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MODERN AND CONTEMPORARY ASIAN ART - University of Sydney

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Yuan, Chu Chu, and Jay Koh, ‗Encounters in Engagement: Investigating Public Engaged Art in<br />

Singapore‘, in FOCAS: Forum on Contemporary Art & Society, No. 4, June 2002, p.38-52.<br />

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1925-1970 [exhibition catalogue]. Singapore: Singapore Art Museum, 24 Feb-13 March 1994.<br />

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[Translated and published in 1999] Marco Hsu, A brief history <strong>of</strong> Malayan art, trans. Lai Chee Kien.<br />

Singapore: Millennium Books, 1999.<br />

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<strong>University</strong> <strong>of</strong> Malaya, 2007.<br />

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Rawanchaikul, Toshiko. Nanyang 1950-65: Passage to Singaporean Art. Fukuoka: Fukuoka<br />

Asian Art Museum, 2002.<br />

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Sabapathy, T.K. ―The Nanyang Artists: Some General Remarks‖ in Pameran Retrospektif Pelukis-pelukis<br />

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M.M., Balagopal, R., Tay, C.B., Cheng, T.Y., Anuar, M. Singapore: National Library Board,<br />

2009.<br />

Tan, Tee Chie. ―画的洁癖与南洋风格的式微‖ [Pictorial fastidiousness and the decline in Nanyang<br />

Feng ge] in Nanyang Arts: 20 years retrospective, Singapore: Nanyang Alumni, 1996.<br />

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Identity in Singapore, 1930-1960‖. Masters‘ Thesis, Hong Kong <strong>University</strong> <strong>of</strong> Science and<br />

Technology, 1997.<br />

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Singapore: Nanyang Academy <strong>of</strong> Fine Arts, 1955, 2.<br />

Zhong, Yu. ―马来西亚华人美术史‖ [―A history <strong>of</strong> Malaysian Chinese art‖]. PhD diss., privately<br />

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Individual Artists<br />

Baet Yoke Kuan: Yap, Serene., ‗An Amorphous Disguise: An Interview with Baet Yoke Kuan‘, in Vehicle:<br />

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Benjamin Buah: Loke, Serena., ‗Encounters with Rats in a Lab: Travelling Project by Benjamin Puah‘<br />

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