MODERN AND CONTEMPORARY ASIAN ART - University of Sydney

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Early Contacts with European Art
Arnold, Lauren, Princely gifts and papal treasures: the Franciscan mission to China and its influence on the art of the
West, San Francisco, Desiderata Press, 1999
Barmé, Geremie, ‗The Garden of Perfect Brightness: A Manchu Vision of China‘, Paroissien, Leon, ed.,
Visual Arts and Culture, Volume 1, Part 1 (1998), see http://www.chinaheritagequarterly.org/ No.
8, December 2006:
Yuanming Yuan, the Garden of Perfect Brightness
Beurdeley, M. &. C, Giuseppe Castiglione, Rutland, Tuttle, 1971.
Braat, J., Filedt Kok, J.P., Hofenk de Graaff, J.H., Poldervaart,P., ‗Restauratie, conservatie en
onderzoek van de op Nova Zembla gevonded zestiende-eeuwse prenten‘, Bullet van het
Rijksmuseum, vol. 28, 1980.
Cahill, James, ‗Late Ming landscape albums and European printed books‘, in Rosenwald, L.J., The Early
Illustrated Book, 1982.
Cahill, James, The Compelling Image: Nature and Style in Seventeenth Century Chinese Painting, Cambridge,
Harvard University Press, 1982
Delahaye, Hubert, ‗Du peu d‘effet de la peinture occidentale en Chine‘ in Jami, Catherine; Delahaye,
Hubert, eds., L‘Europe en Chine, interactions scientifiques, religieuses et culturelles aux XVII e et XVIII e
siécles, Paris, Collége de France, 1993.
Edgerton, S.Y., The Heritage of Giotto‘s Geometry, [Chapter 8, Geometry and the Jesuits in the Far East],
Ithaca, Cornell University Press, 1991.
Franke, Wolfgang, China and the West, Oxford, Basil Blackwell, 1967
Gilman, S.I. ‚ Lam Qua and the development of westernized medical iconography in China‘, Medical
History, 30 (1) January 1986.
Heinrich, Larissa, ‗Curing Chinese Culture: Lam Qua‘s medical portraiture‘, in Liu, Lydia, ed.,
Translating Modernity, Durham, Duke University Press, 2007.
Hsiang Ta (Xiang Da), ‗European influences on Chinese Art of the Later Ming and Early Ch‘ing
Period‘ [original in Dongfang Zazhi , vol.27, no.1, January 10th, 1930, translated by Wang Tehchao],
Renditions no.6, Spring 1976.
Ijezerman, Hollandsche prenten als handelsartikel te Patani in 1602, ‘s Gravenhage, Gedenksschrift Koninlijk
Insituuut voor Taal-, Land- en Volkenkunde van N.I., 1926
Ishida Mikinosuke, ‗A Biographical Study of Giuseppe Castiglione (Lang Shih-ning), a Jesuit Painter in
the Court of Peking under the Ch‘ing Dynasty‘, Memoirs of the Tôyô Bunko, 1960, p.79-121;
Jeyns, Soame, ‗George Chinnery(1774-1852) with emphasis on the Chinese period (1825-1852) and the
so-called Chinnery School of Chinese trade painting‘, in Watson, W., The Westward Influence of the
Chinese Arts, from the n14th to the 18 th century , London, Percival David Foundation of Chinese Art,
1973.
Kôno Minoru, ed., Chûgoku Yôfû? Hyôgen no Dônyû? Meimatsu kara Shin jidai no kaiga, hanga, sashie-hon,
Machida, Machida Shirtisu Kokusai Hanga Bijutsukan, 1995.
Kraus, Werner, ‗Einige Bermerkungen zur chinesischen ―Trade Art‖ ‘, unpublished ‗finger exercises‘,
n.d. [source of some German bibliography here].
Loehr, G., ‗Missionary artists at the Manchu Court‘, Journal of the Oriental Ceramic Society, 34, 1962-63;
Loehr, George, ‗The Sinicization of Missionary artists and their work at the Manchu court during the
Eighteeenth Century‘, Cahiers d‘Histoire Mondiale, vol. VII, no.3, p. 795-815, 1963;
Le Comte, L., Das heutige Sina, Nürnberg 1699
Pelliot, Paul, ‗La Peinture et la Gravure Européennes en Chine au temps de Mathieu Ricci‘, T‘oung Pao,
1922, 1-18;
Pirazzoli-T‘Serstevens, M., Gravures des Conquêtes de l‘Empereur de Chine K‘ien-Long au Musée Guimet, Paris,
Mus?e Guimet, 1969;
Qing Imperial Court Painting, 25th Anniversary Special Issue of Orientations, vol.26, no.7, Jul-Aug 1995
Ricci, Matteo [Nicola Trigault ed. Latin, 1615, tr. Louis J. Gallagher] China in the 16th Century: The
Journals of Matteo Ricci, New York, New York, 1953