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MODERN AND CONTEMPORARY ASIAN ART - University of Sydney

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315<br />

Hasegawa, Yuko & The Japan Foundation (Editors), Heterotopias, Japanese Pavilion, the 50 th Venice<br />

Biennale 2003, The Japan Foundation, 2003. (Organiser: The Japan Foundation; Commissioner:<br />

Yuko Hasegawa.<br />

Shimizu, Toshio, ‗Japan and Korea at the 48 th Venice Biennale‘, Art AsiaPacific, 25, 2000<br />

The Japan Foundation, ed., Venezia Biennale - Nihonsanka 40nen / The Venice Biennale, 40 years <strong>of</strong> Japanese<br />

participation, [Bilingual], Tokyo, The Japan Foundation & Mainichi Newspapers, 1995<br />

Korea:<br />

Kim Yoon-Soo & Li Guang-Jun (Organisers), Korean Painting at the Beijing International Art Biennale, China<br />

2003, The Korean Culture & Arts Foundation, 2003<br />

La Biennale di Venezia, The 49 th International Art Exhibition, Korean Pavilion: Do-Ho Suh, Seoul, The Korean<br />

Culture and Arts Foundation, 2001. (Commissioner Kyung-Mee Park)<br />

La Biennale di Venezia, The 49 th International Art Exhibition, Korean Pavilion: Michael Joo, Seoul, The Korean<br />

Culture and Arts Foundation, 2001. (Commissioner Kyung-Mee Park)<br />

Kee, Joan (Editor), Landscape <strong>of</strong> Differences, The Korean Pavilion, the 50 th Venice Biennale 2003, Seoul,<br />

Korean Culture & Arts Foundation, 2003. (Commissioner: Kim Hong-hee).<br />

Kim Sunjung, Kim Heejin, & Kim Jang Un (Editors), Secret beyond the door, The Korean Pavilion, the 51 st<br />

Venice Biennale, Seoul, Korean Culture & Arts Foundation, 2005. (Commissioner: Kim<br />

Sunjung).<br />

Rhee Jong Soong, ‗Clay Idols: The new Korean pavilion at the Venice Biennale‘, Art & Asia-Pacific,<br />

vol.3, no.1, 1996;<br />

Rhee Jong Soong, ‗Clay Idols: The new Korean pavilion at the Venice Biennale‘, Art & Asia-Pacific,<br />

vol.3, no.1, 1996<br />

Shimizu, Toshio, ‗Japan and Korea at the 48 th Venice Biennale‘, Art AsiaPacific, 25, 2000 ‗Supplement:<br />

Korea‘, Asian Art News, vol. 5, no.1, Jan-Feb 1995.<br />

Malaysia<br />

Zhang Wubin, ‗The Ascent <strong>of</strong> the Image‘ (review <strong>of</strong> First Kuala Lumpur International Photography<br />

Biennale), Asian Art News, vol. 15, no. 6, 2005.<br />

Zhang Wubin, ‗Setting New Goals‘, (interview regarding First Kuala Lumpur International<br />

Photography Biennale), Asian Art News, vol. 15, no. 6, 2005<br />

Philippines:<br />

Flores, Patrick D., M201: In God We Trust, 5oth Biennale di Venezia, 2003, Exhibition Catalogue.<br />

Going for a Ride. M201: In God We Trust, 5oth Biennale di Venezia, 2003, Exhibition Pamphlet<br />

Singapore:<br />

Chua, Kevin, ‗Singapore in the 49 th Venice Biennale‘, FOCAS, no.3, January 2002, p.274.<br />

Clark, John, ‗Venice Biennale‘, Asian Art News, vol.13 no.5, September 2003<br />

Khor Koh Wah, commissioner, Mike (Lim Tzay Chuen), Singapore: National Arts Council & Singapore<br />

Art Museum, 2005<br />

Langenbach, Ray, ‗Garlands <strong>of</strong> Love: Socialist Realist aesthetics in Singapore‘, in Clark, John; Pelegggi,<br />

Maurizio; Sabapathy, T.K. eds, Eye <strong>of</strong> the beholder, <strong>Sydney</strong>, Wild Peony Press, 2006.<br />

Langenbach, Ray, Hidden Things, (on the occasion <strong>of</strong> the exhibition ‗A work by Lim Tzay Chuen‘),<br />

Singapore: LaSalle-SIA, 2005.<br />

Lee Weng Choy & Langenbach, Ray, ‗Athens, Singapore‘ [a dialogue] in Friede, Claus, Seyfarth, Ludwig,<br />

eds, Kunst aus Megastädten Asiens – Art from Asia Pacific Megacities, Hamburg, Kunsthaus<br />

Hamburg ,2000.<br />

Singapore, Singapore: Singapore Art Museum, National Heritage Board, 2001<br />

Singapore, Tan Swie Hian, Francis Ng, Heman Chong, Singapore: National Arts Council, National Heritage<br />

Board, 2003,<br />

Yap, June, ‗Performing. The Singapore Pavillion‘, in C Arts. Asian Contemporary Art and Culture, vol. 00,<br />

November/December, 2007, pp. 10 – 13.<br />

China-Taiwan:

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