MODERN AND CONTEMPORARY ASIAN ART - University of Sydney

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Harper, T.N. The end of empire and the making of Malaya. Cambridge: Cambridge University Press, 1999.
Kua Kia Soong, May 13, Declassified Documents on the Malaysian Riots of 1969, Petaling Jaya, Suaram
Kommunikasi, 2007
Kwa, Chong Guan. ―Relating to the world: Images, metaphors and analogies‖ in Singapore in the new
millennium: Challenges facing the city-state, ed. Derek da Cunha. Singapore: Institute of Southeast
Asian studies, 2002, 108-132.
Kwok, Kian Woon and Low, Kee Hong,.―Cultural Policy and the City-State: Singapore and the ‗New
Asian Renaissance‘‖ in Global Cultures: Media, arts, policy and globalization eds. Diana Crane, Nobuko
Kawashima, Ken‘ichi Kawasaki. London: Routledge, 2002, 149-168.
Lim, Kit Siang, Malaysia: Crisis of Identity, Petaling Jaya, Democratic Action Party, 1986.
Manton, Neil, The Arts of Independence, Frank Sullivan in Singapore and Malaysia, Canberra, Published by the
author, 2008.
Mashadi, Ahmad, ‗De-Nationalizing Nanyang Modernity‘, in C Arts. Asian Contemporary Art and Culture,
vol. 02, March/April, 2008, pp. 92 – 95.
Milne, R.S. & Mauzy, D.K., Malaysia: Tradition, Modernity, and Islam.
Yao, Souchou, House of Glass: Culture, Modernity, and the State in Southeast Asia, Singapore: The Insitute of
Southeast Asian Studies, 2001
Tan, Tai Yong, Creating ―Greater Malaysia‖: Decolonization and the Politics of merger. Singapore: Institute of
Southeast Asian Studies, 2008.
Wee, C.J.W.-L. The Asian Modern: Culture, Capitalist Development, Singapore, Singapore: NUS Press, 2007.
Yao, Souchou, Singapore: The state and the culture of excess, London, Routledge, 2007.
Selected Exhibitions
2000+
Binghui, Huangfu. (ed), Translating Cultures: Site+Sight, Exhibition Catalogue, Singapore: Earl Lu Gallery
& LASALLE-SIA College of the Arts, 2003.
Binghui, Huangfu. (ed), In ε Out: Contemporary Chinese Art from China and Australia, Singapore: Earl Lu
Gallery & LASALLE-SIA College of the Arts, 1997.
Chloé, L., ‗Worms Festival: 3, Featuring Artists from Both Local and the Region‘ (Plastique Kinetic
Worms), in Vehicle: Contemporary Visual Arts, No.3, 2001, p.48-50.
Chua, Ferreolus., ‗Stir: BA 9th Graduation Show‘ (Earl Lu Gallery), in Vehicle: Contemporary Visual Arts,
No.5, 2002, p.12-15.
Chua, Ferreolus., ‗The President‘s Young Talents Exhibition 2003‘ (Singapore Art Museum), in Vehicle:
Contemporary Visual Arts, No.9, 2003, p.40-49.
Chua, Ferreolus., ‗Safari: Group Exhibition by Yong Taisi and Wong Huiling‘ (Utterly Art Gallery), in
Vehicle: Contemporary Visual Arts, No.9, 2003, p.54-55.
Fenner, Felicity, ‗Science Fictions, Singapore Arts Festival‘ (Review) in Art Asia Pacific, No. 39 (Winter
2004), p. 79
Goh, Sylvia., ‗Hé (Harmony)‘ (review of Yen Chua and Wang Qing), in Vehicle: Contemporary Visual Arts,
No.2, 2001, p.23.
Gunalan, Nadarajan., ‗180 KG: A Travelling Exhibition by Singapore Artists‘ (Cemeti Art House,
Yogyakarta, Indonesia), in Vehicle: Contemporary Visual Arts, No.7, 2002, p.44-49.
He, Ziyan., ‗Oi! Oi! 1,2,3…Everybody Let‘s Say En-Tro-Py!: The Young Artists Exhibition 2002‘
(Plastique Kinetic Worms), in Vehicle: Contemporary Visual Arts, No.6, 2002, p.48-53.
Ho, Tzu Nyen., ‗Plura Plura Sakura: Young Artists Exhibition 2001‘ (Plastique Kinetic Worms), in
Vehicle: Contemporary Visual Arts, No.3, 2001, p.6-11.
Kwok, Kian Chow. ―Introduction‖ in Venice Biennale 2001 – Singapore [exhibition catalogue]. Singapore:
Singapore Art Museum and the National Heritage Board, 2001.
Lee, Wen. “FOI3: ideology:irony:imagination” in The Future of Imagination 3 [catalogue].
Singapore Art Museum & The Substation, 2006.