MODERN AND CONTEMPORARY ASIAN ART - University of Sydney

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Peleggi, Maurizio, ‗Royal antiquarianism, European Orientalism and the production of archaeological
knowledge in Modern Siam‘, in Goh Ben Lan; Ravi, Srilata; Rutten, Mario, eds., Europe in Asia,
Asia in Europe, Leiden: KITVL & Singapore: ISEAS, 2005
After 1947 (Rama IX)
The Mural Painting of Wat Buddhapadipa, Bangkok, Amarin Printing Group, 1987.
Art in the Reign of King Rama IX, Volume 1, Bangkok, Golden Jubilee Art Celebration Committee and
Rama IX Art Museum Foundation, Published On the Occasion of the 50th Anniversary of HM
King Bhumibol Adulyadej‘s Accession to the Throne, 1996.
Art in the Reign of King Rama IX, Volume 2, Bangkok, Golden Jubilee Art Celebration Committee and
Rama IX Art Museum Foundation, Published On the Occasion of the 50th Anniversary of HM
King Bhumibol Adulyadej‘s Accession to the Throne, 1996.
Art in the Reign of King Rama IX, Volume 3, Bangkok, Golden Jubilee Art Celebration Committee and
Rama IX Art Museum Foundation, Published On the Occasion of the 50th Anniversary of HM
King Bhumibol Adulyadej‘s Accession to the Throne, 1996.
Peleggi, Maurizio, The Politics of Ruins and the Business of Nostalgia, Bangkok, White Lotus, 2002.
General Works on Neo-traditional Art [including Group Catalogues]
Art and Environment, Bangkok, Silpakorn University & Goethe Institut, 1991.
Art Exhibition by the members of the Faculty of Painting, Sculpture and Graphic Arts, Bangkok, Silpakorn
University [6th], 1989, [7th] 1990, [8th] 1991.
Change and Modernism in Thai Art, Canberra, Contemporary Art Space, 1991.
Eight Visions in Thai Contemporary Drawing, Bangkok, Dialogue Gallery, 1991.
Hoskin, J., Ten Contemporary Thai Artists, Bangkok, Graphis, 1984
Leesuwan, V., An Exhibition of Thai Art in the People‘s Republic of China Beijing, Centre of Fine Arts, 1985
[some modern works illustrated]
Pawlin, A., Dhamma Vision, Bangkok, Visual Dhamma Gallery, 1984.
Thai-Australian Cultural Space, Sydney, Art Gallery of New South Wales, 1994.
The New Path, Bangkok, Con-tempus 1992.
Third Thai Art ‗80, Bangkok, Bhirarsi Institute of Modern Art, 1980.
White Group 4th Contemporary Water Colour Exhibition/ Bangkok, National Gallery, March 1985.
General Works on Modern Thai Art
Apinan Poshyananda, ‗Thai MODERNism to (post?) modernISM, 1970s and 1980s (Seeing "Yellow"
from a Thai perspective)‘, in Clark, J., ed., Modernity in Asian Art, Sydney, Wild Peony, 1993.
Apinan Poshyananda, Modern Art in Thailand, Singapore, Oxford University Press, 1992.
Bhirasri, S. [Thai name of Ferroci, Corrado], Contemporary Art in Thailand, Bangkok, Fine Arts
Department, B.E. 2532 [1989].
Cate, Sandra, Making Merit, Making Art: A Thai Temple in Wimbledon, Honolulu, University of Hawai‘i
Press, 2003
Michaelsen, H., ‗State Building and Thai Painting and Sculpture in the 1930s and 1940s‘, in Modernity in
Asian Art, 1993.
Michaelsen, H., ‗Thailand in the 1980s‘, Art Monthly Australia, no.41, June 1991.
Michaelsen, H., Die Entwicklung und die Konsequenzen der westlichen Einflüsse auf die zeitgenössische thailändische
Malerie, Magisterarbeit, Ruhr Universität-Bochum, 1987.
Pawlin, A., ‗Reaching beyond Tradition‘, Asian Art News, 1, no.3, Nov/Dec 1991.
Pettifor, Steven, Flavours: Thai Contemporary Art, Bangkok, Thavibu Gallery, 2003
Phillips, H., The Integrative Art of Modern Thailand, Berkeley, Lowie Museum of Anthropology and
California University Press, 1992. [Review by Murray, S.E., Asian Art News, 2, no.2 Mar/ Apr
1992].
Piriya Krairiksh & Thongchua, P., Art in Thailand since 1932, Bangkok, Thamasat University, Thai Khadi
Research Institute, 1982.