MODERN AND CONTEMPORARY ASIAN ART - University of Sydney

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Art in War Period
Anthology of Fine Arts Works during Revolution Time, Ho Chi Minh City Fine Arts Association, 2005.
As seen by Both Sides: American and Vietnamese Artists look at the War, Boston, William Joiner Foundation,
1991.
Harrison-Hall, Jessica, [with Sherry Buchanan, Katharine Lockett, and Thu Stern], Vietnam behind the
lines: images from the war, British Museum Press, 2002.
Huynh Phuong Dong: Visions of Peace, Indochina Arts Partnersip, (forthcoming 2007).
Nguyen Doc Dung, ‗Why Vietnam won the war‘, in Martin, Susan, Decade of Protest, political posters from
the United States, Vietnam, and Cuba, 1965-1975, Santa Monica, Smart View press, 1996.
Nha Xuat Ban My Thuat and Nha Xuat Ban Quan Doi Nhan Dan, 2000, Fifty Years of Painting and
Sculpture on Armed Forces and Revolutionary Wars.
Pham Thanh Tam, Drawing Under Fire: war diary of a young Vietnamese artist, Asia Ink, London, 2005.
Thaveeporn Vasavakul, ‗Art and Politics: Nationalism in Vietnam War Posters‘, The Asia-Pacific
Magazine , no.8, 1997.
Taylor, Nora A., ‗Framing the nation: viewing and reviewing painting under the revolkution‘, in Hue
Tam Ho Tai, ed., The Country of Memory: Revisions of the past in late Socialist Vietnam, Berkeley,
University of California Press, 2001.
Việt-nam Voices: Australians and the Việt-nam War, Exhibition, Casula Powerhouse, Sydney, 2009.
Cultural Policies
Boudarel, Goerges, Cent fleurs éclosent dans la nuit du Viet Nam: communisme et dissidence 1954-1956, Paris,
Jacques Bertoin, 1991.
Cu Huy can, Culture et politique culturelle en République Socialiste du Vietnam, Paris, UNESCO, 1985.
DeFrancis, John, Colonialism and Language Policy in Vietnam, The Hague, Mouton, 1977.
Jamieson, Neil, ―Relata, Relationships and Context: A Perspective on Borrowed Elements in
Vietnamese Culture‖, in Truong Buu Lam ed., Borrowings and Adaptations in Vietnamese Culture,
Southeast Asian Paper no. 25, Centre for Asian and Pacific Studies, University of Hawai‘i, Hanoa,
1982, 124-140
Jamieson, Neil, ―Cultural Representation in Transition: the Evolving Context of Contemporary
Vietnamese Painting‖, in Cultural Representation in Transition: New Vietnamese Painting, exh. cat., the
Siam Society, Bangkok, 1996, 14-31
Kurihara Hirohide, ‗Changes in the Literary Policy of the Vietnamese Workers Party, 1956-1958‘, in
McHale, Shawn, ―Printing and Power: Vietnamese Debates over Women‘s Place in Society 1918-
1934‖, in Essays into Vietnamese Pasts, eds. K.W. Taylor and John K. Whitmore, Ithaca, 1995, 173-
94
Ninh, Kim Ngoc Bao, A World Transformed: The Politics of Culture in Revolutionary Vietnam 1945-1965, Ann
Arbor: University of Michigan Press, 2002
Shiraishi Takashi, eds., Indochina in the 1940s and 1950s, Ithaca, SEAP, 1992.
General History
Betts, Raymond, Tricouleur: The French Overseas Empire, Gordon and Cremonesi Publishers, London and
New York, 1978
Duiker, William, The Rise of Nationalism in Vietnam, 1900-1941, Ithaca, Cornell University Press, 1976.
Karnow, Stanley, Vietnam: A History, Harmondsworth, Penguin, 1983.
Lockhart, B M, Monarchy in Siam and Vietnam, 19251-1946, Ph.D Dissertation, Cornell University, 1990.
Marr, David, Vietnam 1945: The Quest for Power, Berkeley University of California Press, 1995.
Marr, David, Vietnamese Tradition of Trial, 1920-1945, Berkeley, University of California Press, 1981.
McHale, Shawn, Print and Power: Confucianism, Communism and Buddhism in the Making of Modern Vietnam,
University of Hawaii Press, Honolulu, 2004.
Nguyen Van Ky, La Société Vietnamienne façe à la modernité, Paris, L‘Harmattan, 1995.
Pelley, Patricia, Writing Revolution: The New History in Post-colonial Vietnam, PhD dissertation, Cornell
University, 1993.