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MODERN AND CONTEMPORARY ASIAN ART - University of Sydney

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2<br />

INTRODUCTORY NOTES:<br />

This is a teaching and initial research bibliography which has been established over a number <strong>of</strong> years<br />

with Australian students who have no access to vernacular language materials in mind. For deep<br />

research, vernacular language speaking and reading ability is necessary, but this bibliography may<br />

also be useful for initial research by those without linguistic access to the art writings <strong>of</strong> the<br />

cultures concerned. It is usually updated every other year, depending on particular interests and<br />

available resources. Since this work originates as a personal teaching bibliography for different<br />

courses which naturally include frequent reference to my own works, I include lists <strong>of</strong> these at<br />

three places. The bibliography is available as a PDF file via the website <strong>of</strong> the Department <strong>of</strong> Art<br />

History and Film at:<br />

http://www.arts.usyd.edu.au/departs/arthistory/index.php?page=staff&id=johclark<br />

Please contact the author at arthistory.enquiries@arts.usyd.edu.au or at ja.clark@.usyd.edu.au with any<br />

notable omissions or additions. It is desirable for speed and accuracy <strong>of</strong> updating if you can do<br />

so with a country-specific file <strong>of</strong> additions only saved in the same categories and in .doc format for<br />

PC, and only if the text mentioned is available via reasonable international circulation. Thematic<br />

or artist titles should be preceded by the name in square brackets eg [Xu Bing], [Noumea] to<br />

facilitate A-Z sorting. At the minimum a title should be held in a national library which can be<br />

accessed by international document request facilities. Some countries have valuable material in<br />

English but in obscure academic journals and some have extensive writings on modern art which<br />

are nonetheless difficult to access abroad because <strong>of</strong> small-volume and / or selective coterie<br />

circulation at home. But if a text is both important and can be found by international document<br />

search, it should be included.<br />

Entry is by Country, Topic, and Artist. In some sections which give works on specific artists, authors<br />

follow the name <strong>of</strong> the work or artist. Artists who cross cultural boundaries are generally given<br />

under contemporary art sections by their culture <strong>of</strong> origination, although there are no hard-andfast<br />

rules for such affiliation, and some categories <strong>of</strong> overseas artists have been generated where<br />

there is sufficient material. There has been no attempt to restrict the bibliography to books<br />

alone, but obviously it is not possible to include too many journal articles, book reviews, or notes<br />

on particular exhibitions. Catalogues are usually included if little other material is available on a<br />

given artist or if they contain useful general essays. Since some works not dealing specifically<br />

with modern art also refer to its important proto-history in the 19th and early 20th centuries, they<br />

are also included here. In general, the art works referred to are after 1850.<br />

In general this bibliography seeks a balance between art historical quality, availability, and relevance.<br />

Thus texts <strong>of</strong> inadequate analytical or art historical reference have also been brought in since for<br />

some art cultures there is little other written work available in English. Many areas like modern<br />

history or writings on modern culture including literature are included on an ad hoc basis where<br />

these are available and seem useful, especially in areas where I have worked. Further suggestions<br />

for inclusion <strong>of</strong> minimum materials in political and cultural history adjacent to the field are<br />

welcome.<br />

For users <strong>of</strong> this bibliography in Australia:<br />

Works given are mostly those available in Australia and chiefly at the Australian National <strong>University</strong><br />

Library, National Library <strong>of</strong> Australia, The Canberra School <strong>of</strong> Art Library, <strong>University</strong> <strong>of</strong> <strong>Sydney</strong><br />

Fisher Research and Schaeffer Fine Arts Libraries and private sources in Canberra and <strong>Sydney</strong>.<br />

In the <strong>Sydney</strong> area, after holdings <strong>of</strong> the <strong>University</strong> <strong>of</strong> <strong>Sydney</strong> Fisher Research and Schaeffer Fine<br />

Arts Libraries, the best source for some <strong>of</strong> this material is probably the Art Gallery <strong>of</strong> New South<br />

Wales library which may be used for reference during weekdays. Fisher Research Library East<br />

Asian Collection is the recipient <strong>of</strong> an important ongoing donation <strong>of</strong> art catalogues via the

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