MODERN AND CONTEMPORARY ASIAN ART - University of Sydney

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Jain, J., Painted Myths of Creation, New Delhi, Lalit Kala Akademi, 1984.
Jain, Kajri, ‗Sonabai at the APT; difference, indifference, formality‘, Artlink, Vol. 20, No. 2, July 2000
Kramrisch, S., Unknown India: Ritual Art in Tribe and Village, Philadelphia, 1968.
Kumar, Lakshmi, ‗Indian Culture, Remixed and Cemented‘, ArtAsiaPacific, no. 48, 2006.
Maske, J.S. & B., The Warlis: Tribal Paintings & Legends, Bombay, Chermould Publications and Arts, n.d.
Maury, C., Folk Origins of Indian Art, Calcutta, Oxford and IBH Publishing Company, 1967.
Mohan, Jag, ―The Bombay Art Scene in the Late Forties,‖ Lalit Kala Contemporary 28, 1979.
Other Masters: Five Contemporary Folk and Tribal Artists of India, New Delhi: Crafts Museum, n.d.
Pathy, D., Traditional Paintings of Orissa, Bhubaneswar, Working Artists‘ Association of Orissa, 1990.
Postel, Michael and Cooper, Zarine, Bastar Folk Art: Shrines, Figurines and Memorials, Mumbai:Project for
Indian Cultural Studies, 1999.
Saksena, J., Mandana; A Folk Art of Rajasthan, New Delhi, National Crafts Museum, 1985.
Shah, H., Fischer, B.& E., Gopal: Ein Indischer Balladen Sänger zeichnet sein Leben, Wuppertal, Peter
Hamm Verlag, 1985.
Shah, H., Fischer, E., Rural Craftsmen and Their Work, Ahmedabad, National Institute of Design, 1970.
Shah, H., Form and Many Forms of Mother Clay, New Delhi, National Crafts Museum, 1985.
Shah, H., Votive Terracottas of Gujarat, New York, Mapin International,1985.
Swaminathan, J., Jain, J., The Art of Adivasi; Tribal Art, Tokyo, Yomiuri Shinbun, 1988.
Swaminathan, J., The Perceiving Fingers, Bhopal, Bharat Bhavan, 1987.
Vazirani, Minal., ‗Worlds on Papers‘, in Asian Art News, Vol. 13, No. 3, May/June 2003, p.47-49.
Williams, J., ‗From the fifth to the twentieth century and back‘, Art Journal, 49, 4, Winter 1990.
Style, Criticism, and Identity
Note: the Lalit Kala Akademi has from time to time has published small monographs on important
individual artists, some of which are in the National Library in Canberra. In Sydney, Schaeffer
Library also has volumes 1-22 of Lalit Kala Contemporary]
Art India, Vol. 6, Issue 2 (Quarter 2, 2001), Special Issue on ‗The Art of Writing on Art [Includes
Profiles on Akbar Padamsee, Rekha Rodwittiya & Kiran Subbaiah; Focus on ‗Public Art‘]
Art India, Vol. 8, Issue 4 (Quarter 4, 2003), Special Issue on ‗The Art of Humour‘
Chandrashekhar, Indira and Seel, Peter C. (eds.), body.city: siting contemporary culture in India, Berlin: House
of World Cultures and New Delhi: Tulika Books, 2003.
Clark, J., ‗Individual creation and the Indian imaginary: conversations with Swaminathan and Arpita
Singh‘, Art & Asia-Pacific, no.2, June 1993.
Dalmia, Yashodhara, et al, Indian Contemporary Art Post Independence, New Delhi, Vadehra Art Gallery,
1997.
Desai, Vishakha N., ―Engaging Tradition in the Twentieth-Century Arts of India and Pakistan‖ in
Conversations with Traditions: Nilima Sheikh, Shahzia Sikander, New York: Asia Society, 2001.
Dube, A., catalogue essay for Seven Young Sculptors, New Delhi, KasauliArt Centre, 1985.
Dube, Anita, Questions and Dialogue, exhibition catalogue Faculty of Fine Arts, March 1987.
Ganguli, K.K., Drawings and Paintings of Dhirendranath Brahma, Calcutta, Birla Academy of Art and
Culture, 1990.
Hoskote, Ranjit, ‗Bhupen Khakhar: 1934-2003 In Memoriam‘ in Art Asia Pacific, No. 41 (Summer
2004), pp. 68-70
James, J., essay for Sculpture: The Madras metaphor, New Delhi, Art Heritage, 1991.
Kapur, Geeta, ‗When was modernism in Indian/ Third World art/‘, South Atlantic Quarterly, vol.92,
no.3, Summer 1993.
Kapur, Geeta, ‗Modern Indian Painting: A Synoptic View‘, Journal of Arts and Ideas, October-December,
1982
Kapur, Geeta, Pictorial Space: A Point of View on Contemporary Indian Art, New Delhi, Lalit Kala Akademi,
1977.
Kapur, Geeta, Place for People, [text for exhibition], Bombay, JehangirArt Gallery; New Delhi, Rabindra
Bhavan, 1981.