.01.2013 Views

MODERN AND CONTEMPORARY ASIAN ART - University of Sydney

MODERN AND CONTEMPORARY ASIAN ART - University of Sydney

MODERN AND CONTEMPORARY ASIAN ART - University of Sydney

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

242<br />

Jamal, Osman, ‗E.B. Havell: The Art and Politics <strong>of</strong> Indianness‘, Third Text, n39, Summer 1997, 3-19;<br />

Jamal, Osman, ‗Rashid Amin at Gallery Twenty-one, Exhibition Reviews, Asian Art News, vol. 12, no.<br />

2, March/April 2002<br />

Kawakita Michiaki, et al, Ajia Kindaikaiga no Yoaketen, Tôkyô, Mainichi Shinbun, 1985.<br />

Mitra,A., Four Painters [includes, ‗The forces behind the modern movement‘], Calcutta/New Delhi, New<br />

Age, 1965.<br />

Mittal, J., ‗Graphic art <strong>of</strong> the Bengal School‘, Lalit Kala Contemporary, no.1.<br />

Mookerjee,A., Modern Art In India, Calcutta, Oxford Book and Stationery Co., 1956.<br />

Parimoo, R., ‗Revival <strong>of</strong> Indigenous Values and their Influences on Modern Indian Art‘, Journal <strong>of</strong> the<br />

M.S.<strong>University</strong> <strong>of</strong> Baroda vol.XXXIII-XXXIV, no.1, 1984-5.<br />

Parimoo, R., Studies in Modern Indian art, New Delhi, Kanak, 1975.<br />

Parimoo, R., ‗Revivalism and After‘, in Simla, 1968<br />

Sarkar, Benoy Kumar, ‗Tendencies <strong>of</strong> Modern Indian Art‘, Rupam, 1926.<br />

Sarkar, Benoy Kumar, ‗Social Philosophy in Aesthetics‘, Rupam, 15-16, July-December 1923.<br />

Sarkar, Benoy Kumar, ‗The Aesthetics <strong>of</strong> Young India‘, Rupam, 9, January 1922, [same issue has,<br />

Agastya, ‗A Rejoinder‘; [see also Kramrisch, S., ‗"The Aesthetics <strong>of</strong> Young India", A Rejoinder‘,<br />

Rupam, 10, April 1922.]<br />

The Soul Speaks: Pictorial Representations <strong>of</strong> Spirituality, exh. Cat., National gallery <strong>of</strong> Modern Arts, New<br />

Delhi.<br />

Nascent Counter-establishment<br />

Art India, Vol. 7, Issue 2 (Quarter 2, 2002), Special Issue on ‗Faith and Reason‘‘ [Spirituality and<br />

Abstraction]<br />

Bansal, V. ‗Painted ceilings and murals at Rashtrapati Bhavan and Parliament House‘, Lalit Kala<br />

Contemporary, no.14.<br />

Brown, Rebecca M., ‗P.T.Reddy, Neo-Tantrism and Modern Art in India‘, Art Journal, vol. 64, iss. 4,<br />

2005.<br />

Dalmia, Yashodhara, The making <strong>of</strong> modern Indian art: The Progressives, New Delhi, Oxford <strong>University</strong><br />

Press, 2001.<br />

Kumar, R. Siva, Santiniketan: the making <strong>of</strong> a contextual modernism, New Delhi, National Gallery <strong>of</strong> Modern<br />

Art, 1997.<br />

Mitter, Partha, The Triumph <strong>of</strong> Modernism: India‘s Artists and the Acant-Garde, London: Reaktion Books,<br />

2007.<br />

Mukhopadhyay, A., ‗The Art Situation before 1940‘, Lalit Kala Contemporary, no.31, April, 1985.<br />

Nath, Deeksha, ‗Baroda Authorities Jail Art Student‘, in ArtAsiaPacific, No. 54, Jul/Aug, 2007, p. 47.<br />

Ramachandra Rao, P.R., Modern Indian Painting, Madras, Rachana, 1953.<br />

Tartakov, G.M., ‗Art and identity: the rise <strong>of</strong> a new Buddhist imagery‘, Art Journal, 49, 4, Winter 1990.<br />

Identity<br />

Art India, vol 9, issue 1, quarter 1, 2004, special issue on ‗identity‘.<br />

Art India, Vol. 7, Issue 4 (Quarter 4, 2002), Special Issue on ‗The Nomad Aesthetic‘ [Containing lead<br />

essays by Hou Hanru, Ranjit Hoskote, Lee Weng Choy, Aneglikla Fitz, Shuddhabrata Sengupta<br />

and Michael Saup]<br />

Art India, Vol. 9, Issue 1 (Quarter 1 2004), Special Issue on ‗Identity‘<br />

Das Gupta, P., ‗The Calcutta Group: Its aims and achievements‘, Lalit Kala Contemporary, no.31, April<br />

1981.<br />

Gaudibert, P., Sen, G., Raza Anthology 1980-90, Bombay, Gallery Chemould, 1991; Raza, Bombay,<br />

Gallery Chemould, 1985.<br />

Indian Art since the early 1940s- a search for identity, Cholamandal, Artists‘ Handicraft Association, 1974.<br />

James, J., ‗Metaphysical content in recent contemporary Indian Painting‘, Lalit Kala Contempoarary, nos<br />

12 & 13.<br />

James, J., ‗The Madras School‘, Lalit Kala Contemporary, no.6.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!