MODERN AND CONTEMPORARY ASIAN ART - University of Sydney

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---------------------------------------------------------------------------------------------------------------------------- MONGOLIA 252 General Works 252 Individual Artists 252 ---------------------------------------------------------------------------------------------------------------------------- CIS AND OTHER 252 ---------------------------------------------------------------------------------------------------------------------------- ASIAN ARTIST TRANSNATIONAL ACTIVITY 252 Asian Artists in Transnational Activity: Australia 252 Asia and Australia [selected] 253 Individual Artists 254 Critical and Historical Studies 256 Exhibitions and Reviews (selected) 257 ---------------------------------------------------------------------------------------------------------------------------- Modernity in Asian Art, Australia, South Asia, Southeast Asia: Texts by John Clark 259 General Works 259 Australia 259 South Asia 259 Southeast Asia 260 ---------------------------------------------------------------------------------------------------------------------------- Asian artists transnational activity - North America 260 General Works 260 Individual Artists 262 Asian artists transnational activity - Britain 266 General Works 266 Individual Artists 266 Asian artists transnational activity - France 267 General Works 267 Individual Artists 268 Asian artists transnational activity - Elsewhere in Europe 268 General Works 268 Individual Artists 269 ---------------------------------------------------------------------------------------------------------------------------- PRE-HISTORIES OF EURAMERICAN MODERN ART 269 ---------------------------------------------------------------------------------------------------------------------------- EURAMERICAN THEORIES OF MODERNITY (selected) 269 Theories, Logics, Ideologies 269 Taxonomy and Evolutionary Speciation 270 Literary and Linguistic Theories 270 Cultural Hybridity and Cultural Comparison 270 Cultural Globalization 272 Theories of Art (selected) 273 Art Movements 274 Corporeal Theories (selected) 274 ---------------------------------------------------------------------------------------------------------------------------- ASIA, AFRICA, AND ISLAM IN PRE-MODERN EURAMERICAN ART 275 ---------------------------------------------------------------------------------------------------------------------------- NON-EURAMERICAN THEORIES AND POSITIONS ON MODERNITY IN ART 275 General 275 Africa 276 Australia 277 10
Islamic World 277 Meso- and South America 277 ---------------------------------------------------------------------------------------------------------------------------- POSTCOLONIALISM AND ‗THIRD‘ CRITIQUES AT THE CENTRE 278 ---------------------------------------------------------------------------------------------------------------------------- BIENNALES AND CONTEMPORARY ASIAN ART 281 Museum and Exhibition Practice 281 Asian Art: Modern and Contemporary [duplicates some sections above] 282 Australia, Art and Asia [duplicates some sections above] 283 Modern and Contemporary Exhibition Systems 285 Museums, Art Centres and other Institutions 2000+ 286 Curatorial Practice 288 Biennales in Art Exhibition Systems 289 Art, Markets and the Economy 290 Art Dealers 292 Cultures and Commodities 293 Hybridity, Postcolonialism and Globalization [duplicates some sections above] 293 Other Theories and Histories [duplicates some sections above] 294 Biennales and Triennales by site 295 Beijing 295 Brisbane: Asia-Pacific Triennial of Contemporary Art [APT] 295 Chengdu 298 Fukuoka 298 Guangzhou 299 Gwangju/Kwangju 300 Istanbul 302 Kassel: Documenta 303 Jogjakarta 304 Johannesburg 304 Kitakyushu 304 Liverpool 304 Lyon 305 Manifesta 305 Nanjing Triennial 305 New Delhi 305 Osaka 305 São Paulo 305 Singapore 305 Shanghai 306 Sharjah 308 Sydney 308 Taipei 309 Venice 310 Yokohama 312 National Exhibitions at Biennales 312 Biennales from an Asian Perspective 316 Other Catalogues consulted 316 11
Page 1 and 2: MODERN AND CONTEMPORARY ASIAN ART:
Page 3 and 4: 3 National Art Center in Tokyo and
Page 5 and 6: CHINA-HONG KONG AND MACAO 72 Genera
Page 7 and 8: THAILAND 152 Historical Context Bef
Page 9: Photography 227 New Media 227 Craft
Page 13 and 14: 13 Ewington, Yang, Munroe in ART As
Page 15 and 16: 15 [Video] Kuraishi, Shino, ‗Sere
Page 17 and 18: 17 Gladston, Paul, ‗Writing on th
Page 19 and 20: 19 Early Contacts with European Art
Page 21 and 22: 21 Warner, J., Hong Kong Illustrate
Page 23 and 24: MAILAND CHINA, 1911 to PRESENT 23 A
Page 25 and 26: 25 Interview with Cai Guo-Quiang‘
Page 27 and 28: 27 Fang Cheng: Fang Cheng, ‗Fang
Page 29 and 30: 29 Hu Yongkai: Binks, Hilary, ‗Re
Page 31 and 32: 31 Li Zhanyang: Gao Minglu, et. Al.
Page 33 and 34: 33 Art, vol. 4, no. 3, Sep. 2005; M
Page 35 and 36: 35 Sun Liang, Wu, Lintian., ‗Trav
Page 37 and 38: 37 Wang Yin: Xie Wenxue, et.al., Wa
Page 39 and 40: 39 Future of China‘, in Yishu Jou
Page 41 and 42: 41 2001; Wu Hung, Zhang Dali: A Sec
Page 43 and 44: 43 Zhu Ming: Wang, Val, ‗Zhu Ming
Page 45 and 46: 45 Kleeman, F.Y., ‗Inscribing Man
Page 47 and 48: 47 Schapiro, D., Critical Studies i
Page 49 and 50: 49 Lim, Lucy, ed., Contemporary Chi
Page 51 and 52: 51 Fei, D., ‗Aspects of Chinese C
Page 53 and 54: 53 Wang Jing, High Culture Fever: P
Page 55 and 56: 55 Gladston, Paul, ‗No matter fro
Page 57 and 58: 57 Niridsany, Michel, China: Art No
Page 59 and 60: 59 Zhang Zhaohui, ‗Globalisation,
Page 61 and 62:
61 Luo Zhongli, Mao Yan, Sun Liang,
Page 63 and 64:
63 Tang Xin & Urle U, 1999 Cologne-
Page 65 and 66:
65 Art Institutions - China (entrie
Page 67 and 68:
67 Pettifor, Steven, ‗Contemporar
Page 69 and 70:
69 Barmé, Geremie R.; Jaivin, Lind
Page 71 and 72:
71 Teiwes, F., Sun, W., The tragedy
Page 73 and 74:
73 Clarke, David, Art & Place: Essa
Page 75 and 76:
75 Lam, Dominic Man-Kit: Thompson,
Page 77 and 78:
77 Sculpture and Ceramics Clarke, D
Page 79 and 80:
CHINA-TIBET 79 General Works Alexan
Page 81 and 82:
81 Lee Ang: Rong Cai, ‗Gender Ima
Page 83 and 84:
83 Japanese Colonial Period Ching,
Page 85 and 86:
85 Pai, Maggie, ‗A Glimpse of Scu
Page 87 and 88:
Taiwan Sheying, 1887-1945, Taibei,
Page 89 and 90:
89 Su Ruiping,ed., Overseas Chinese
Page 91 and 92:
91 Collectif, Narahara Ikko : photo
Page 93 and 94:
93 Emi Kinuko: Emi Kinuko: Retrospe
Page 95 and 96:
95 Miyako, Ishiuchi: Lew, Christoph
Page 97 and 98:
97 Ozu, Yasujiro: Ishaghpour, Youss
Page 99 and 100:
99 Watanabe Katsumi: Watanabe Katsu
Page 101 and 102:
101 Leach, Bernard, Hamada Potter,
Page 103 and 104:
103 Reyns-Chikuma, Chris, Images du
Page 105 and 106:
105 Christ, Carol Nann, ‗The Sole
Page 107 and 108:
107 Guth, Christine, M.E., ‗Charl
Page 109 and 110:
109 Hynes, Victoria. ‗Tradition T
Page 111 and 112:
111 Kastner, Jeffrey, ‗Art, Anti-
Page 113 and 114:
113 Nanjô, F., ‗Situation in Jap
Page 115 and 116:
115 Koplos, Janet, 'Korea and Japan
Page 117 and 118:
117 Kikuchi, Yuko, ‗Sources of In
Page 119 and 120:
119 Moeran, B., ‗Individual, Grou
Page 121 and 122:
121 Onoda, Natsu, ‗Drag Prince in
Page 123 and 124:
123 Jinno Yuki 神能由紀, ‗Kin
Page 125 and 126:
125 Sacchi, Livio, Tôkyô, Archite
Page 127 and 128:
127 Japan : A.D.A. Edita, 1992. And
Page 129 and 130:
129 Ito, Toyoo, Ito Toyoo = Toyo It
Page 131 and 132:
131 Bibliographies, [c1987] Ross, M
Page 133 and 134:
133 Sacchi, Livio, Tôkyô, Archite
Page 135 and 136:
135 Hamaguchi, E., ‗Towards a the
Page 137 and 138:
137 Nakano Hajimu, ‗Kuki Shûzô
Page 139 and 140:
139 Morse, R., Sugimoto, S., Images
Page 141 and 142:
141 Modern Japanese Art: Texts by J
Page 143 and 144:
143 Kim, Youngna, ―Let‘s Pause
Page 145 and 146:
145 Kim Whanki: Schwabsky, Barry,
Page 147 and 148:
147 Ahn, Soyeon, ‗Korean art in t
Page 149 and 150:
149 Minjung Misul Choi, Tae-man,
Page 151 and 152:
151 Daw Ohn Kyi, ‗Mandalay Under
Page 153 and 154:
Vella, W.F., Siam Under Rama III, L
Page 155 and 156:
155 soldier‘, Asian Art News, vol
Page 157 and 158:
157 Office of Contemporary Art and
Page 159 and 160:
159 Art in Thailand, Bangkok, the P
Page 161 and 162:
161 Sculpture and Printmaking, Silp
Page 163 and 164:
163 No Na Pak Nam, Wat Phumin and W
Page 165 and 166:
165 Piriya Krairiksh, Thai Reflecti
Page 167 and 168:
167 Somporn Rodboon, ‗Thai Contem
Page 169 and 170:
169 14th Art Exhibition by the Memb
Page 171 and 172:
171 Poshyananda, Apinan, ‗A Guide
Page 173 and 174:
173 Mulder, N., Inside Thai Society
Page 175 and 176:
175 Reyum Publishing, 2002. Eastbur
Page 177 and 178:
177 Individual Artists Bui Huu Hung
Page 179 and 180:
179 Pham Kien Giang: Findlay, Ian,
Page 181 and 182:
181 Art in War Period Anthology of
Page 183 and 184:
183 C. David Thomas, ‗Ceramic Art
Page 185 and 186:
185 ‗Supplement Vietnam‘, Asian
Page 187 and 188:
187 Contemporary Indonesian Art, Ta
Page 189 and 190:
189 Gallery, 2004; Wiyanto, Hendro,
Page 191 and 192:
191 Wiyono, Gigih: Kidd, Eilish,
Page 193 and 194:
193 Kraus, Werner, ‗On the Recept
Page 195 and 196:
195 Jakarta Feature: Asian Art News
Page 197 and 198:
Wiyanto, Hendro, Ugo Untoro: Goro-G
Page 199 and 200:
199 European Images of S.E. Asia an
Page 201 and 202:
201 Zain, Ismail, & Piyadasa, Redza
Page 203 and 204:
203 Wong Hoy Cheong,in Asian Art Ne
Page 205 and 206:
205 Lee, Weng Choy, ‗Just what is
Page 207 and 208:
207 Chandrasekaran, S.: Binghui Hua
Page 209 and 210:
209 Centre Archives [Online], 1982.
Page 211 and 212:
211 Ching, Isabel, ‗A Diary of Wo
Page 213 and 214:
213 Schoppert, Peter. ―More troub
Page 215 and 216:
215 Leow, Vincent., and Lim Kok Boo
Page 217 and 218:
217 Arcega, Michael: Cha, Carina
Page 219 and 220:
219 Leonardo Aguinaldo: Guillermo,
Page 221 and 222:
221 Ventura, Roberto: Guillermo, Al
Page 223 and 224:
223 Roll, Christian, ‗The Philipp
Page 225 and 226:
225 Javelosa, Jeannie E., ‗Introd
Page 227 and 228:
227 Photography Fairley, Gina, ‗L
Page 229 and 230:
Thomas, Nicholas & Losche, Diane, D
Page 231 and 232:
231 Parimoo, R., ‗Modern Movement
Page 233 and 234:
233 Gupta, Shilpa: Pijnappel, Johan
Page 235 and 236:
235 Mohamedi, Nasreen: Galligan, Gr
Page 237 and 238:
237 ‗Big Things Have Small Beginn
Page 239 and 240:
239 Chatterjee, R., From the Karkha
Page 241 and 242:
241 Kelkar, N.M., The Story of the
Page 243 and 244:
243 Kapur, Geeta, Contemporary Indi
Page 245 and 246:
245 Kapur, Geeta, The Centre-Periph
Page 247 and 248:
247 Bordewekar, Sandhya, ‗Reality
Page 249 and 250:
NEPAL 249 General Works Jolliffe, H
Page 251 and 252:
251 L., ‗From Lover to Foe and ba
Page 253 and 254:
253 Barnes, Carolyn; Wright, Willia
Page 255 and 256:
255 Goh Emil: Sullivan, Eve, ‗Par
Page 257 and 258:
257 Gallbally, A., ‗Aestheticism
Page 259 and 260:
259 1988; Jennifer McCamley, 1989;
Page 261 and 262:
261 Becker, Carol, ‗The Romance o
Page 263 and 264:
263 in Art Asia Pacific, Issue 37 (
Page 265 and 266:
265 Ping Chong: Yang, Alice, ‗Chi
Page 267 and 268:
267 Liao, Jeff Chien-Hsing: review,
Page 269 and 270:
Vos, Ken, ‗Sharing Collections an
Page 271 and 272:
271 Coombes, Annie E., ‗The recal
Page 273 and 274:
273 Sakai, Naoki, 1946- ‗"You Asi
Page 275 and 276:
275 Zito, Angela and Barlow, Tani E
Page 277 and 278:
277 Australia Cramer, Sue, C., ed.,
Page 279 and 280:
279 Araeen, Rasheed, ‗Sleeping wi
Page 281 and 282:
281 Parry, J.H., Trade and Dominion
Page 283 and 284:
283 Clark, John, Modern Asian Art,
Page 285 and 286:
285 ‗Asia and Modernity‘, Speci
Page 287 and 288:
287 Eley, Geoff, ‗Politics, Cultu
Page 289 and 290:
289 Munroe, Alexandra, moderator,
Page 291 and 292:
291 Hill, Joe Martin, ‗Taking Sto
Page 293 and 294:
293 De Marchi, Neil, Review of Phil
Page 295 and 296:
295 Foster, Hal ; Rosalind Krauss,
Page 297 and 298:
297 Dale, Robert 1999/2000 ‗Revie
Page 299 and 300:
299 Document of Art Exchange Progra
Page 301 and 302:
301 97 Kwangju Biennale: Unmapping
Page 303 and 304:
303 Hori, Motoaki, ‗Between East
Page 305 and 306:
305 2001 Budge, Andrew, ‗Partage
Page 307 and 308:
307 Withers, Rachel, ‗Shanghai Bi
Page 309 and 310:
309 McNeill, David, ‗Cultural Dia
Page 311 and 312:
311 Choy, Lee Weng, ‗Biennale Tim
Page 313 and 314:
313 Huang Du, The 26 th São Paolo
Page 315 and 316:
315 Hasegawa, Yuko & The Japan Foun
Page 317 and 318:
317 1989 Magiciens de la terre, Mar
Page 319 and 320:
319 Transience: Chinese Art at the
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