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MODERN AND CONTEMPORARY ASIAN ART - University of Sydney

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25<br />

Interview with Cai Guo-Quiang‘, in Yishu. Journal <strong>of</strong> Contemporary Chinese Art, v. 6(1), March, 2007,<br />

pp. 39 – 44; Soetriyono, Eddy, ‗Cai Guo-Qiang. The Big Bang‘, in C Arts. Asian Contemporary Art<br />

and Culture, vol. 02, March/April, 2008, pp. 14 – 26; Cai Guo-Quiang, ‗Statement from Cai Guo-<br />

Qiang: ―I want to believe‖, in C Arts. Asian Contemporary Art and Culture, vol. 02, March/April,<br />

2008, pp. 28 – 29; Cohn, Don J., ‗Cai Guo-Qiang. The Art <strong>of</strong> War‘, in ArtAsiaPacific, No. 57,<br />

Mar/Apr, 2008, pp. 98 - 105.; Cai Guo Qiang, ‗Cai Guo Qiang and Andrei Ujica: A<br />

Conversation‘, in Cai Guo Qiang, Paris, Foundation Cartier pour l‘art contemporain, 2000, pp. 81<br />

– 88.; Masatoshi, T., ‗Time and Space are Powerful and Eternal‘, in Day Dreaming: Cai Guo Qiang,<br />

Taipei: Cherng Piin Gallery, 1998.; Zaya, O., ‗Interview: Octavio Zaya in Conversation with Cai<br />

Guo Qiang‘, in Cai Guo Qiang, London, Phaidon, 2002; Vine, Richard, ‗China envy: the debut <strong>of</strong><br />

Cai Guo-Qiang's midcareer survey at the Guggenheim Museum in New York melded sheer<br />

spectacle with an incisive treatment <strong>of</strong> the artist's signature transcultural themes.‘ in Art in America<br />

96.9(Oct 2008): 142(6).<br />

Cai Heng review Asian Art News, vol.12, no.3, 2002<br />

Cai Jin, oil painter, Tianjin and New York: Yang En, ed. Cai Jin, Beijing, Renmin Meishu Chubanshe,<br />

1995. ; review, Art AsiaPacific 28, 2001<br />

Cang Xin, Huang Du, et.al., ed., Existence in Translation – Cang Xin, Hong Kong : Timezone 8 Ltd, 2002.<br />

; Zhang Zhaohui, ‗The Alchemy <strong>of</strong> Art‘, in Asian Art News, v. 18(1), January/February, 2008, pp.<br />

80 – 84.<br />

Cao Fei: Hou Hanru, ‗Cao Fei: A Mini-Manifesto <strong>of</strong> New Human Beings‘, Flash Art, vol. XXXVIII, no.<br />

242, May-Jun, 2005; Low, Joni, ‗Realities and Other Absurdities: A Conversation with Cao<br />

Fei‘,Yishu: Journal <strong>of</strong> Contemporary Chinese Art, vol. 5, no. 4, Dec 2006; Kovskaya, Maya, ‗Heroes <strong>of</strong><br />

the Mundane: The Syncretic Imagination <strong>of</strong> Cao Fei‘, Yishu: Journal <strong>of</strong> Contemporary Chinese Art,<br />

vol. 5, no. 4, Dec 2006; Obrist, Hans-Ulrich, ‗Hans-Ulrich Obrist on Cao Fei‘, Artforum, vol. 44,<br />

Iss. 5, 2006; Thea, Carolee, ‗Cao Fei: Global Player‘, ArtAsiaPacific, no. 50, 2006; ‗A Specific<br />

Voice: A Conversation Between Cao Fei and Doryun Chong, with Contributions from Hu Fang,<br />

Zhange Wei, and Keirth Wallace‘, in Yishu Journal <strong>of</strong> Contemporary Chinese Art, Vol. 7, No. 4, July<br />

2008, pp. 52-61; Heartney, Eleanor, ‗Like life: as seen through the work <strong>of</strong> Chinese artist Cao Fei,<br />

the virtual universe <strong>of</strong> Second Life is more glamorous and seductive, and no less melancholy,<br />

than the world from which it <strong>of</strong>fers escape.‘ (Cao Fei: Whose Utopia)(i.Mirror) in Art in America<br />

96.5 (May 2008): 164(3).<br />

Chang Yungho: Rehberg, Vivian., ‗Three Men and A Camera: Chang Yung Ho, Wang Jianwei, and Yang<br />

Fudong‘, in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, Vol. 2 No. 3, September 2003, p.62-63;<br />

Chang Yungho, Obrist, Hans U. ‗Hans Ulrich Obrist Camera Interviews‘, in Yishu: Journal <strong>of</strong><br />

Contemporary Chinese Art, Vol. 2 No. 3, September 2003, p.64-67.<br />

Chao Chung Hsiang/ Zhao Chunxiang Findlay, Ian, ‗A master at work‘, Asian Art News, vol.10, no.2, 2000<br />

Chao Ge: review, Asian Art News, vol. 15, no. 1, 2005.<br />

Chen Beixin: review, Asian Art News, vol. 16, no. 5, 2006.<br />

Chen Fengxu: review, Asian Art News, vol. 16, no. 6, Nov-Dec 2006.<br />

Chen Haiyan, Roberts, Claire, ‗Chen Haiyan: Dream work‘, <strong>ART</strong> AsiaPacific, Issue 36 (2002)<br />

Chen Li: Pettifor, Steven, ‗Faces, Dreams, Fictions‘, Asian Art News, vol. 16, no. 5, 2006.<br />

Chen Lingyang: Berghuis, Thomas, 'Close Encounters – Performance art practices in China during the<br />

1990s and the role <strong>of</strong> the mediated subject <strong>of</strong> the acting body in art', Peter Lewis and Hoor Al-<br />

Qasimi, ed., Sharjah International Biennial 6 (Catalogue), United Arab Emirates: Sharjah<br />

International Biennial, 2003, pp. 034-038; Jordan, Francesca and Marella, Primo, China Art Now:<br />

Out <strong>of</strong> the Red, Milano: Marella Arte Contemporanea, 2003; Wu, Hung, ‗Chen Lingyang‘ in Art<br />

Asia Pacific, Issue 37 (2003), p. 92Chen Yifei, Pai, Maggie, ‗The romantic Realist‘Asian Art News,<br />

vol. 7, no. 3, May/June 1997.<br />

Chen Shaoxiong: Mami, Kataoka, ed., Under Construction: New Dimensions <strong>of</strong> Asian Art, Tokyo: The Japan<br />

Foundation Asia Center, 2002; ‗Anti-C.S.X.: A Discussion <strong>of</strong> Chen Shaoxiong‘s Solo Exhibition‘<br />

(Vitamin Creative Space, Guangzhou, December 14, 2003), in Yishu: Journal <strong>of</strong> Contemporary Chinese

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