MODERN AND CONTEMPORARY ASIAN ART - University of Sydney

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Huang Du, The 26 th São Paolo Biennial: Chinese Pavilion: Landscape of Deterritoralization [artist: Qu Yan]¸
Beijing, China International Exhibition Agency, 2004
Pong, Melanie , Josette Balsa, Stephen T.N Cheung, Una Shannon & Louisa Teo (Editors), The Other
Face: Three Chinese Artists ar the Centenary Exhibition. Milan, Zanzibar 1995. (Curator : Chang
Tsong-zung).
Venice:
Dal Largo, Francesca, ‗New Chinese Painting‘ in Catalogue 45 th Biennale di Venezia, 1993
Dal Largo, Francesca, ‗Chinese art at the Venice Biennale‘ in Clark, John ed., Chinese art at the end of the
millennium, Hong Kong, New Art Media, 2000, 158-166.
Chang Tsong-zung, The other face, in Catalogue 46 th Biennale di Venezia, 1995
Goodbody, Bridget, ‗No Introductions Necessary‘, ArtAsiaPacific, no. 45, 2005 (China pavilion at
Venice Biennale 05)
Hou Hanru, ‗Everyday Miracles: Four Women Artists. The Chinese Pavilion at the 52 nd Venice
Biennale‘, in Yishu: Journal of Contemporary Chinese Art, v. 6(2), June, 2007, pp. 8 – 13.
Huang Du (Editor), Synthi-Scapes, 50 th Venice Biennale 2003, Chinese Pavilion, Exhibition Guide, Beijing,
China International Exhibition Agency, 2003. (Curators : Fan Di‘an & Wang Yong).
Huang Du & Van Dong (Editors), Synthi-Scapes, 50 th Venice Biennale 2003, Chinese Pavilion, Beijing, China
International Exhibition Agency, 2003.
Szeeman, Harald, d‘APERtutto / APERTO over ALL, 1999, including Venice‘s Collection Courtyard:
organized by Cai Guoqiang, [later published as Stinga, Nico, Terrecotte Cinesi dalla 48 A Biennale di
Venezia, Nove, Antiga Edizioni, 2003]
Szeeman, Harald, ‗Harald Szeeman talks to Chinese artists about Venice, CCAA and curatorial
strategies‘ in Wu Hung, ed., Chinese Art at the Crossroads: between past and future, between East and
West, Hong Kong, New Art Media, 2001
Hou Hanru, Canton Express, project for ―Z.O.U – Zone of Urgency‖, 50th Biennale di Venezia,
Changsha, Hunan Arts Publishing House, 2003.
Hou Hanru, One Man, Nine Animals: Huang Yong Ping‘s project for the French pavilion in Venice Biennale, Paris,
Association Française d‘Action Artistique, 1999
Fan Di‘an, Wang Yong, assistant Huang Du, China National Pavilion, 50th Biennale di Venezia, Beijing,
China International Exhibitions Agency & Guangzhou, China Guangdong Museum of Art, 2003
Lu Jie, ‗About the Chinese Presentation at the 2005 Yokohama Triennale‘, Yishu: Journal of Contemporary
Chinese Art, vol. 4, no. 4, Dec. 2005.
Yishu: Journal of Contemporary Chinese Art, vol. 4, no. 3, Sep. 2005, issue focusing on artists from PRC,
Hong Kong, Taiwan and Singapore at the Venice Biennale/ Chinese presence at other
biennale/triennial event.
Regular Fragile – Liu Jianhua. Project for the 50 th Biennale Di Venezia – China Pavilion, Shanghai,
ShangHART, 2003.
China-HongKong:
Binks, Hilary, ‗A larger identity‘, Asian Art News, vol.11, no.5, 2001.
Chang Tsong-zung, Hong Kong pavilion, at 49 th Biennale di Venezia, Hong Kong, Hong Kong Arts
Development Council, 2001
Chang Tsong-zung, Venice Hong Kong, Magic at Street Level, Hong Kong pavilion, at 49 th Biennale di
Venezia, Hong Kong, Hong Kong Arts Development Council, 2001.
Ford, Norman, ‗‗STAR FAIRY‘ as Collateral Damage: Hong Kong at the 52 nd Venice Biennale‘, in
Orientations, vol. 35, no. 5, June, 2007.
Ford, Norman, ‗One the Road to Venice, or, A Parrot Speaks for Me. The Hong Kong Pavilion at the
52 nd Venice Biennale‘, in Yishu: Journal of Contemporary Chinese Art, v. 6(2), June, 2007, pp. 18 – 21.
Ford, Norman, ‗You are not in China anymore or, handing over and over and over‘, in Contemporary
Visual Arts + Culture Broadsheet, vol. 36, no. 4, December, 2007, pp. 232 – 234.
Para Site Collective,[curated by Para Site], Navigating the Dot, artists from Hong Kong, China Hong Kong,
Arts Development Board, 2003