156 Participated Artists), the National Gallery, Bangkok, February 2-25, 2538 (1995). ; Brecelic, Thomas, ‗The Master <strong>of</strong> Connections‘, Asian Art News, vol.9, no.3, 1999 Kanya Chareonsupkul: Brown, Glen, R., ‗Practical Spirutalism‘ Asian Art News, vol.5, no.6, Nov/Dec 1995. Khien Yimsiri: Fine Arts Department, A Retrospective Art Exhibition <strong>of</strong> Khien Yimsiri, the National Gallery, Bangkok September 7 - November 7, 2522 (1979); Somporn Rodboon, The Life and Works <strong>of</strong> Khien Yimsiri, Bangkok, SITCA Investment & Securities Public Company Limited, 1994 Kosit Juntaratip: Kosit Juntaratip & Navin Rawanchaikul, Substanceaboutnonsubstance, Goethe Institut, Bangkok, January 11 - February 9, 1995. Kritsana Chaikitiwattana: Pettifor, Steven., ‗Grim Reality‘, in Asian Art News, Vol. 13, No. 3, May/June 2003, p.44-46. Krue-on, Sakarin: Pettifor, Steven, ‗Something Old, Something new‘, World Sculpture News, vol. 12, no. 2, 2006; review, Asian Art News, vol. 15, no. 1, 2005; review, Flash Art, vol. XXXIX, no. 249, July- September, 2006; Salus, Carol, ‗Recent art <strong>of</strong> Sakarin Krue-On: an interview‘ in Art Journal, 67.2 (Summer 2008): p. 92. Kunavichayanont, Sutee: ‗Sutee Kunavichayanont: Stereotyped Thailand‘ review, ArtAsiaPacific, no. 48, 2006; review, Asian Art News, vol. 15, no. 6, 2005. Limthamrong, Peerapong: review, Asian Art News, vol. 15, no. 4, 2005. Manit Poo-Aree: Manit Poo-Aree, Contemporary Art Exhibition by Manit Poo-Aree,The Gallery <strong>of</strong> Faculty <strong>of</strong> Painting Sculpture and Printmaking, Silpakorn <strong>University</strong>, Bangkok, April 8-30, 1999. Manit Sriwanichpoom: Knithichan, Khetsirin, ‗City <strong>of</strong> Hell‘ <strong>ART</strong> AsiaPacific, no.13, 1997. ; Pettifor, Steven, ‗Looking glass reality‘, Asian Art News, vol.12, no.2, 2002. ; Manit Sriwanichpoom, paradise@the.mall, July - August, 1998 no place <strong>of</strong> exhibition; Manit Sriwanichpoom, This Bloodless War, Greed, Globalization, and the End <strong>of</strong> Independence, the Roadside Photo Exhibition, November, 1997. Cit no place <strong>of</strong> exhibition; Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999; Pettifor, Steven, ‗Looking Glass Reality‘, On Manit Sriwanichpoon, Asian Art News, vol. 12, no. 2, March/April 2002 Mareeya Dumrongphol: Mami, Kataoka, ed., Under Construction: New Dimensions <strong>of</strong> Asian Art, Tokyo: The Japan Foundation Asia Center, 2002 Michael Shaowanasai: Chua, Ferreolus., ‗Interview with Michael Shaowanasai‘, in Vehicle: Contemporary Visual Arts, No.10, 2003, p.18-21. Michael Shaowanasai: Mami, Kataoka, ed., Under Construction: New Dimensions <strong>of</strong> Asian Art, Tokyo: The Japan Foundation Asia Center, 2002 Mitree Parahom: Pettifor, Steven ‗Defender <strong>of</strong> Tradition.‘ Asian Art News 9:5 September/October 1999 Montien Boonma: Montien Boonma, Anusorn Naj Ngaan Phraradchathaan Phlerng Sob Naj Montien Boonma, Published in Montien Boonma‘s funeral at Meru Wad Chonlaprathaan Rangsarid, Nonthaburi, August 24, 2543 (2000); Montien Boonma, Works, 1990-1993, the National Gallery, Bangkok, February 25, - March 22, 1993. 2 books; Montien Boonma, Arte Amazonas, Goethe Institut, Bangkok, June 4 - 27, 1992; Montien Boonma & Kamol Phaosavasdi, Content Sense,the National Gallery, Bangkok, January 14 - February 3, 1995; Montien Boonma, ThaiiahT, the National Gallery, Bangkok, September 7 - October 3, 1990; Richard, Frances, ‗Montien Boonma‘, Artforum International, Vol.36, Issue 6, February 1998; Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999; Montien Boonma, Report at The First Fukuoka Asian Art Trienale [The 5 th Asian Art Show], Seminar: ―Asian Art – Towards the 21 st Century‖, Fukuoka: Fukuoka Asian Art Museum, 1999; Poshyananda, Apinan, Montien Boonma: Temple <strong>of</strong> the mind, New York & Asia Society & London, Artis, 2003; Desai, Vishakha N., ‗Montien Boonma‘ in Art Asia Pacific, Issue 37 (2003), p. 34; Heartney, Eleanor, ‗Parallel Lives‘ (Montien Boonma at Asia Society and Chen Zhen at P.S. 1) in Art Asia Pacific, No. 38 (Fall 2003), pp. 50-52; Koplos, Janet, ‗Mindfull Living‘ in Art in America (May 2004), pp. 90-95; Poshyananda, Apinan, Montien Boonma: Temple <strong>of</strong> the mind, New York & Asia Society & London, Artis, 2003. ; Kunavichavanont, Sutee and Apinan Poshyananda eds., Death Before Dying: The Return <strong>of</strong> Montien Booma, Thailand
157 Office <strong>of</strong> Contemporary Art and Culture, 2006; Pettifor, Steven, ‗An uncommon spirit‘, Asian Art News, vol.11, no.1, 2001; Wongchirachai, Albert Paravi, ‗ Montien Boonma‘, Art & Asia Pacific, vol.2, no.3, 1995; Poshyananda, Apinan, a tribute, Art AsiaPacific, 31, 2001; Koh, Jay, ‗Art Activism and Cross-cultural Projects in Thailand and Myanmar: The Need to Open up Structures for Engagement‘, Focas (Forum on Contemporary Art & Society), no.2, July 2001. Montri Toesombat: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999Narin Ruttanachun: Narin Ruttanachun, Serenity 1987-1990, Goethe Institute, Bangkok, December 20 - March 15, 1991; Jin, Matsuura and Masae, Kamachi, The 1 st Fukuoka Asian Art Triennale 1999 [The 5 th Asian Art Show]: Document <strong>of</strong> Art Exchange Programme, Fukuoka: Fukuoka Asian Art Museum, 1999; Mami, Kataoka, ed., Under Construction: New Dimensions <strong>of</strong> Asian Art, Tokyo: The Japan Foundation Asia Center, 2002; Pettifor, Steven., ‗Dressing Up Nature‘, in Asian Art News, Vol. 13, No. 1, January/February 2003, p.48-51. Natee Utarit: review, Art AsiaPacific, 27, 2000 ; Lenzie, Iola, ‗A Versatile Stylist‘, in Asian Art News, v. 17(6), November/December, 2007, pp. 73 – 77. ; review, Asian Art News, vol.9, no.4, 1999; Pettifor, Steven, ‗Out Of His Own‘, On Natee Utarit, Asian Art News, vol. 12, no. 6, November/December, 2002 Navin Production Co., Ltd. / Navin Rawanchaikul: Navin Rawanchaikul & Kosit Juntaratip, Substanceaboutnonsubstance, Goethe Institut, Bangkok, January 11 - February 9, 1995; Khetsirin Knithichan, ‗ ―Substance‖ is intended to shock‘ The Nation, January 16, 1995 ; Navin Production Co.,Ltd., Another day in <strong>Sydney</strong>, Published for the 11th Biennale <strong>of</strong> <strong>Sydney</strong>, Navin Production Co.,Ltd., 1998. Nawin Rawanchaikul: Pettifor, Steven, ‗An art world in a taxi‘, Asian Art News, vol.11, no.6, 2001 Nim Kruasaeng: review, Asian Art News, vol.11, no.5, 2001; Pettifor, Steven, ‗In search harmony‘, Asian Art News, vol.10, no.2, 2000 Nimmalaikaew, Uttaporn: Thompson, Jonathan, ‗Inevitable Cycles‘, Asian Art News, vol. 16, no. 4, 2006. Niti Wattaya: Niti Wattaya, Return <strong>of</strong> the Goldern Era, Dialogue 1991, Bangkok, May 21 - June 11, 1992; Pettifor, Steven., ‗Tracing Changes‘, in Asian Art News, Vol. 14, No. 1, January/February 2004, p.44-47. Nittaya Ueareeworakul: review, Pettifor, Steven, ‗Nittaya Ueareeworakul at Si-am Art Space‘, Exhibition Reviews, Asian Art News, vol. 12, no. 2, March/April 2002; Pettifor, Steven, ‗A mantra <strong>of</strong> unity‘, Asian Art News, vol.10, no.6, 2000 Paitun Muangsomboon: Fine Arts Department, Paitun Muangsomboon National Artist Retrospective,the National Gallery, Dec. 25, 1989 – Feb. 15, 1990. Panya Vijinthanasarn: Panya Vijinthanasarn, Subversion <strong>of</strong> Truth, Tadu Contemporary Art, January 30 - March 8, 1998. ; review: Clark, Asian Art News, vol. 8, no.2, March/April 1998 Paretas Hutangura: Paretas Hutangura, Facing the Alien, Solo Exhibition, January 3-22, 2538 (1995); Manid Sriiwanidchapuum, Mahadsacan Wan Samniak, Syaam Rath Sabhdaawicaan, p.58, April 11-17, 2542 (1999). (2articles); Paretas Hutangura, The Miracle Days <strong>of</strong> Awakening, Tadu Contemporary Art, Bangkok, February 12 - March 14, 1999. Phaiboon Suwannakuud: Anusorn Ngaanphraraadchathaan Phlerngsob Phajboon Suwannakuud, March 21, 2526 (1983): Praajta, ‗Samphad Siriwanna Suwannakuud, Raw Maj Daj Tung Caj Ca Con‘, Ploy Kaem Phed, no date; Phajboon Suwannakuud, ‗Som Porj Dork Lyang‘, Laeng Khen Ruam Ryang San, 2nd Bangkok, Samnakphim Duangkamon, 2518 (1975). Phaosavasdi, Kamol: Pettifor, Steven, ‗Media Man with a Conscience‘, Asian Art News, vol. 15, no. 6, 2005. Phaptawan Suwannakudt [daughter <strong>of</strong> Phaiboon] Carter, Michael & Gezcy, Framing Art, <strong>Sydney</strong>, <strong>University</strong> <strong>of</strong> New South Wales Press, 2005; Pettifor, Steven, ‗Between Tradition and Modernity: Phaptawan Suwannakudt‘, Asian Art News, September/October, 2004; Ewington, Julie, ‗Thai Vision, Australian Painter, in Recent Painting, Numthong Gallery, Bangkok, 2004; Power, Kevin; Flores, Patrick, in El Poder de Narrar / The Power <strong>of</strong> Narration, Espai d‘Art Contemporani de Castello, Valenciana, Spain, 2000; Datuin, Flaudette May, ‗The Queen, the Goddess, and the
- Page 1 and 2:
MODERN AND CONTEMPORARY ASIAN ART:
- Page 3 and 4:
3 National Art Center in Tokyo and
- Page 5 and 6:
CHINA-HONG KONG AND MACAO 72 Genera
- Page 7 and 8:
THAILAND 152 Historical Context Bef
- Page 9 and 10:
Photography 227 New Media 227 Craft
- Page 11 and 12:
Islamic World 277 Meso- and South A
- Page 13 and 14:
13 Ewington, Yang, Munroe in ART As
- Page 15 and 16:
15 [Video] Kuraishi, Shino, ‗Sere
- Page 17 and 18:
17 Gladston, Paul, ‗Writing on th
- Page 19 and 20:
19 Early Contacts with European Art
- Page 21 and 22:
21 Warner, J., Hong Kong Illustrate
- Page 23 and 24:
MAILAND CHINA, 1911 to PRESENT 23 A
- Page 25 and 26:
25 Interview with Cai Guo-Quiang‘
- Page 27 and 28:
27 Fang Cheng: Fang Cheng, ‗Fang
- Page 29 and 30:
29 Hu Yongkai: Binks, Hilary, ‗Re
- Page 31 and 32:
31 Li Zhanyang: Gao Minglu, et. Al.
- Page 33 and 34:
33 Art, vol. 4, no. 3, Sep. 2005; M
- Page 35 and 36:
35 Sun Liang, Wu, Lintian., ‗Trav
- Page 37 and 38:
37 Wang Yin: Xie Wenxue, et.al., Wa
- Page 39 and 40:
39 Future of China‘, in Yishu Jou
- Page 41 and 42:
41 2001; Wu Hung, Zhang Dali: A Sec
- Page 43 and 44:
43 Zhu Ming: Wang, Val, ‗Zhu Ming
- Page 45 and 46:
45 Kleeman, F.Y., ‗Inscribing Man
- Page 47 and 48:
47 Schapiro, D., Critical Studies i
- Page 49 and 50:
49 Lim, Lucy, ed., Contemporary Chi
- Page 51 and 52:
51 Fei, D., ‗Aspects of Chinese C
- Page 53 and 54:
53 Wang Jing, High Culture Fever: P
- Page 55 and 56:
55 Gladston, Paul, ‗No matter fro
- Page 57 and 58:
57 Niridsany, Michel, China: Art No
- Page 59 and 60:
59 Zhang Zhaohui, ‗Globalisation,
- Page 61 and 62:
61 Luo Zhongli, Mao Yan, Sun Liang,
- Page 63 and 64:
63 Tang Xin & Urle U, 1999 Cologne-
- Page 65 and 66:
65 Art Institutions - China (entrie
- Page 67 and 68:
67 Pettifor, Steven, ‗Contemporar
- Page 69 and 70:
69 Barmé, Geremie R.; Jaivin, Lind
- Page 71 and 72:
71 Teiwes, F., Sun, W., The tragedy
- Page 73 and 74:
73 Clarke, David, Art & Place: Essa
- Page 75 and 76:
75 Lam, Dominic Man-Kit: Thompson,
- Page 77 and 78:
77 Sculpture and Ceramics Clarke, D
- Page 79 and 80:
CHINA-TIBET 79 General Works Alexan
- Page 81 and 82:
81 Lee Ang: Rong Cai, ‗Gender Ima
- Page 83 and 84:
83 Japanese Colonial Period Ching,
- Page 85 and 86:
85 Pai, Maggie, ‗A Glimpse of Scu
- Page 87 and 88:
Taiwan Sheying, 1887-1945, Taibei,
- Page 89 and 90:
89 Su Ruiping,ed., Overseas Chinese
- Page 91 and 92:
91 Collectif, Narahara Ikko : photo
- Page 93 and 94:
93 Emi Kinuko: Emi Kinuko: Retrospe
- Page 95 and 96:
95 Miyako, Ishiuchi: Lew, Christoph
- Page 97 and 98:
97 Ozu, Yasujiro: Ishaghpour, Youss
- Page 99 and 100:
99 Watanabe Katsumi: Watanabe Katsu
- Page 101 and 102:
101 Leach, Bernard, Hamada Potter,
- Page 103 and 104:
103 Reyns-Chikuma, Chris, Images du
- Page 105 and 106: 105 Christ, Carol Nann, ‗The Sole
- Page 107 and 108: 107 Guth, Christine, M.E., ‗Charl
- Page 109 and 110: 109 Hynes, Victoria. ‗Tradition T
- Page 111 and 112: 111 Kastner, Jeffrey, ‗Art, Anti-
- Page 113 and 114: 113 Nanjô, F., ‗Situation in Jap
- Page 115 and 116: 115 Koplos, Janet, 'Korea and Japan
- Page 117 and 118: 117 Kikuchi, Yuko, ‗Sources of In
- Page 119 and 120: 119 Moeran, B., ‗Individual, Grou
- Page 121 and 122: 121 Onoda, Natsu, ‗Drag Prince in
- Page 123 and 124: 123 Jinno Yuki 神能由紀, ‗Kin
- Page 125 and 126: 125 Sacchi, Livio, Tôkyô, Archite
- Page 127 and 128: 127 Japan : A.D.A. Edita, 1992. And
- Page 129 and 130: 129 Ito, Toyoo, Ito Toyoo = Toyo It
- Page 131 and 132: 131 Bibliographies, [c1987] Ross, M
- Page 133 and 134: 133 Sacchi, Livio, Tôkyô, Archite
- Page 135 and 136: 135 Hamaguchi, E., ‗Towards a the
- Page 137 and 138: 137 Nakano Hajimu, ‗Kuki Shûzô
- Page 139 and 140: 139 Morse, R., Sugimoto, S., Images
- Page 141 and 142: 141 Modern Japanese Art: Texts by J
- Page 143 and 144: 143 Kim, Youngna, ―Let‘s Pause
- Page 145 and 146: 145 Kim Whanki: Schwabsky, Barry,
- Page 147 and 148: 147 Ahn, Soyeon, ‗Korean art in t
- Page 149 and 150: 149 Minjung Misul Choi, Tae-man,
- Page 151 and 152: 151 Daw Ohn Kyi, ‗Mandalay Under
- Page 153 and 154: Vella, W.F., Siam Under Rama III, L
- Page 155: 155 soldier‘, Asian Art News, vol
- Page 159 and 160: 159 Art in Thailand, Bangkok, the P
- Page 161 and 162: 161 Sculpture and Printmaking, Silp
- Page 163 and 164: 163 No Na Pak Nam, Wat Phumin and W
- Page 165 and 166: 165 Piriya Krairiksh, Thai Reflecti
- Page 167 and 168: 167 Somporn Rodboon, ‗Thai Contem
- Page 169 and 170: 169 14th Art Exhibition by the Memb
- Page 171 and 172: 171 Poshyananda, Apinan, ‗A Guide
- Page 173 and 174: 173 Mulder, N., Inside Thai Society
- Page 175 and 176: 175 Reyum Publishing, 2002. Eastbur
- Page 177 and 178: 177 Individual Artists Bui Huu Hung
- Page 179 and 180: 179 Pham Kien Giang: Findlay, Ian,
- Page 181 and 182: 181 Art in War Period Anthology of
- Page 183 and 184: 183 C. David Thomas, ‗Ceramic Art
- Page 185 and 186: 185 ‗Supplement Vietnam‘, Asian
- Page 187 and 188: 187 Contemporary Indonesian Art, Ta
- Page 189 and 190: 189 Gallery, 2004; Wiyanto, Hendro,
- Page 191 and 192: 191 Wiyono, Gigih: Kidd, Eilish,
- Page 193 and 194: 193 Kraus, Werner, ‗On the Recept
- Page 195 and 196: 195 Jakarta Feature: Asian Art News
- Page 197 and 198: Wiyanto, Hendro, Ugo Untoro: Goro-G
- Page 199 and 200: 199 European Images of S.E. Asia an
- Page 201 and 202: 201 Zain, Ismail, & Piyadasa, Redza
- Page 203 and 204: 203 Wong Hoy Cheong,in Asian Art Ne
- Page 205 and 206: 205 Lee, Weng Choy, ‗Just what is
- Page 207 and 208:
207 Chandrasekaran, S.: Binghui Hua
- Page 209 and 210:
209 Centre Archives [Online], 1982.
- Page 211 and 212:
211 Ching, Isabel, ‗A Diary of Wo
- Page 213 and 214:
213 Schoppert, Peter. ―More troub
- Page 215 and 216:
215 Leow, Vincent., and Lim Kok Boo
- Page 217 and 218:
217 Arcega, Michael: Cha, Carina
- Page 219 and 220:
219 Leonardo Aguinaldo: Guillermo,
- Page 221 and 222:
221 Ventura, Roberto: Guillermo, Al
- Page 223 and 224:
223 Roll, Christian, ‗The Philipp
- Page 225 and 226:
225 Javelosa, Jeannie E., ‗Introd
- Page 227 and 228:
227 Photography Fairley, Gina, ‗L
- Page 229 and 230:
Thomas, Nicholas & Losche, Diane, D
- Page 231 and 232:
231 Parimoo, R., ‗Modern Movement
- Page 233 and 234:
233 Gupta, Shilpa: Pijnappel, Johan
- Page 235 and 236:
235 Mohamedi, Nasreen: Galligan, Gr
- Page 237 and 238:
237 ‗Big Things Have Small Beginn
- Page 239 and 240:
239 Chatterjee, R., From the Karkha
- Page 241 and 242:
241 Kelkar, N.M., The Story of the
- Page 243 and 244:
243 Kapur, Geeta, Contemporary Indi
- Page 245 and 246:
245 Kapur, Geeta, The Centre-Periph
- Page 247 and 248:
247 Bordewekar, Sandhya, ‗Reality
- Page 249 and 250:
NEPAL 249 General Works Jolliffe, H
- Page 251 and 252:
251 L., ‗From Lover to Foe and ba
- Page 253 and 254:
253 Barnes, Carolyn; Wright, Willia
- Page 255 and 256:
255 Goh Emil: Sullivan, Eve, ‗Par
- Page 257 and 258:
257 Gallbally, A., ‗Aestheticism
- Page 259 and 260:
259 1988; Jennifer McCamley, 1989;
- Page 261 and 262:
261 Becker, Carol, ‗The Romance o
- Page 263 and 264:
263 in Art Asia Pacific, Issue 37 (
- Page 265 and 266:
265 Ping Chong: Yang, Alice, ‗Chi
- Page 267 and 268:
267 Liao, Jeff Chien-Hsing: review,
- Page 269 and 270:
Vos, Ken, ‗Sharing Collections an
- Page 271 and 272:
271 Coombes, Annie E., ‗The recal
- Page 273 and 274:
273 Sakai, Naoki, 1946- ‗"You Asi
- Page 275 and 276:
275 Zito, Angela and Barlow, Tani E
- Page 277 and 278:
277 Australia Cramer, Sue, C., ed.,
- Page 279 and 280:
279 Araeen, Rasheed, ‗Sleeping wi
- Page 281 and 282:
281 Parry, J.H., Trade and Dominion
- Page 283 and 284:
283 Clark, John, Modern Asian Art,
- Page 285 and 286:
285 ‗Asia and Modernity‘, Speci
- Page 287 and 288:
287 Eley, Geoff, ‗Politics, Cultu
- Page 289 and 290:
289 Munroe, Alexandra, moderator,
- Page 291 and 292:
291 Hill, Joe Martin, ‗Taking Sto
- Page 293 and 294:
293 De Marchi, Neil, Review of Phil
- Page 295 and 296:
295 Foster, Hal ; Rosalind Krauss,
- Page 297 and 298:
297 Dale, Robert 1999/2000 ‗Revie
- Page 299 and 300:
299 Document of Art Exchange Progra
- Page 301 and 302:
301 97 Kwangju Biennale: Unmapping
- Page 303 and 304:
303 Hori, Motoaki, ‗Between East
- Page 305 and 306:
305 2001 Budge, Andrew, ‗Partage
- Page 307 and 308:
307 Withers, Rachel, ‗Shanghai Bi
- Page 309 and 310:
309 McNeill, David, ‗Cultural Dia
- Page 311 and 312:
311 Choy, Lee Weng, ‗Biennale Tim
- Page 313 and 314:
313 Huang Du, The 26 th São Paolo
- Page 315 and 316:
315 Hasegawa, Yuko & The Japan Foun
- Page 317 and 318:
317 1989 Magiciens de la terre, Mar
- Page 319 and 320:
319 Transience: Chinese Art at the