MODERN AND CONTEMPORARY ASIAN ART - University of Sydney

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Tang Xin & Urle U, 1999 Cologne-Beijing, Beijing-Cologne Exchange Exhibition, Köln, Gothaer Kunstforum,
1999.
Wu Hong, Transience: Chinese Art at the End of the 20th Century, The Smart Museum of Art, University of
Chicago, 1999.
Logan Collection, San Francisco, Limn Gallery, 1999.
China 1999, San Francisco, Limn Gallery, 1999.
Wu Meichun, Zheng Shengtian, Truths from the Open Door: Chinese Conceptual Photography, (Supported by
the Annie Wong Foundation), Bangkok, Art Gallery of Chulalongkorn University, 1999.
Fu Shen, Nouveau reflets de la terre natale – six peintres de Taiwan, Paris, Centre Culturel et d‘information de
Taïpei à Paris, 1999.
2000
Jouanno, Evelyine; Hou Hanru, Paris pour escale, [incl. Chen Zhen, Huang Yongping, Shen Yuan, Wang
Du, Yang Jiechang] Paris, ARC- Musée d‘Art Moderne de la Ville de Paris, 2000
2001
Nuridstany, Michel, Next Generation / Art Contemporain d‘Asie, Paris, [Galerie] Passage de Retz, 2001
Storer, Russell, ‗Shanghai Star‘, Art Asia Pacific, No.34, 2002.
2002
[Paris-Pekin] Chang Tsong-zung and Decrop, Marc, ed., Paris-Pekin, Paris: Chinese Century, 2002;
Ullens, Baronn Guy F and Binks, Hillary, ‗The Collecting Instinct‘, Asian Art News, vol. 12, no. 4,
July/August, 2002; Croës, Marcel, ‗An Interview with Guy Ullens‘ [Paris-Pekin exhibition focus],
Orientations, Volume 33, Number 8, October 2002
2003
[Alors la Chine?] Berghuis, Thomas J., ‗Alors la Chine? Paris‘ (Review) in Art Asia Pacific, No. 38 (Fall
2003), pp. 79-80
[Between Past and Future] Wu Hung, ‗About Between Past and Future: New Photography and Video from
China‘ in Yishu: Journal of Contemporary Chinese Art, June 2004, pp. 5-14; Vine, Richard, ‗Sixty Ways
of Looking at China‘ (Review) in Art in America (June/July 2004), pp. 124-129
[Chinese Maximalism] Yap, Chin Chin, ‗Chinese Maximalism‘ in Art Asia Pacific, No. 38 (Fall 2003), p.
37
[Public Space and Personal Eyes – A New Vision in China] Vnuk, Gordana, Public Space and Personal
Eyes – A New Vision in China (Catalogue) Hamburg: Kampnagel, 2003
[Rong Rong], Goodman, Johathan., ‗Rong Rong‘s East Village at Chambers Fine Art‘, in Yishu: Journal
of Contemporary Chinese Art, Vol. 2 No. 3, September 2003, p.106-108.
[Wang Wei], Tinari, Philip., ‗If It Isn‘t Built, It Can‘t Be Torn Down: Notes on Wang Wei‘s Temporary
Space‘, in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 3, September 2003, p.72-73.
Chang, Tsongzung., ‗A Strange Heaven: Contemporary Chinese Photography‘ (A Strange Heaven:
Contemporary Chinese Photography), in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 4,
December 2003, p.59-67.
Chiu, Melissa., ‗China Reinvented: The Art of Overseas Chinese Artists in the United States‘, in Clark,
John., ‗Alors, la Chine?‘, in Artlink: The China Phenomenon, Vol. 23, No. 4, 2003, p.68-71
Geczy, Adam., ‗Yang Jiechang‘ (review), in Art AsiaPacific, Issue 38, Fall 2003, p.77-78.
Goodman, Jonathan, ‗Chen Zhen At P.S.1‘ (review), in Yishu: Journal of Contemporary Chinese Art, Vol. 2
No. 3, September 2003, p.105-106.
Goodman, Jonahan., ‗Chopsticks: Song Dong and Yin Xiuzhen at Chambers Fine Art‘ (review), in
Yishu: Journal of Contemporary Chinese Art, Vol.2, No.1, March 2003, p.93-94.
Goodman, Jonahan., ‗Guo Brothers at Michael Goedhuis‘, in Yishu: Journal of Contemporary Chinese Art,
Vol.2, No.1, March 2003, p.98-100.
Goodman, Jonathan., ‗Tseng Kwong Chi at Chambers Fine Art‘, in Yishu: Journal of Contemporary Chinese
Art, Vol. 2 No. 4, December 2003, p.91-93.
Heartney, Eleanor, ‗One to One: Visions – Recent Photographs From China at Chambers‘ (Review) in
Art in America (June/July 2004), pp. 172-173