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MODERN AND CONTEMPORARY ASIAN ART - University of Sydney

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295<br />

Foster, Hal ; Rosalind Krauss, Yve-Alain Bois, Benjamin H.D. Buchloh, Art since 1900: modernism,<br />

antimodernism, postmodernism, London, Thames & Hudson, 2004 [See reviews by Clark in Yishu:<br />

Journal <strong>of</strong> Contemporary Chinese Art , no.15, December 2005, and McNeil David, ]<br />

Guillory, John, ‗Canon‘ in Lentricchia, Frank; McLaughlin, Thomas, Critical Terms for Literary Study,<br />

Chicago, <strong>University</strong> <strong>of</strong> Chicago Press, 1990.<br />

Habermas, Jürgen The Theory <strong>of</strong> Communicative Action, 2 vols, [tr. Thomas McCarthy], London,<br />

Heinemann, 1984<br />

Heidegger, Martin , ‗The Age <strong>of</strong> the World Picture‘, The Question Concerning Technology and Other Essays,<br />

trans. W. Lovitt, Harper, New York, 1977.<br />

Heinich, Nathalie, Le triple jeu de l‘art contemporain, Paris, Les Éditions de Minuit, 1998; [summary in<br />

Schaeffer, Jean-Marie: Think Art, Rotterdam, Witte de With, 1998]<br />

Holmes, Brian, ‗Maps, Global Solidarities‘, Paris, Piet Zwart Institute, 2003 [from pzwart.wdka.hro.nl]<br />

Homes, Brian, ‗Flowmaps, the imaginaries <strong>of</strong> global integration‘, Paris, Piet Zwart Institute, 2003<br />

Sakai, Naoki ‗‗You Asians‘: On the Historical Role <strong>of</strong> the West and Asia Binary‘, The South Atlantic<br />

Quarterly, vol. 99, no.4, 2001, 789-817.<br />

Sakai, Naoki ‗Modernity and Its Critique: The Problem <strong>of</strong> Universalism and Particularism‘ in M.<br />

Miyoshi and H.D. Harootunian eds. Postmodernism and Japan, Duke <strong>University</strong> Press, Durham and<br />

London, 1989.<br />

Biennales and Triennales by Site [only lists material available to John Clark]<br />

Beijing:<br />

2003<br />

The First Beijing International Art Biennale, China 2003, Promotional Brochure, Beijing International Art<br />

Biennale Office<br />

The Conference <strong>of</strong> the First Beijing International Art Biennale, China 2003 – Originality: Contemporaneity and<br />

Locality, Handbook, Beijing International Art Biennale Office, 2003<br />

Zhang Zhaohui, ‗A Mixed Bag‘, in Asian Art News, Vol. 14, No. 1, January/February 2004, p.48-53.;<br />

Smith, Karen., ‗Review <strong>of</strong> the Inaugural Beijing Biennale‘, in Yishu: Journal <strong>of</strong> Contemporary Chinese Art,<br />

Vol. 2 No. 4, December 2003, p.88-90.<br />

Smith, Karen, ‗1 st Beijing Biennale‘ (Review) in Art Asia Pacific, No. 39 (Winter 2004), p. 78<br />

Wang Meiqin, ‗The Beijing Biennale: The Politics <strong>of</strong> Chinese Characteristics‘, in Yishu Journal <strong>of</strong><br />

Contemporary Chinese Art, Vol. 7, No. 4, July 2008, pp. 20-31<br />

2005<br />

The Second Beijing International Art Biennale, China 2005, Promotional Booklet, Beijing International Art<br />

Biennale Office, 2005<br />

2008<br />

Don, Katherine, ‗Beijing Biennale: July 8-Aug 12‘.(BIENNIAL DIGEST) in Art in America 96.11 (Dec<br />

2008): 110(2)<br />

Brisbane: Asia-Pacific Triennial <strong>of</strong> Contemporary Art [APT]<br />

Overall<br />

Marravillas, Francis, ‘Cartographies <strong>of</strong> the Future: The Asia-Pacific Triennials and the Curatorial<br />

Imaginary‘, Cartographies <strong>of</strong> the Future: The Asia-Pacific Triennials and the Curatorial<br />

Imaginary‘ paper presented at the Our Modernities: Positioning Asian Art Now Conference, Asia<br />

Research Institute, National <strong>University</strong> <strong>of</strong> Singapore, Singapore, 19-22 February 2004, revised<br />

version in John Clark, Maurizio Peleggi and T.K. Sabapathy, eds., Eye <strong>of</strong> the beholder, <strong>Sydney</strong>, Wild<br />

Peony, 2006<br />

Turner, Caroline, ‗Cross-Cultural Engagements in Asian Art: The Fukuoka Triennale and the Asia-<br />

Pacific Triennial‘ paper presented at the Our Modernities: Positioning Asian Art Now Conference, Asia<br />

Research Institute, National <strong>University</strong> <strong>of</strong> Singapore, Singapore, 19-22 February 2004, revised

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