88 Chiang, Yenchou, ‗Charting his Own Course‖, [Lee Kar-siu in Paris], Asian Art News, vol.4, no.1, Jan- Feb 1994. Chiba Shigeo in ―Chûgoku‖: Ajia no Nami, Fan Zhongming, Cai Guoqiang, Wang Xinping, Tôkyô, Tôkyô Gallery, 11-23 March 1991. Chiba Shigeo in Seisei 15-Nen, Chûgoku Gendai Bijutsu no Ayumi, Tôkyô, Tôkyô Gallery, 29 November to 18 December, 1993. [Huang Rui, Ma Desheng, Wang Keping, Ai Weiwei, Yang Yiping, Yan Li; exhibition text by Li Xianting}. China Dream – Another Flow <strong>of</strong> Chinese Modern Art (Catalogue on Chinese Trade Painting) Fukuoka Asian Art Museum, 2004 Chiu, Melissa, ‗Asian Contemporary Art in New York: A Curator‘s Perspective‘, in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, Vol. 2 No. 2, June 2003, p.111. Clark, J., ‗Chinese Painters drawn to the magnet <strong>of</strong> Paris‘, Far Eastern Economic Review, 18-12-1986 Clark, John, ‗Dilemmas <strong>of</strong> (Dis-) Attachment in the Chinese Diaspora‘, Visual Arts + Culture, vol.1, no.1, 1998. Cohen, J.L., ‗China‘s Artists Testing Wings in the West‘, Asian Wall Street Journal, 20/21-1-1984 Ducrest, Jean-Pierre, ‗La peinture chinoise contemporaine et la France‘ special issue <strong>of</strong> Bulletin Association Française des amis de l‘Orient, no.44, Hiver 1999. Endô Nozomi, ‗The Asian Art Show: Problems involved in the planning <strong>of</strong> Exhibitions <strong>of</strong> Contemporary Asian Art, Tôkyô‘, in Dai 4-Kai Ajia Bijutsuten [translated by Anderson, Stanley], Tôkyô ,Setagaya Bijutsukan, 1995. Findlay, I., ‗In from Exile‘, [James Chan Leong], Asian Art News, vol.4, no.6, November-December 1994. Findlay, Ian, ‗Against the grain‘ [Hoo Mojong], Asian Art News, vol.5, no.3, Jul/Aug 1995. Fukunaga Osamu, Miyatake Hiroshi, Obigane Akio, Uchida Hideo eds., Creativity in Asian Art Now: Part 3, Asian Installation Work [ translated by McClintock, Margaret], Hiroshima, Hiroshima City Museum <strong>of</strong> Contemporary Art & Tôkyô , Asahi Shimbun, 1984. Garrett, Louise, ‗Living in Time, Contemporary Artists from China‘ (Germany), Art Asia Pacific, No.34, 2002. Hacker, Arthur, ‗In search <strong>of</strong> tranquility‘, [Christopher Cheung], Asian Art News, vol.7, no.5, September / October 1997. Hay, J., ‗Ambivalent Icons: works by five Chinese artists based in the United States‘, Orientations, 23, no.7, July 1992. Hou Hanru, Uncertain Pleasure: Chinese Artists in the 1990s, Vancouver, Art Beatus, 1997 [Review: Tsang, Henry, Art AsiaPacific, no.17, 1998] Huangfu Binghui, In and Out: Contemporary Art from China and Australia, Singapore, LaSalle -SIA College <strong>of</strong> the Arts, 1997 [Review: Art AsiaPacific, no.17, 1998]. Jana, R., ‗Assimilation or Alienation?‘, Asian Art News, vol.4, no.6, Nov-Dec 1994. Kayser, Christine, ‗In search <strong>of</strong> ultimate things‘ [Zao Wou-ki /Zhao Wuji], Asian Art News, vol.6, no.4, July/August, 1996 Kember, Patricia, ‗Hairlooms‘ [Gu Wenda], Asian Art News, volume.7, no.5, September / October 1997. Levin, G., ‗Changing Cultures: The recent immigration <strong>of</strong> Chinese artists to the U.S.‘, Asian Art News, vol.4, no.5, Sept-Oct 1994. Liu, Manni & Park, Jung E., ‗Bridging the old and new worlds‘, [Lampo Leung], Asian Art News, vol.7, no.5, September / October 1997. Magnan, K.F., ‗Blending Myth and Reality‘ [Tony Wong], Asian Art News, vol.4, no.6, Nov-Dec 1994. Millichap, John, ‗Moments <strong>of</strong> Time‘ [Yang Diu in Paris], Asian Art News, vol.6, no.5, September / October, 1996. Pierquin-Tian, O., Peintres et Sculpteurs Chinois a Paris, 1947-1987, Paris, Centre Chine, Maison des Sciences de l‘Homme, 1987
89 Su Ruiping,ed., Overseas Chinese Artists Exhibition / Haiwai Yishujia Zhuanji, Taibei, Taibei Fine Arts Museum, 1984. Thea, Carolee., ‗On the Mid-ground: Hou Hanru: Selected Texts‘ (book review), in Art AsiaPacific, Issue 38, Fall 2003, p.88. White Julia M., et al., Images Collecting: an exhibition <strong>of</strong> Tseng Yoho‘s works, (bilingual catalogue) Taipei, National Museum <strong>of</strong> History, 2002 [Ceng Youhe] Yang, Alice, Why Asia? Contemporary Asian and Asian American Art, New York, New York <strong>University</strong> Press, 1999. Zhang Zhaohui, ‗Seeking a Spirit from history‘, Asian Art News, vol. 15, no. 1, 2005. Individual Artists Chan, Paul: Kent, Rachel, ‗Paul Chan. Art in Reverse‘, in ArtAsiaPacific, No. 56, Nov/Dec, 2007, p. 140 - 143. Chann, George: Findlay, Ian, ‗The Sentiment <strong>of</strong> Memory‘, Asian Art News, vol. 16, no. 4, 2006. Jia Juanli: Findlay, Ian, ‗Reflections on a Court Life‘, Asian Art News, vol. 15, no. 6, 2005. Sanyu/Chang Yu: Wong, Rita, Sanyu [Chang Yu] Catalogue Raisonnée, Taipei, Lin & Keng Gallery 2001 ; Wong, Rita, Sanyu: l‘écriture du corps, Paris Musée Guimet, 2004 [essays by Andrews, Hay, Koutozis, Krebs &Wong]. Modern Chinese Art, Texts by John Clark: Clark, John, Modernities compared: Chinese and Thai Art in the 1980s and 1990s, <strong>Sydney</strong>, Power Publications, 2007. Clark, John, Modernities <strong>of</strong> Chinese Art, Singapore, Institute <strong>of</strong> Contemporary Art, 2007 Clark, John ‗Post-modernism and recent expressionist tendencies in Chinese oil painting‘, Asian Studies Review, vol.15, no.2, November 1991. Clark, John, ‗‗Problems <strong>of</strong> Modernity in Chinese Painting‘, Oriental Art, New Series, XXXII, no.3, 1986, 270-283, reprinted as Chapter Three here. Clark, John, ‗A Tale <strong>of</strong> Two Cities‘ [Beijing and Taibei], Art Monthly [Australia], no.29, April 1990, Clark, John, ‗Academicism in Chinese oil painting and a nascent avant-garde in the 1980s‘, in Duro, Paul, ed., Perspectives on Academic Art, Occasional Papers III, The Art Association <strong>of</strong> Australia, 1991. Clark, John, ‗The Chinese Artists‘ Association‘, Art Monthly [UK], May 1986 Clark, John, ‗Art and Modernism in China, 1900-97: A review and documentation‘, Journal <strong>of</strong> the Oriental Society <strong>of</strong> Australia, vol.29, 1997, 50-73. Clark, John, ‗Beyond Exile‘ in Modern Chinese Art Foundation, Provincie Bestuur van Oost-Vlaanderen, 1999; Clark, John, ‗Chinese Artists in Paris‘, Far Eastern Economic Review, 16.12.1986. [Chinese translation: Meishu Shichao, Nanjing, no.4, 1987, 31-33]. Clark, John, ‗Histories in the Modern‘, in Murray, Graeme; Syme, Meg; Knight, June; eds, Reckoning with the past: Contemporary Chinese Painting, Edinburgh, Fruitmarket Gallery, 1996, 17-20 Clark, John, ‗La Peinture moderne à Taiwan‘ [traduit par Pierre-Étienne Will et Anne Cheng], Études Chinoises, vol.VII, no.1, Printemps, 1988, 29-63, Clark, John, ‗Liu Guosong‘s: The Road <strong>of</strong> Chinese Painting‘, Journal <strong>of</strong> the Oriental Society <strong>of</strong> Australia, vols 27 & 28, 1995-96, 33-56. Clark, John, ‗Modernity in Chinese Art, 1850s-1990s: some chronological materials‘, Journal <strong>of</strong> the Oriental Society <strong>of</strong> Australia, vol.29, 1997, 74-169, reprinted as Chapter Twenty Three here. Clark, John, ‗Official Reactions to Modern Art in China since the Beijing Massacre‘, Pacific Affairs, September, 1992, 334-352. Clark, John, ‗Dilemmas <strong>of</strong> (Dis-) attachment in the Chinese Diaspora‘, Paroissien, Leon, ed., Visual Arts and Culture, Volume 1, Part 1 (1998) Clark, John, ‗Playing with the Stars: Guan Wei‘s styles‘, essay for Guan Wei Exhibition Catalogue, Dr. Earl Lu Gallery, La Salle SIA, Singapore, 2000, 6-11.
- Page 1 and 2:
MODERN AND CONTEMPORARY ASIAN ART:
- Page 3 and 4:
3 National Art Center in Tokyo and
- Page 5 and 6:
CHINA-HONG KONG AND MACAO 72 Genera
- Page 7 and 8:
THAILAND 152 Historical Context Bef
- Page 9 and 10:
Photography 227 New Media 227 Craft
- Page 11 and 12:
Islamic World 277 Meso- and South A
- Page 13 and 14:
13 Ewington, Yang, Munroe in ART As
- Page 15 and 16:
15 [Video] Kuraishi, Shino, ‗Sere
- Page 17 and 18:
17 Gladston, Paul, ‗Writing on th
- Page 19 and 20:
19 Early Contacts with European Art
- Page 21 and 22:
21 Warner, J., Hong Kong Illustrate
- Page 23 and 24:
MAILAND CHINA, 1911 to PRESENT 23 A
- Page 25 and 26:
25 Interview with Cai Guo-Quiang‘
- Page 27 and 28:
27 Fang Cheng: Fang Cheng, ‗Fang
- Page 29 and 30:
29 Hu Yongkai: Binks, Hilary, ‗Re
- Page 31 and 32:
31 Li Zhanyang: Gao Minglu, et. Al.
- Page 33 and 34:
33 Art, vol. 4, no. 3, Sep. 2005; M
- Page 35 and 36:
35 Sun Liang, Wu, Lintian., ‗Trav
- Page 37 and 38: 37 Wang Yin: Xie Wenxue, et.al., Wa
- Page 39 and 40: 39 Future of China‘, in Yishu Jou
- Page 41 and 42: 41 2001; Wu Hung, Zhang Dali: A Sec
- Page 43 and 44: 43 Zhu Ming: Wang, Val, ‗Zhu Ming
- Page 45 and 46: 45 Kleeman, F.Y., ‗Inscribing Man
- Page 47 and 48: 47 Schapiro, D., Critical Studies i
- Page 49 and 50: 49 Lim, Lucy, ed., Contemporary Chi
- Page 51 and 52: 51 Fei, D., ‗Aspects of Chinese C
- Page 53 and 54: 53 Wang Jing, High Culture Fever: P
- Page 55 and 56: 55 Gladston, Paul, ‗No matter fro
- Page 57 and 58: 57 Niridsany, Michel, China: Art No
- Page 59 and 60: 59 Zhang Zhaohui, ‗Globalisation,
- Page 61 and 62: 61 Luo Zhongli, Mao Yan, Sun Liang,
- Page 63 and 64: 63 Tang Xin & Urle U, 1999 Cologne-
- Page 65 and 66: 65 Art Institutions - China (entrie
- Page 67 and 68: 67 Pettifor, Steven, ‗Contemporar
- Page 69 and 70: 69 Barmé, Geremie R.; Jaivin, Lind
- Page 71 and 72: 71 Teiwes, F., Sun, W., The tragedy
- Page 73 and 74: 73 Clarke, David, Art & Place: Essa
- Page 75 and 76: 75 Lam, Dominic Man-Kit: Thompson,
- Page 77 and 78: 77 Sculpture and Ceramics Clarke, D
- Page 79 and 80: CHINA-TIBET 79 General Works Alexan
- Page 81 and 82: 81 Lee Ang: Rong Cai, ‗Gender Ima
- Page 83 and 84: 83 Japanese Colonial Period Ching,
- Page 85 and 86: 85 Pai, Maggie, ‗A Glimpse of Scu
- Page 87: Taiwan Sheying, 1887-1945, Taibei,
- Page 91 and 92: 91 Collectif, Narahara Ikko : photo
- Page 93 and 94: 93 Emi Kinuko: Emi Kinuko: Retrospe
- Page 95 and 96: 95 Miyako, Ishiuchi: Lew, Christoph
- Page 97 and 98: 97 Ozu, Yasujiro: Ishaghpour, Youss
- Page 99 and 100: 99 Watanabe Katsumi: Watanabe Katsu
- Page 101 and 102: 101 Leach, Bernard, Hamada Potter,
- Page 103 and 104: 103 Reyns-Chikuma, Chris, Images du
- Page 105 and 106: 105 Christ, Carol Nann, ‗The Sole
- Page 107 and 108: 107 Guth, Christine, M.E., ‗Charl
- Page 109 and 110: 109 Hynes, Victoria. ‗Tradition T
- Page 111 and 112: 111 Kastner, Jeffrey, ‗Art, Anti-
- Page 113 and 114: 113 Nanjô, F., ‗Situation in Jap
- Page 115 and 116: 115 Koplos, Janet, 'Korea and Japan
- Page 117 and 118: 117 Kikuchi, Yuko, ‗Sources of In
- Page 119 and 120: 119 Moeran, B., ‗Individual, Grou
- Page 121 and 122: 121 Onoda, Natsu, ‗Drag Prince in
- Page 123 and 124: 123 Jinno Yuki 神能由紀, ‗Kin
- Page 125 and 126: 125 Sacchi, Livio, Tôkyô, Archite
- Page 127 and 128: 127 Japan : A.D.A. Edita, 1992. And
- Page 129 and 130: 129 Ito, Toyoo, Ito Toyoo = Toyo It
- Page 131 and 132: 131 Bibliographies, [c1987] Ross, M
- Page 133 and 134: 133 Sacchi, Livio, Tôkyô, Archite
- Page 135 and 136: 135 Hamaguchi, E., ‗Towards a the
- Page 137 and 138: 137 Nakano Hajimu, ‗Kuki Shûzô
- Page 139 and 140:
139 Morse, R., Sugimoto, S., Images
- Page 141 and 142:
141 Modern Japanese Art: Texts by J
- Page 143 and 144:
143 Kim, Youngna, ―Let‘s Pause
- Page 145 and 146:
145 Kim Whanki: Schwabsky, Barry,
- Page 147 and 148:
147 Ahn, Soyeon, ‗Korean art in t
- Page 149 and 150:
149 Minjung Misul Choi, Tae-man,
- Page 151 and 152:
151 Daw Ohn Kyi, ‗Mandalay Under
- Page 153 and 154:
Vella, W.F., Siam Under Rama III, L
- Page 155 and 156:
155 soldier‘, Asian Art News, vol
- Page 157 and 158:
157 Office of Contemporary Art and
- Page 159 and 160:
159 Art in Thailand, Bangkok, the P
- Page 161 and 162:
161 Sculpture and Printmaking, Silp
- Page 163 and 164:
163 No Na Pak Nam, Wat Phumin and W
- Page 165 and 166:
165 Piriya Krairiksh, Thai Reflecti
- Page 167 and 168:
167 Somporn Rodboon, ‗Thai Contem
- Page 169 and 170:
169 14th Art Exhibition by the Memb
- Page 171 and 172:
171 Poshyananda, Apinan, ‗A Guide
- Page 173 and 174:
173 Mulder, N., Inside Thai Society
- Page 175 and 176:
175 Reyum Publishing, 2002. Eastbur
- Page 177 and 178:
177 Individual Artists Bui Huu Hung
- Page 179 and 180:
179 Pham Kien Giang: Findlay, Ian,
- Page 181 and 182:
181 Art in War Period Anthology of
- Page 183 and 184:
183 C. David Thomas, ‗Ceramic Art
- Page 185 and 186:
185 ‗Supplement Vietnam‘, Asian
- Page 187 and 188:
187 Contemporary Indonesian Art, Ta
- Page 189 and 190:
189 Gallery, 2004; Wiyanto, Hendro,
- Page 191 and 192:
191 Wiyono, Gigih: Kidd, Eilish,
- Page 193 and 194:
193 Kraus, Werner, ‗On the Recept
- Page 195 and 196:
195 Jakarta Feature: Asian Art News
- Page 197 and 198:
Wiyanto, Hendro, Ugo Untoro: Goro-G
- Page 199 and 200:
199 European Images of S.E. Asia an
- Page 201 and 202:
201 Zain, Ismail, & Piyadasa, Redza
- Page 203 and 204:
203 Wong Hoy Cheong,in Asian Art Ne
- Page 205 and 206:
205 Lee, Weng Choy, ‗Just what is
- Page 207 and 208:
207 Chandrasekaran, S.: Binghui Hua
- Page 209 and 210:
209 Centre Archives [Online], 1982.
- Page 211 and 212:
211 Ching, Isabel, ‗A Diary of Wo
- Page 213 and 214:
213 Schoppert, Peter. ―More troub
- Page 215 and 216:
215 Leow, Vincent., and Lim Kok Boo
- Page 217 and 218:
217 Arcega, Michael: Cha, Carina
- Page 219 and 220:
219 Leonardo Aguinaldo: Guillermo,
- Page 221 and 222:
221 Ventura, Roberto: Guillermo, Al
- Page 223 and 224:
223 Roll, Christian, ‗The Philipp
- Page 225 and 226:
225 Javelosa, Jeannie E., ‗Introd
- Page 227 and 228:
227 Photography Fairley, Gina, ‗L
- Page 229 and 230:
Thomas, Nicholas & Losche, Diane, D
- Page 231 and 232:
231 Parimoo, R., ‗Modern Movement
- Page 233 and 234:
233 Gupta, Shilpa: Pijnappel, Johan
- Page 235 and 236:
235 Mohamedi, Nasreen: Galligan, Gr
- Page 237 and 238:
237 ‗Big Things Have Small Beginn
- Page 239 and 240:
239 Chatterjee, R., From the Karkha
- Page 241 and 242:
241 Kelkar, N.M., The Story of the
- Page 243 and 244:
243 Kapur, Geeta, Contemporary Indi
- Page 245 and 246:
245 Kapur, Geeta, The Centre-Periph
- Page 247 and 248:
247 Bordewekar, Sandhya, ‗Reality
- Page 249 and 250:
NEPAL 249 General Works Jolliffe, H
- Page 251 and 252:
251 L., ‗From Lover to Foe and ba
- Page 253 and 254:
253 Barnes, Carolyn; Wright, Willia
- Page 255 and 256:
255 Goh Emil: Sullivan, Eve, ‗Par
- Page 257 and 258:
257 Gallbally, A., ‗Aestheticism
- Page 259 and 260:
259 1988; Jennifer McCamley, 1989;
- Page 261 and 262:
261 Becker, Carol, ‗The Romance o
- Page 263 and 264:
263 in Art Asia Pacific, Issue 37 (
- Page 265 and 266:
265 Ping Chong: Yang, Alice, ‗Chi
- Page 267 and 268:
267 Liao, Jeff Chien-Hsing: review,
- Page 269 and 270:
Vos, Ken, ‗Sharing Collections an
- Page 271 and 272:
271 Coombes, Annie E., ‗The recal
- Page 273 and 274:
273 Sakai, Naoki, 1946- ‗"You Asi
- Page 275 and 276:
275 Zito, Angela and Barlow, Tani E
- Page 277 and 278:
277 Australia Cramer, Sue, C., ed.,
- Page 279 and 280:
279 Araeen, Rasheed, ‗Sleeping wi
- Page 281 and 282:
281 Parry, J.H., Trade and Dominion
- Page 283 and 284:
283 Clark, John, Modern Asian Art,
- Page 285 and 286:
285 ‗Asia and Modernity‘, Speci
- Page 287 and 288:
287 Eley, Geoff, ‗Politics, Cultu
- Page 289 and 290:
289 Munroe, Alexandra, moderator,
- Page 291 and 292:
291 Hill, Joe Martin, ‗Taking Sto
- Page 293 and 294:
293 De Marchi, Neil, Review of Phil
- Page 295 and 296:
295 Foster, Hal ; Rosalind Krauss,
- Page 297 and 298:
297 Dale, Robert 1999/2000 ‗Revie
- Page 299 and 300:
299 Document of Art Exchange Progra
- Page 301 and 302:
301 97 Kwangju Biennale: Unmapping
- Page 303 and 304:
303 Hori, Motoaki, ‗Between East
- Page 305 and 306:
305 2001 Budge, Andrew, ‗Partage
- Page 307 and 308:
307 Withers, Rachel, ‗Shanghai Bi
- Page 309 and 310:
309 McNeill, David, ‗Cultural Dia
- Page 311 and 312:
311 Choy, Lee Weng, ‗Biennale Tim
- Page 313 and 314:
313 Huang Du, The 26 th São Paolo
- Page 315 and 316:
315 Hasegawa, Yuko & The Japan Foun
- Page 317 and 318:
317 1989 Magiciens de la terre, Mar
- Page 319 and 320:
319 Transience: Chinese Art at the