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MODERN AND CONTEMPORARY ASIAN ART - University of Sydney

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41<br />

2001; Wu Hung, Zhang Dali: A Second History. [Exhibition Catalogue] Chicago: Walsh Gallery,<br />

2006.<br />

Zhang Daqian, deceased, neotraditionalist painter: Shen Fu, Chang Da-chien‘s ‗The Three Worthies <strong>of</strong><br />

Wu and his practice <strong>of</strong> forging ancient art‘, Orientations, vol.20, no.9., September 1989. Fu, S.,<br />

Challenging the Past: the paintings <strong>of</strong> Chang Dai-chien Washington, The Smithsonian Insitution, Sackler<br />

Gallery, 1991; Liu Yang. ‗A Long Journey to Nirvana: Chang Dai-Chien‘s Life and Painting,‘<br />

TAASA Review, 7:3 1998<br />

Zhang Enli:, Dematte, Monica,‘Human, Too Human: The Paintings <strong>of</strong> Zhang Enli. Yishu: Journal <strong>of</strong><br />

Contemporary Chinese Art, Vol. 7 No. 5, September 2008, p.62-71<br />

Zhang Hongbo: Jordan, Francesca and Marella, Primo, China Art Now: Out <strong>of</strong> the Red, Milano: Marella Arte<br />

Contemporanea, 2003<br />

Zhang Hongtu, New York, assemblages, mixed media: Yung, Danny; Lee Hui-shu, Works by Zhang<br />

Hongtu, Hong Kong, Hong Kong <strong>University</strong> <strong>of</strong> Science and Technology Center for the Arts,<br />

1998; Hay, Jonathan, ‗Zhang Hongtu / Hongtu Zhang; an interview‘, in Hay, John, ed., Boundaries<br />

in China, London: Reaktion Books, 1994. ; Cao, Z., ‗The Black Hole <strong>of</strong> Mao Zedong: The Art <strong>of</strong><br />

Zhang Hongtu‘, in Streetlife China, Dutton, M. ed., Melbourne, Cambridge <strong>University</strong> Press, 1998,<br />

pp. 262 – 265.; Yee, L., Zhang Hongtu: Material Mao, New York, Bronx Museum <strong>of</strong> Arts, 1996.<br />

Zhang Huan, Yao, Souchou, ‗Two Faces <strong>of</strong> Contemporary Art in China‘, in Artlink: The China<br />

Phenomenon, Vol. 23, No. 4, 2003, p.16-19.; Ritson, Alicia., ‗Zhang Huan- Performance‘, in The<br />

Journal <strong>of</strong> the Asian Arts Society <strong>of</strong> Australia, Vol. 13, No. 1, March 2004, p.12-13. ; Goldberg, R.,<br />

‗Interview with Zhang Huan‘, in Zhang Huan, Santiago, SPaind, Xunda de Galicia and Cotthem<br />

Gallery, 1994, pp. 14 – 32. ; Dziewior, Yilmaz, and Kim Yu-Yeon, Zhang Huan, Ostfildern<br />

(Germany), Hatje Cantz, 2003; Borysevicz, Mathier, ‗Zhang Huan‘, Art AsiaPacific, 30, 2001;<br />

review Art AsiaPacific 29, 2001; Wang, Val, 'Zhang Huan, Interview', Ming', Chinese Type<br />

Contemporary Art Magazine, Vol. 2, Issue 6, December 1999, published Online at:<br />

http://www.chinese-art.com; Borysevics, Mathieu, 'Zhang Huan, Interview', Chinese Type<br />

Contemporary Art Magazine, Artists <strong>of</strong> the Week Section, published Online at: http://www.chineseart.com;<br />

Gao Minglu, ―Private Experience and Public Happenings: The Performance Art <strong>of</strong><br />

Zhang Huan‖ (Translated by Alexa Olga) in Pilgramage to Santiago, Barcelona and Brussels,<br />

Cotthem Gallery, 2001.; Yang Yingshi, ‗Zhang Huan‘s ‗Spiritual Trail‘‘, in Orientations, vol. 35, no.<br />

5, June, 2007.The, David, ‗Zhang Huan: Thinking Big‘, in ArtAsiaPacific, No. 55,<br />

September/October, 2007, pp. 110 - 111.<br />

Zhang Huan, Ma Liuming: Qian Zhijian, ‗Performing Bodies: Zhang Huan, Ma Liuming, and<br />

Performance Art in China‘, Art Journal, vol.58, no.2, Summer 1999; Goldberg, RoseLee, Zhang<br />

Huan‘, Artforum International, Vol.40, Issue 7, March 2002<br />

Zhang Hui: Borysevicz, Mathieu, ‗Zhuang Hui‘s Photographic Portraits.‘ Art AsiaPacific issue 19 1998. ;<br />

Maggio, Meg, et.al., Ten Years: Zhuang Hui‘s Photography, Hong Kong, Timezone 8, 2004.<br />

Zhang Jian-Jun: Morgan, Robert C., ‗Zhang Jian-Jun: Memory and the Process <strong>of</strong> Historical Time‘, in<br />

Yishu. Journal <strong>of</strong> Contemporary Chinese Art, v. 6(3), September, 2007, pp. 54 – 60.<br />

Zhang Linhai: Tetmajer von Przerwa, Xenia, ‗Zhang Linhai‘s World: A Sphere <strong>of</strong> Emotional Intensity‘,<br />

Yishu: Journal <strong>of</strong> Contemporary Chinese Art, vol. 4, no. 3, Sep. 2005; Ian Findlay, ‗The Face <strong>of</strong><br />

Memory‘, in AsianArtNews , Vol. 18, no. 6 Nov/Dec 2008, p. 64-70<br />

Zhang Peili, Hou Hanru, ‗Zhang Peili‘ in Art Asia Pacific, Issue 37 (2003), p. 57. ; Kuroda, Raiji, ed., The<br />

First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999; Zhang Peili,<br />

Report at The First Fukuoka Asian Art Trienale [The 5 th Asian Art Show], Seminar: ―Asian Art –<br />

Towards the 21 st Century‖, Fukuoka: Fukuoka Asian Art Museum, 1999;<br />

Zhang Rui: ‗On Being a Conscientious Collector‘, Zhang Rui in Conversation with Jo-Anne Birnie<br />

Danzker, in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, Vol.7, No.6, November 2009, p.38-45.<br />

Zhang Xiaogang, Chengdu, oil painter: Zhang Xiaogang, Huang Zhan, ‗Jingyan, shenfen yi wenhua<br />

panduan‘, Hualang, nos 5&6, 1996;[Zhang Xiaogang] in ‗Prague 2000, Parkett, no.56, 1999;<br />

Thomson, Jonathan, History‘s Public Face‘ in Asian Art News, Vol. 14, Number 3 (May/June,

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