MODERN AND CONTEMPORARY ASIAN ART - University of Sydney

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Kenney, Aaron., ‗My Painted Dreams by Mahvash Mossaed‘ (book review), in Asian Art News, Vol. 14,
No. 2, March/April 2004, p.101.
Kerr, Merrily, ‗Translated Acts: Asian Performance Art‘ Art AsiaPacific, no.35, 2002.
Kim Yu-yeon, ‗In the eye of the tiger, Korean artists in America‘, Art AsiaPacific, vol.3, no.3, 1996
Kim, Kunmja Paik, ‗New Acquisitions of Korean Painting‘, Orientations, Volume 34, Number 1, January
2003 [including Yi Eung-nok, 1860s]
Kosasa, Karen K. ‗Crossings 2003: Korea/Hawai‘i‘ (Review) in Art Asia Pacific, No. 39 (Winter 2004),
p. 81
Laster, Paul, ‗Down the Rapid Hole With Terence Koh‘ in Art Asia Pacific, No. 39 (Winter 2004), pp.
66-69
Leung, Laura Kateri, ‗Dream So Much‘ (Review) in Art Asia Pacific, No. 38 (Fall 2003), p. 18
Lin, Xiaoping, ‗Globalism or Nationalism? – Cai Guoqiang, Zhang Huan, and Xu Bing in New York‘ in
Third Text, Vol. 18, Issue 4 (July 2004), pp. 279-296
Machida, Margo, Asia/America: Identities in Contemporary Asian American Art, New York, The Asia
Society, 1993.
Machida, Margo, Shifting Identities of Asian Women in America, Henry Street Settlement Abrons Arts
Center, June 24-July 28, 1995.
Magnan, Kathleen Finlay, ‗A View from within‘ Asian Art News, vol.6, no.1, Jan/Feb 1996.
Millichap, John, ‗An Infinite Variety: Chui Faising.‘ World Sculpture News 3:2 Summer 1997.
Nakamura, Eric, ‗Report: The Year Otaku Broke‘ [Superflat] Review, Art & Text 73, May-July 2001;
Phillips, Kristy, 'Asia and the White Cube: A Project for Revitalizing Asian Art in Museums', IIAS
Newsletter, No. 29, November 2002
Rosenblum, Robert, ‗Takashi Murakami‘, Artforum International, Vol.40, Issue 9, May 2002
Silberman, Seth Clark, ‗Red Beans and Rice: Asian Artists in the New South‘ (review), ArtAsiaPacific,
no. 48, 2006.
Sirmans, Franklin, ‗The 2004 Whitney Biennial: One on One with Shamin Momin‘ in Art Asia Pacific,
No. 40 (Spring 2004), pp. 16-18
Spalding, David., ‗Weaving History: An Interview with Dinh Q. Lê‘, in Art AsiaPacific, Issue 38, Fall
2003, p.68-70.
Wallace, Keith, ‗The beauty of rupture‘, Art AsiaPacific, 24, 1999
Wang, Dan.S., ‗Medium(s) Asian-American Artists‘, Art AsiaPacific, no.33, 2002.
Wang, Shipu., ‗Swinging on Hyphenation: An Inquiry into the Construct of an Asian American Art‘, in
Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 4, December 2003, p.41-51.
Wei, Lilly, ‗Conversations: Nilima Sheikh & Shahzia Sikander‘, Art AsiaPacific, no.35, 2002.
Wei, Lilly., ‗On Chinese Artists and the Marketplace: Xu Bing and Zhang Huan in America‘, in Art
AsiaPacific, Issue 38, Fall 2003, p.28-30
Winther-Tamaki, Bert, Art in the encounter of Nations: Japanese and American artists in the early postwar years,
Honolulu, University of HWoodson, Yoko, ‗Acquisitions of Japanese Art: 1988-2002‘,
Orientations, Volume 34, Number 1, January 2003
Yang, Alice, ‗Shifting identities of Asian Women in America‘, Art & Asia-Pacific, vol.3, no.1, 1996.
Individual Artists
Bai Bien-U: review, Art AsiaPacific, 32, 2001
Bose Santiago; Villa, Carlos: review, Art AsiaPacific, 30, 2001
Cai Guoqiang: Heartney, Elanor, ‗Cai Guoqiang: illuminating the new China‘, Art in America, May 2002;
Schwabsky, Barry, ‗Tao and physics: The art of Cai Guo Qiang‘, Artforum International, Vol.35,
Issue 10, Summer 1997; Cultural Meeting Bath: Projects for the 20th century, New York, Queens
Museum of Art, 1997 [review: Goodman, Art AsiaPacific,no.18, 1998; Heartney, Elanor, ‗Cai
Guo-Qiang: Illuminating the new China‘, Art in America, Vol. 90, Issue 5, May 2002; Goodman,
Jonathan, ‗Cai Guo-Qiang an Explosion Event: Light Cycle over Central Park at the Asia Society‘
(Review) in Art Asia Pacific, No. 39 (Winter 2004), p. 84; Poshyananda, Apinan, ‗Cai Guo-Qiang‘