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MODERN AND CONTEMPORARY ASIAN ART - University of Sydney

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226<br />

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Pananaw 4: Philippine Journal <strong>of</strong> Visual Arts, 2002, p.71-73.<br />

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Flores, Patrick D., ‗At the crossroads‘, Asian Art News, vol.10, no.3, 2000<br />

Flores, Patrick D., ‗Central Station‘, in Pananaw 4: Philippine Journal <strong>of</strong> Visual Arts, 2002, 11-16.<br />

Flores, Patrick D., ‗Loss and leaving‘, Art AsiaPacific 28, 2001<br />

Garcia, Nona., ‗Luck‘, in Pananaw 4: Philippine Journal <strong>of</strong> Visual Arts, 2002, p.74.<br />

Guillermo, Alice G., ‗Bamboo in the Sea Wind‘ (The First Bagabas International Eco-Arts), in World<br />

Sculpture News, Vol.9, No.3, Summer 2003, p.50-52.<br />

Guillermo, Alice G., ‗From the Familiar to the Abstract‘, in Asian Art News, Vol. 14, No. 2,<br />

March/April 2004, p.58-63.<br />

Guillermo, Alice G., ‗Yankee Doodles‘, in Asian Art News, Vol. 13, No. 6, November/December 2003,<br />

p.52-55.<br />

Labrador, Ana P., ‗Eating their words‘, Art AsiaPacific 29, 2001<br />

Labrador, Ana P., ‗Out <strong>of</strong> order‘, Art AsiaPacific, 25, 2000<br />

Legaspi-Ramirez, Eileen C., ‗Traversing Centre and Fringe: Problems <strong>of</strong> Engagement in Unstable<br />

Democratic Spaces‘, Focas (Forum on Contemporary Art & Society), no.3, January 2002<br />

Pastor Roces, Marian, ‗Letter to an Artist concerning her Death‘, in Huangfu, Binghui, Site+Sight:<br />

Translating Cultures, Singapore, La Salle-SIA, 2002.<br />

Pereira, Sharmini, ‗To talk with a degree <strong>of</strong> serendipity‘, Artlink, Vol. 20, No. 2, July 2000<br />

Pettifor, Steven, ‗Arkuiris at Art Centre SM Megamall‘ (review), Asian Art News, vol. 15, no. 3, 2005.<br />

Ramirez, Eileen Lagaspi, ‗Living and Dying. Somber Memoir and Other Fictions in Contemporary<br />

Philippine Art‘, in C Arts. Asian Contemporary Art and Culture, vol. 02, March/April, 2008, pp. 114<br />

– 116.<br />

Ruiz, Jose Tence., ‗Atras /Avant: Lessons from a Continuing Reinvention <strong>of</strong> the Thirteen Artists<br />

Award‘, in Pananaw 4: Philippine Journal <strong>of</strong> Visual Arts, 2002, p.56-65.<br />

Samson, Ditas R., ‗The Beauty and the Bounty: Angono Recalled and Reinterpreted‘, in Pananaw 4:<br />

Philippine Journal <strong>of</strong> Visual Arts, 2002, p.17-26.<br />

Tan, Pearl., ‗The Philippine Art Awards: An Observer‘s Evaluation‘, in Pananaw 4: Philippine Journal <strong>of</strong><br />

Visual Arts, 2002, p.66-70.<br />

Torres, Emmanuel., ‗One Face <strong>of</strong> Filipino Art‘, in Asian Art News, Vol.13, No.1, January/February<br />

2003, p.56-60.<br />

Tuazon, Wire Rommel G., ‗Artist-Run-Spaces: Art Initiatives in the Case <strong>of</strong> Surrounded by Water‘, in<br />

Vehicle: Contemporary Visual Arts, No.6, 2002, p.44-47.<br />

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in Pananaw 4: Philippine Journal <strong>of</strong> Visual Arts, 2002, p.41-48.<br />

Prints<br />

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Cajipe-Endaya, Imelda, ‗Notes on an Unknown Artist <strong>of</strong> the 18 th century‘, Archipelago, ca.1979<br />

Pilar, Santiago Albano & Cajipe-Endaya, Imelda, Limbag Kamay: 400 Years <strong>of</strong> Philippine Printmaking,<br />

Manila, Cultural Center <strong>of</strong> the Philippines, 1993

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