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MODERN AND CONTEMPORARY ASIAN ART - University of Sydney

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56<br />

Köppel-Yang, Martina, ‗From Glittering ―Stars‖ to Shining El Dorado, or, the ―Adequate Attitude <strong>of</strong><br />

Art would be that with Closed Eyes and Clenched Teeth‖‘, Yishu: Journal <strong>of</strong> Contemporary Chinese<br />

Art, vol. 4, no. 4, Dec. 2005.<br />

Köppel-Yang, Martina, ‗The Ping-Pong Policy <strong>of</strong> Contemporary Chinese Art‘ in Yishu: Journal <strong>of</strong><br />

Contemporary Chinese Art, June 2004, pp. 60-66<br />

Köppel-Yang, Martina., ‗From the Heart <strong>of</strong> Canton‘, in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, Vol. 3,<br />

No. 1, March 2004, p.7-13.<br />

Lai, Sally, ‗Through Popular Expression, International Project Space, Birmingham, United Kingdom‘<br />

(exhibition review), Yishu: Journal <strong>of</strong> Contemporary Chinese Art, vol. 5, no. 2, Jun 2006.<br />

Leanza, Beatrice, ‗Fancy Dreaming‘ (review), Flash Art, vol. XXXIX, no. 250, Oct, 2006.<br />

Li Hsiao-t‘i ‗Making a name and a culture for the masses in modern China‘, positions: east asia cultures<br />

critique, vol. 9, no.1 Spring 2001.<br />

Lin Xiaoping, ‗Discourse and displacement‘, Art AsiaPacific, 25, 2000<br />

Low, Joni, ‗A Critique <strong>of</strong> Criticism: Deconstructing Reviews <strong>of</strong> Between Past and Future‘, Yishu: Journal <strong>of</strong><br />

Contemporary Chinese Art, vol. 4, no. 3, Sep. 2005.<br />

Low, Joni, ‗Symphony <strong>of</strong> Riddles: Wu Shanzhuan; Red Humour International‘ (book review), Yishu: Journal<br />

<strong>of</strong> Contemporary Chinese Art, vol. 5, no. 4, Dec 2006.<br />

Low, Joni, ‗The Unreality <strong>of</strong> Trade‘ (review), Yishu: Journal <strong>of</strong> Contemporary Chinese Art, vol. 5, no. 1, 2006.<br />

Lu, Carol (Yinghua), ‗Fragmented Memory and Energy: Chinese Contemporary Art and its Multiple<br />

Layers <strong>of</strong> Ideology‘, Yishu: Journal <strong>of</strong> Contemporary Chinese Art, vol. 5, no. 2, Jun 2006.<br />

Lu, Carol, ‗China Update‘, Flash Art, vol. XXXVIII, no. 243, July-September, 2005.<br />

Lu, Carol, ‗Fancy Dream‘ (exhibition review), ArtAsiaPacific, no. 50, 2006.<br />

Lu, Sheldon, ‗Beautiful Violence: War, Peace, Globalization‘ in positions: east asian cultures critique, Vol. 12,<br />

No. 3 (winter 2004)<br />

Lu, Victoria, ‗The New Century <strong>of</strong> Neo-Aesthetics in Animamix Art‘, in TAASA Review. The Journal <strong>of</strong><br />

the Asian Art Society <strong>of</strong> Australia, v. 17 (1) March, 2008, pp. 12 – 13.<br />

Lum, Ken, ‗Interview with Hou Hanru‘, Lin Yilin ‗Big Tail Elephant in the 1990s‘, Yishu: Journal <strong>of</strong><br />

Contemporary Chinese Art, vol.2, no., June 2003.<br />

Ma Jun, ‗Documenta 12 Magazines Special Feature: Dispute over the ―dumped‖ graduation theses <strong>of</strong><br />

twelve students in the oil painting class <strong>of</strong> the art institute <strong>of</strong> Shanghai Normal <strong>University</strong>‘, Yishu:<br />

Journal <strong>of</strong> Contemporary Chinese Art, vol. 5, no. 4, Dec 2006.<br />

Maerkle, Andrew, ‗The Long March Project: Backward Progress‘, in ArtAsiaPacific, No. 56, Nov/Dec,<br />

2007, p. 150 - 155.<br />

Maggio Meg, ‗From action to image‘, Art AsiaPacific, 31, 2001<br />

Mars, Neville/ Dynamic City Foundation, The Chinese Dream: A Society Under Construction, Hong Kong,<br />

Timezone 8, 2007 (Forthcoming)<br />

Merewether, Charles., ‗The Spectre <strong>of</strong> Being Human‘, in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, Vol. 2<br />

No. 2, June 2003, p.58-81.<br />

Merewether, Charles, ‗Everyday Life and the Imaginaries <strong>of</strong> the Modern‘, in eds. Clark, John, Peleggi,<br />

Maurizio & Sabapathy, T.K, Eye <strong>of</strong> the Beholder: Reception, Audience and Practice <strong>of</strong> Modern Asian Art,<br />

<strong>Sydney</strong>, Wild Peony, 2006.<br />

Meyer, James, ‗The Wall: Reshaping Chinese Contemporary Art‘ (review), Artforum, vol. 44, Iss. 8, 2006.<br />

Moon, Iris, ‗Arario Gallery: Beijing or Bust‘, ArtAsiaPacific, no. 47, 2006.<br />

Morgan, Robert C., ‗The New Chinese landscape and the Avante-Garde‘, in AsianArtNews, Vol. 19 No.<br />

3 May/June 2009, pp. 48-55.<br />

Movius, Lisa, ‗AShanghai Spring‘ in Art in America (June/July 2004), pp. 146-149<br />

Movius, Lisa, ‗Report from Shanghai II. Museum Roulette‘, in Art in America, May 2007, pp. 82 –<br />

85.Napack, Jonathan, ‗Young Beijing‘ in Art in America (June/July 2004), pp. 142-143<br />

Ng, Elaine W., ‗Continental Drift: The Ullens Center for the Arts‘, ArtAsiaPacific, no. 50, 2006.<br />

Ni Tsai-chin, ‗Globalization and contemporary Chinese art‘, Yishu: Journal <strong>of</strong> Contemporary Chinese Art,<br />

vol.2, no., June 2003.

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