MODERN AND CONTEMPORARY ASIAN ART - University of Sydney

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Lim, Lucy, ed., Contemporary Chinese Painting: An Exhibition from the Peoples Republic of China, San
Francisco, Chinese Culture Foundation of San Francisco, 1984
Moss, H., ed., The Experience of Art, Hong Kong, Umbrella, 1983
Moss, H., Some Recent Developments in Twentieth Century Chinese Painting: A Personal View, Hong Kong,
Umbrella, 1982
Munro, R., ‗Unofficial Art in China‘, Index on Censorship, August 1982
Murray, M., intro. Avant-Garde in Chinese Art, New York, Vassar College Art Gallery, 1986
Peckham, R., ‗Rereading the Goddess of Democracy‘, in Yishu Journal of Contemporary Chinese Art, Vol 8,
Number 2, March/April 2009, pp. 33-42.
Roberts, Claire, New Art From China: Post-Mao Product, Sydney, Art Gallery of New South Wales, 1992;
Strassberg, R.L., ed., ―I don‘t want to play cards with Cézanne‖ and other works, Pasadena, Pacific Asia
Museum, 1991.
Sullivan, Michael, ‗Art and the Social Framework‘, Times Literary Supplement, 24-6-1983
Sullivan, Michael, ‗Contemporary Chinese Painting from the People‘s Republic of China‘, Orientations,
October 1983
Sullivan, Michael, ‗New Directions in Chinese Art‘, Art International, vol.XXV, no.1-2, 1982.
Tang, Q., ‗The Eighties in Modern Chinese Painting‘, in I Don‘t Want to Play Cards with Cézanne and Other
Works: Selections from the Chinese New Wave and Avant-Garde Art of the Eighties, Strassberg, R. ed.,
Pasadena, The Castle Press, 1991, pp. 5 – 18.
Tsao Tsing-yuan, ‗The Birth of the Goddess of Democracy‘ in Wasserstrom, Jeffrey N., Perry,
Elizabeth J., eds., Popular Protest and Political Culture in China, Boulder, Westview Press, 1994.
Wang Yuejin, ‗Anxiety of Portraiture: Questioning ancestral icons in post-Mao China‘, in Liu Kang;
Tang Xiaobing, eds., Politics, Ideology and Literary Discourse in Modern China, Durham, Duke
University Press, 1993.
Watson, R.C., ‗A Revolutionary Spirit comes of Age [The Stars]‘, Asian Art News, 2, no.1, Jan/Feb
1992.
Wu Hong, ‗Tian‘anmen Square: A Political History of Monuments‘, Representations, no.35, Summer
1991.
Wu Yongliu, ed., Works of the Chinese Nude Oils Exhibition, Nanning, Guangxi People‘s Publishing
House, 1988.
Xiaoping Lin, ‗Challenging the Canon. Socialist Realism in Traditional Chinese Painting Revisited‘, in
Third Text, vol. 21, Issue 1, 2007, pp. 41 – 53.
Zheng, S. ‗The Avant-Garde Movement in Chinese Art Academies‘, in I Don‘t Want to Play Cards with
Cézanne and Other Works: Selections from the Chinese New Wave and Avant-Garde Art of the Eighties,
Strassberg, R. ed., Pasadena, The Castle Press, 1991, pp. 19 – 22.
Art 1989-2000
[Post-Sense sensibility] review, Smith, Karen, Asian Art News, vol.9, no.1, 1999
Binks, Hilary ‗Stereotyping under attack‘, [5 women artists], Asian Art News, vol.9, no.1, 1999
Ai, Weiwei, ed., Chinese Artists, Text and Interviews: Chinese Contemporary Art Awards (CCAA) 1998-2002,
Hong Kong: Timezone 8 Ltd., 2002
Another Long March, Breda, Chassé-Kazerne, 1997 [Review: Smith, Karen in Art AsiaPacific, no.17, 1998]
Barmé, Geremie, ‗Exploit, Export, Expropriate: Artful marketing in China, 1989-93.‘ Third Text, no. 25
Winter 1993-94
Bernell, Robert and Shimizu Toshio, ‗Chinese contemporary photography and video‘, Chinese
Contemporary Art Bulletin, vol.2, no.5, 1999
Between the sky and the earth [Ken Lum, Frank Tam, Yan Peiming, Yang Jiechang, Zhou Tiehai], Hong
Kong, University Art Gallery, 1998.
Binks, Hilary, ‗Stereotyping Under Attack‘, Asian Art News 9:2 1999
Chang Tsong-zung and Decrop, Marc, ed., Paris-Pekin, Paris: Chinese Century, 2002