MODERN AND CONTEMPORARY ASIAN ART - University of Sydney

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Curatorial Practice
Aiha, Catherine, ed., Unfolding Perspectives: Three days of Lectures and Discussions at the ARS 01 Exhibition,
Helsinki, KIASMA [Museum of Contemporary Art] & NIFCA [Nordic Institute for
Contemporary Art], 2002.
Biggs, Lewis, ‗ ―Art, Money, Parties‖ and Liverpool Biennial‘, in Harris, Art Money, Parties, 2004
Ciric, Biljana, ‗Curatorship Crises‘, in Contemporary Visual Arts + Culture Broadsheet, vol. 37, no. 1, March,
2008, pp. 41 - 43.
‗Curators‘ Trip to China‘, Yishu, May 2002, Spring; [the curators who went in 2000 were Okwui
Enwezor, Suzanne Ghez, Lynne Cooke, Sebastian Lopez, Chris Dercon, Jessica Bradley, Sarat
Maharaj. Accompanied by Annie Wong, Ken Lum, Zheng Shengtian, Richard Yiu, interpreter,
Chaos Chen]
Driscoll, Ian, ‗Arne Glimcher: A Titan in the Middle Kingdom‘, in ArtAsiaPacific, No. 59, July/August,
2008, pp. 78 - 81.
Farqhuarson, Alex, ‗I Curate…You Curate…We Curate…‘, Art Monthly (UK) no.269, September 2003.
Harris, Jonathan, ed., Art, money, parties¸ new institutions in the political economy of contemporary art, (Tate
Liverpool Critical Forum, Volume 7] Liverpool, Liverpool University Press, 2004.
Heinich Nathalie; Pollak, Michael, ‗From museum curator to exhibition auteur; inventing a singular
position‘, in Greenberg, Rebecca; Ferguson, Bruce W.: Nairne, Sandy, eds., Thinking about
Exhibitions, London, Routledge, 1996.
Hiller, Susan; Martin, Sarah, The Producers: Contemporary Curators in Conversation, Newcastle, BALTIC,
2000.
Hou Hanru in Zhu Qi, ‗ ―We‘ve become true individuals‖ ‘ [November, 2000, tr. Bernell, R.] in Wu
Hung, ed., Chinese Art at the Crossroads: between past and future, between East and West, Hong Kong,
New Art Media 2001
Hou Hanru, ‗Beyond the Chinese‘ in Clark, John ed., Chinese art at the end of the millennium, Hong Kong,
New Art Media, 2000
Hou Hanru, Lecture in Symposium to accompany Asian Traffic at University of New South Wales, June
2004,
Hou Hanru, On the Mid-Ground [edited by Yu Hsiao-Hwei], Hong Kong, Timezone 8, 2002.
Jim Alice Ming Wai, ‗Interview with Hou Hanru‘, [of January 8 th , 2006], Yishu: Journal of Contemporary
Chinese Art, vol. 5, no.1, March 2006, p.71.
Kamiya Yuki, ‗A potential role of Asian art in the International Art scene: a study of Asian art
exhibitions in the United States and Japan‘, in Duksung Women‘s University, Alternative Space
Loop, Yellow Sea Publications, The 2 nd ‗In-Between‘ International Alternative Space Conference –
Globalism and Alternative Spaces, Seoul, Yellow Sea Publications, 2004
Kantor, Sybil Gordon, Alfred H. Barr Jr. and the intellectual origins of the Museum of Modern Art, Cambridge,
Mass., The MIT Press, 2002
Kuoni, Carin, ed., Words of Wisdom, a curator‘s vade mecum on Contemporary Art, New York, Independent
Curators International, 2001
Linde, Rohr-Bongrad, et al, Kunst=Kapital, Der Capital Kunstkompass von 1970 bis heute, Köln, Salon
Verlag, 2001
Marquis, Alice Goldfarb, Alfred H. Barr, Jr., Missionary for the Modern, Chicago, Contemporary Books,
1989
Misiano, Viktor, ‗ ―Zones of Contact‖: from ―confidential zones‖ to ―operational zones‖ ‘ in
Macdonald, Ewan & Parker, Luke editors, 2006 Biennale of Sydney: Zones of Contact, Sydney,
Biennale of Sydney, 2006.
Mosquera, Gerardo, ‗On art, politics and the millennium in Latin America‘, in Chambert, C., ed.,
Strategies for Survival – now!, Paris, AICA Press, 1995
Müller, Hans Joachim, Harald Szeemann: Exhibiton-Maker {Translated by Kais, Leila}, Ostfildern-Ruit,
Hatje Cantz Verlag, 2006