MODERN AND CONTEMPORARY ASIAN ART - University of Sydney

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Gladston, Paul, ‗Writing on the Wall (and Entry Gate): A Critical Response to Recent Curatorial
Meditations on the ―Chineseness‖ of Contemporary Chinese Visual Art‘, in Yishu. Journal of
Contemporary Chinese Art, v. 6(1), March, 2007, pp. 26 – 33.
Hearn, Maxwell and Smith, Judith G., eds., Chinese Art: Modern Expressions, New York, Metropolitan
Museum of Art, 2001
Jullien, François, The Impossible Nude: Chinese Art and Western Aesthetics [tr. De la Guardia, Maev],
Chicago, University of Chicago Press, 2007.
Kao, Mayching, ed, Twentieth Century Chinese Painting, Hong Kong, Oxford University Press, 1988
[proceedings of a 1984 Hong Kong Conference, this covers most areas of modern Chinese
painting in a general manner]
Kuo, Jason, C., ‗Reviews of recent books on Modern Chinese Painting‘, Ars Orientalis, vol.20, 1991.
Kuo, Jason C., Discovering Chinese Painting: Dialogues with Art Historians, Dubuque, Kendall/Hunt
Publishing Company, 2000, 2006.
Laing, E.J., An Index to Reproductions by Twentieth Century Artists, Portland, Oregon, 1984
Litzinger, Ralph A., 1959-, ‗Theorizing Postsocialism: Reflections on the Politics of Marginality in
Contemporary China‘, The South Atlantic Quarterly, 101.1, Winter 2002
Lu Peng, Bruce Doar tr., Artists in Art History: Case Histories of Artists in Art History and Art
Criticism (Changsha: Hunan Fine Arts Publishing House, 2008), 873 pp
Lu, Sheldon, H., China, Transnational Visuality, Global Postmodernity, Stanford, 2001.
Merewether, C. ‗Forgetting the Memory of the Word: Writing Lessons in Contemporary Chinese Art‘
in Re/Trace: Dialogues, pp. 62-69. Edited by Jagjit Chuhan, Angela Dimitrakaki, Emma Thomas,
Liverpool: John Moores University, 2002
Special Issue: fabrications, positions east asia cultures critique, vol 11. no.2 Fall 2003 [on fashion and
modernity in East Asia]
Sullivan, Michael, ‗Orthodoxy and Individuality in Twentieth Century Chinese Art‘, in Murck, C., ed.,
Artists and Traditions, Princeton, Princeton UP, 1979.
Sullivan, Michael, Art and Artists of Twentieth Century China, Berkeley, California University Press, 1996
[reviews: Dal Lago in ART AsiaPacific, no.15, 1997, Croizier in The Journal of Asian Studies, 1997;
Clark in Asian Studies Reviews, 1999].
Sullivan, Michael, Chinese Art in the Twentieth Century, London, Faber & Faber, 1959.
Sullivan, Michael, The Meeting of Eastern and Western Art, Palo Alto, Stanford UP, 1969 [the research and
approach of this book are highly problematic], revised version, U. California Press, 1991.
‗The Modern Chinese Landscape in New media Arts: A Conversation Among Fang Xiaofeng, Chen
Anying, Zhao Wenbing, and Jin Jianbo‘, in Yishu Journal of Contemporary Chinese Art, Vol 8,
Number 2, March/April 2009, pp 65-71.
Tsuruta, T., ‗Kinhyakunenrai Chûgoku Gajin Shiryô‘, Bijutsu Kenkyû, nos 293-294, 303, 307; ‗Minkokuki
ni okeru zenkoku kibo no bijutsu tenrankai: kinhyakunenrai chûgoku kaigashi kenkyû 1‘, Bijutsu Kenkyû,
no.349; ‗Kaihôgo no zenkoku bijutsu tenrankai: Kinhyakunenrai Chugoku Kaigashi Kenkyû 2‘, Bijutsu
Kenkyû, no.350; 2, Fu 1, Bijutsu Kenkyû, no.351 [Catalogue of the 1954 Second National Fine Arts
Exhibition]; 2, Fu 2, Bijutsu Kenkyû, no.352 [Catalogue of the 1960 Third National Fine Arts
Exhibition].
Tsuruta, T., ‗Minkokuki bijutsugakkô sotsugyôdôgakuroku, Bijutsudantai kaiinroku shûsei‘, (Izumishi
Kubosô Kinenbijutsukan), Kubosô Kinen bunka zaidan Tôyô Bijutsu Kenkyûjo Kiyô, 2,3,4, 1991.
Tsuruta, T., Kindai Chûgoku no Gaka, Osaka, Osaka Shiritsu Bijutsukan, 1972.
Walker, Allan and Rarfiled Raz, ‗Documenta 12 Magazines Feature on Education. Cultures of
Assessment: Distinctive Characteristics of Assessment in U.K. Art and design Higher Education
and their Implementation in China‘, in Yishu. Journal of Contemporary Chinese Art, v. 6(1), March,
2007, pp. 73 – 84.
Wan Qingli, ‗Traditionalism, Reform, and Modernism in Twentieth Century Chinese Painting‘,
Orientations, 23, no.7, July 1992.