MODERN AND CONTEMPORARY ASIAN ART - University of Sydney
MODERN AND CONTEMPORARY ASIAN ART - University of Sydney
MODERN AND CONTEMPORARY ASIAN ART - University of Sydney
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
318<br />
Contemporary Art <strong>of</strong> the Non-Aligned Countries 1995, Jakarta, Indonesia: Inity in Diversity in International Art,<br />
Seminar Proceedings, 1995<br />
Quotation Marks‖: Chinese Contemporary Paintings, Ronte, Dieter; Smerling, Walter et al, , Singapore,<br />
Singapore Art Museum, 1995; also published as Dieter Ronte, Walter Smerling, Evelyn Weiss ;<br />
mit Beiträgen von Chang Tsong-zung, et al. China : zeitgenössische Malerei, Köln : DuMont, 1996.<br />
New Asian Art Show, Huang Zhuan, et al Tokyo, Japan Foundation Forum & Osaka, Kirin Plaza, 1995.<br />
Art Taiwan, Yang Wen-i, Jose Nicholas eds., Taipei, Taipei Fine Arts Museum & <strong>Sydney</strong>, Museum <strong>of</strong><br />
Contemporary Art, <strong>Sydney</strong>, 1995.<br />
Sengo bunka no kiseki / Japanese culture <strong>of</strong> the Postwar Years, 1945-1995, Meguro-ku Bijutsukan henshû,<br />
Tokyo Asahi Shinbum, 1995<br />
1996<br />
Reckoning with the past, curated by Chang Tsong-zung, essays by John Clark, Yan Shanchun, organized<br />
by The Fruitmarket Gallery, Edinburgh<br />
Inklusion/Exklusion: Kunst im Zeitalter von Postkolonialismus und Globaler Migration, Weibel, Peter, curated ,<br />
Graz, Neue Galerie 1996<br />
1997<br />
Parisien(ne)s, included Chen Zhen, Huang Yongping, Shen Yuan (curated by Hou Hanru, organized by<br />
Camden Arts Centre)<br />
Another Long March: Chinese Conceptual and Installation Art in the Nineties, curated by Marianne Brouwer &<br />
Chris Driessen, texts by Fei Dawei, Hou Hanru, Tang Di, organized by Fundament Foundation<br />
Breda].<br />
Secession: Cities on the Move curated by Hou Hanru and Hans-Ulrich Obrist, organized by Wiener<br />
Secession & capc Musée d‘art contemporain de Bordeaux<br />
The Birth <strong>of</strong> Modern Art in Southeast Asia: Artists and Movements, Ushiroshôji Masahiro, supervising curator:<br />
Fukuoka Art Museum, 1997<br />
1998<br />
Cream: Contemporary Art and Culture, London and New York, Phaidon, 1998<br />
Die Hälfte des Himmels curated by Werner, Chris; Qiu Ping; Pitzen, Marianne, organized by<br />
Frauenmuseum Bonn<br />
Groβschwanzelefant / Big Tail Elephant,curated by Fibicher, Bernard, Bern, Kunsthalle 1998.<br />
Chinese Contemporary, 96-98 curated by Colman, Julia; Bois, Ludovic, organized by Chinese<br />
Contemporary Limited.<br />
Modern Boy, Modern Girl: Modernity in Japanese Art, 1910-1935, Menzies, Jackie, ed., (co-curated by Ajioka,<br />
Clark, Menzies, Mizusawa); <strong>Sydney</strong>, Art Gallery <strong>of</strong> New South Wales, 1998.<br />
Per Video, Keusen, Elle; Schmidt, Inge; Weihs, Helge; Köln, Museum Ludwig, 1998<br />
Inside Out, New Chinese Art, curated and written by Gao Minglu, New York, Asia Society & Berkeley,<br />
<strong>University</strong> <strong>of</strong> California Press, 1998<br />
1999<br />
Art at the Turn <strong>of</strong> the Millennium, Burkhard Riemschneider and Uta Grosenick, ed., Köln, Taschen, 1999<br />
ARX 5, Lee Weng Choy, ‗Misunderstanding art‘, Art AsiaPacific, 23, 1999;<br />
ARX 5, Lenzi, Iola, ‗Process and Politics‘, Art AsiaPacific, 23, 1999<br />
China 1999 organized by Limn Gallery, San Francisco<br />
Cologne-Beijing, Beijing-Cologne Exchange Exhibitioncurated by Tang Xin & Urle U., organized by Gothaer<br />
Kunstforum, Köln]<br />
Logan Collection, organized by Limn Gallery, San Francisco<br />
Melbourne Biennale [China curated by Huang Du]<br />
Modern Chinese Art curated by Hans van Dijk, essay by John Clark, organized by Modern Chinese Art<br />
Foundation<br />
Representing the People Curated by Smith, Karen & Pi Li, organized by The Courtyard Gallery<br />
&Newcastle, Tyne and Weir Museums
Change language