MODERN AND CONTEMPORARY ASIAN ART - University of Sydney

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Parimoo, R., ‗Modern Movement in Indian Sculpture‘, Special QuarterlyIssue of Kalavritt no.19,
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Patel, G., Sokolowski, T., Herwitz, D.A., Contemporary Indian Art, New York, New York University
Press, 1985.
Pereira, José; Pal, Pratapaditya, eds., India and Portugal: Cultural Interactions, Mumbai, Marg Publications,
2001 [Marg, vol.53, no.2]
Prakash. Uma, ‗A New Face On The Block‘, , in Asian Art News, v. 18(4), July/August, 2008, pp. 108-
111.
Purohit, V, Arts of Transitional India, 2 vols, Bombay, Popular Prakashan, 1988.
Rohatgi, Pauline; Godrej, Pheroza; Mehrotra, Rahul; eds. Bombay to Mumbai: changing perspectives, Mumbai,
Marg Publications, 1997.
Rush, Dana, ‗The Idea of India – West African Vodun Art and Thought‘, Art Asia Pacific, No.34, 2002.
Sadwelkar, Baburao, ―Bombay Art Society: Story of a Hundred Years‖ in Story of a Hundred Years:
Bombay Art Society 1888-1988, Bombay: Bombay Art Society, 1989.
Dalmia, Yashodhara and Sambrani, Chaitanya, et. al, Indian Contemporary Art Post-Independence, New
Delhi: Vadehra Art Gallery, 1997.
Sarkar, Kamal, Bharater Bhaskar o Chitra-shilpi, Calcutta, 1984 [unseen by me, apparently the only artists‘
biographical dictionary].
Singh, B.P., India's culture: the state, the arts, and beyond, Delhi; New York: Oxford University Press, 1999.
Six Indian Painters, London, The Tate Gallery, 1982.
Ajay J., Sinha, ―Contemporary Indian Art: A Question of Method‖ Art Journal Fall 1999
Sinha, Gayatri, Indian Art: An Overview, New Delhi, Rupa & Co., 2003
Subramanyam, K.G., The Living Tradition: Perspectives on Modern Indian Art, Calcutta, Seagull Books, 1987.
Subramanyam, K.G., Moving Focus, New Delhi, Lalit Kala Akademi, 1978.
Subramanyam, K.G., The Creative Circuit, Calcutta, Seagull Books, 1992.
Individual Artists
Abdus Shakoor Shah: Jamal, Osman., ‗Imagining Ballads‘, in Asian Art News, Vol. 14, No. 2, March/April
2004, p.71-73.
Agarwal, Ravi: Menezes, Meera, ‗The Labour Behind the Images‘, interview with Ravi Agarwal in Art India,
Vol. Xiii, Iss. III & IV, 2008-9, p. 45-46.
Altaf, Navjot: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art
Museum, 1999; Navjot Altaf, Report at The First Fukuoka Asian Art Trienale [The 5 th Asian Art
Show], Seminar: ―Asian Art – Towards the 21 st Century‖, Fukuoka: Fukuoka Asian Art Museum, 1999
Anita Dube: Akira Tatehata, ‗Anita Dube‘ in Art Asia Pacific, Issue 37 (2003), p. 86
Arakkal, Yusuf: Doctor, Geeta, ‗An Artist of his time‘, Asian Art News, vol.6, no.4, July / August, 1996.
Atul Dodiya: Nanjo, Fumio, ‗Atul Dodiya‘ in Art Asia Pacific, Issue 37 (2003), p. 71
Ayisha Abraham, Rummana Hussain, Anita Dube, Sheela Gowda and Pushpamala N: Andrews, Jorella, ‗Telling
Tales: Five Contemporary Women Artists from India‘, Third Text, n43, Summer 1998, 81-9.
Baij, Ramkinkar: Ahuja, Naman J., Ramkinkar through the eyes of Devi Prasad, The School of the Arts &
Aesthetics, JNU, New Delhi. ; Appasamy, J., Ramkinker, New Delhi, Lalit Kala Akademi, 1961;
Prasad, D., ‗Ram Kinkar: A tribute‘, Art Heritage, 9, 1989-90; Subramanyam, K.G.,
‗Remembering Ram Kinkar‘, Art Heritage, 9, 1989-90; Subramanyam, K.G., text for Ramkinker,
Calcutta, Birla Academy of Art and Culture, 1972, in his Moving Focus, 1978.
Bajaj, Sugata: Prakash, Uma, ‗Between nature and Tradition‘, in Asian Art News, v. 18(5), Sept/Oct,
2008, pp. 118-121.
Bartholomew, Pablo: Zhuang Wubin, ‗History‘s Eyes‘, in Asian Art News, v. 17(6), November/December,
2007, pp. 96 – 101.
Bhatt, Jyoti: Bordewekar, Sandhya, ‗Negotiating the Traditional and the Modern‘, Art India, vol ix, issue
ii, quarter ii, 2004.