MODERN AND CONTEMPORARY ASIAN ART - University of Sydney

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Zhu Ming: Wang, Val, ‗Zhu Ming‘, Chinese Type Contemporary Art Magazine, Vol. 2, Issue 6, December
1999, published Online at: http://www.chinese-art.com; Berghuis, Thomas J., ‗‘Bubble‘: Birth,
Death and Transference in the Work of Zhu Ming‘, Rachel Kent, ed., Liquid Sea (Catlogue),
Sydney, Museum of Contemporary Art, 2003; Berghuis, Thomas, ‗Close Encounters –
Performance art practices in China during the 1990s and the role of the mediated subject of the
acting body in art‘, Peter Lewis and Hoor Al-Qasimi, ed., Sharjah International Biennial 6
(Catalogue), United Arab Emirates: Sharjah International Biennial, 2003, pp. 034-038; [Zhu Ming]
Cover Art Monthly Australia, Number 158, March 2003
Zhu Yan: Zhu Yan, 798: A Photographic Journal by Zhu Yan, Hong Kong: Timezone 8, 2005
‗The Return of the Individual: A Home Conversation at the Beijing Pavilion‘, in Yishu. Journal of
Contemporary Chinese Art, v. 7(3), May, 2008, pp. 70 – 77.
Zhu Yu, Beijing, installation artist: Fei Dawei, ‗Transgresser le principe céleste: Dialogue avec le group
cadavre‘[Zhu Yu, Sun Yuan, Peng Yu], ‗Représenter l‘Horreur‘, Hors Serie Artpress, Mai 2001;
Berghuis, Thomas J., ‗Flesh Art: Body and Performance Art in Post-Mao China‘, Chinese Type
Contemporary Art Magazine, Vol. 4, Issue 5, November, 2001, published Online at:
http://www.chinese-art.com.
Neo-traditional Painting [guohua]
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in Unger, Jonathan, Using the Past to Serve the Present, Armonk, M.E. Sharpe, 1993.
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Berkeley, University of California Press, 1988;
Laing, E.J., ‗Chinese Peasant Painting, 1958-1976‘, Art International, XXVII/1, January-March 1984.
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2005.
Li Chu-tsing Trends in Modern Chinese Painting [The C.A.Drenowatz Collection]: Ascona, Artibus Asiae, 1979
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Umbrella, 1982
Pi Daojian ‗The history of Black and White: 50 years of Evolution in Ink and Wash‘, Contemporary
Chinese Art Bulletin, vol.2, no.5, 1999.
Shen Kuiyi, Wu Changshi and the Shanghai art world in the late 19 th and early 20 th centuries, PhD Thesis, Ohio
State University, 2000
Tam, L.S.,ed., Twentieth Century Chinese Painting, Hong Kong, Hong Kong Museum of Art, 1984
Whitfield, R., Chinese Traditional Painting, 1886-1966, London, Royal Academy of Arts, 1982
Wang, Eugene Y, ‗Sketch Conceptualism and Modernist Contingency‘, in Hearn, Maxwell K. & Smith,
Judith G., ed., Chinese art : modern expressions, New York : Dept. of Asian Art, the Metropolitan
Museum of Art, 2001.
Wong, Aida Yuen, Parting the mists, discovering Japan and the rise of nationalist-style painting in modern China,
Honolulu, University of Hawai‘i Press, 2006
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York University, 2001
Late Qing to Republican China before 1949
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Jingzhong, eds, Chinese Painting in the Twentieth Century: Creativity in the Aftermath of Tradition,
Zhejiang Renmin Meishu Chubanshe, 1997.