MODERN AND CONTEMPORARY ASIAN ART - University of Sydney

241
Kelkar, N.M., The Story of the Sir J.J. School of Art: 1857-1957, Bombay, Government of Maharashtra
and Sir J.J. School of Art, n.d. [1969?]
Maitra, A.K., ‗Aims and Methods of Painting in Ancient India‘, Rupam, nos 13-14, January-June 1923.
Mitter, P., Art and Nationalism in Colonial Indian, 1850-1922, Cambridge, Cambridge University Press,
1994.
Sastu, Pandit Natesa, ‗The Decline of South Indian Arts‘, Journal of Indian Art, no.28, 1990.
Sivaramamurti, C., Chitrasutra of Vishnudharmottara, New Delhi, Kanak Publications, 1978.
Sivaramamurti, C., The Painter in Ancient India, New Delhi, Abhinav Publications, 1978.
Art for the Establishment
Bhushan, V., commissioner, Damerla Rama Rao, New Delhi, CMC Gallery, 1991.
Catalogue of the Maharajah Fatesingh Museum Baroda, Baroda, 1981.
Group 1890 exhibition catalogue, Rabindra Bhavan, New Delhi, 1963. Manifesto by J Swaminathan.
Guha-Thakurta, T., ‗Westernization and Tradition in South Indian Painting in the 19th century: The
Case of Raja Ravi Varma‘, Studies in History vol.2, no.2, 1986.
Guha-Thakurta, Tapati, Monuments, Objects, Histories : Institutions of Art in Colonial and Post-Colonial India,
New York, Columbia University Press, 2004.
Havell, E. B. Indian Sculpture and Painting second edition, London: John Murray, 1928.
Kapur, G., ‗Ravi Varma: Representational Dilemmas of a Nineteenth Century Indian Painter, Journal of
Arts & Ideas, nos 17/18, June 1989.
Neumayer, E. and Schelberger, C., Popular Indian Art: Raja Ravi Varma and the Printed Gods of India, New
Delhi: Oxford University Press, 2003.
Parimoo, Ratan, The legacy of Raja Ravi Varnma, The Painter, Baroda: Maharaja Fatehsingh Museum Trust,
1998.
Raja Ravi Varma : the painter prince 1848-1906, Bangalore : Parsam Mangharam, 2003
Sharma, R.C. & Chala, R., Raja Ravi Varma: New perspectives, New Delhi, National Museum, 1993.
Sundaram, ―The Moment of Group 1890 (1963)‖, The India Magazine, W. E. Gladstone Solomon The
Bombay Revival of Indian Art. Bombay: Sir J. J. School of Art, 1924.
Venniyoor, E.M.J., Raja Ravi Varma, Trivuvananthapuram: Government of Kerala, 1981
Fine Art Societies
Gandy, Kekoo, informal interview with John Clark, Calcutta, 9.12.1991.
Sarkar, K., ‗Fifty years of the Academy of Fine Arts‘, in Moitra, D., ed., The Academy of Fine Arts Golden
Jubilee: A Commemoration, 1933- 1983, Calcutta, The Academy of Fine Arts, n.d. [1983]
Sadwelkar, B., Story of a Hundred Years: The Bombay Art Society, 1888-1988, Bombay, The Bombay Art
Society, 1989.
Sanyal, B.C., ‗Contemporary Indian Art: A Survey‘[1980], in Dhamija, 1988.
Neo-traditional Painting
Aurobindo, Sri, The Significance of Indian Art, [with ‗Western and Eastern Misunderstandings‘, 1918-21],
Pondicherry, Sri Aurobindo Press, 1947.
Borden, Carla, ed., Contemporary Indian Tradition, New York: Smithsonian, 1989.
Chattopadhyay, R., ‗Nationalism and form in Indian Painting: A Study of the Bengal School‘, Journal of
Arts & Ideas, 14/15, Jul-Dec 1987.
Chopra, S. ‗The Folk in Modern Art‘, India International Centre Quarterly, vol.17, no.2, Monsoon 1990.
Dey, Bishnu, ‗The pioneers of art in modern India‘, Lalit Kala Contemporary, no.1.
Elmhirst,L.K., Poet and Plowman, Calcutta [?], Visva-Bharati, 1975.
Griffith,John, The Paintings in the Buddhist Cave-Temples of Ajanta [1896], reprint, Delhi, Caxton
Publications, 1983.
Guha-Thakurta, T., The making of a new ‗Indian‘ art: Artists, aesthetics and nationalism in Bengal, c.1850-1920,
Cambridge, Cambridge University Press, 1992.
Herringham, C.J., et al, Ajanta Frescoes, London, The India Society, 1915.