MODERN AND CONTEMPORARY ASIAN ART - University of Sydney

194
Purnomo, Setianingsih, The Voice of Muted People in Modern Indonesian Art, MA Thesis, University of
Western Sydney, Nepean, 1995.
Spanjaard,H., ‗Free art: academic painters in Indonesia‘, in Faber,P. et al eds, Kunst uit een andere wreld/
Art From Another World, Rotterdam, Museum voor Volkenkunde, 1988.
Sudarmaji, Dari Saleh Sampai Aming, Seni Lukis Indonesia Baru Dalam Sejarah dan Apresiasi, [From Saleh to
Aming, Indonesian painting in history and its appreciation], Thesis, Yogyakarta, STSRI, ASTRI,
1974.
Sumaamidjaja, K., ‗Indonesian painting in search of recognition‘, Kartomi, M.J., ed., Five Essays on the
Indonesian Arts, Melbourne, Monash University, 1981.
Supangkat, J., ‗Indonesia‘s New Art Movement‘, Praxis M, 24, September, 1989.
Supangkat, J., ‗Two decades of contemporary Indonesian art‘, Art & Asia Pacific, vol.1, no.3, 1994.
Supangkat, J., Gerakan Seni Rupa Baru Indonesia, Jakarta, Penerbit PT Gramedia, 1979.
Supangkat, J., Sanento Yuliman Hadiwardoyo, Seni Lukis Indonesia Baru, Jakarta, Dewan Kesenian, 1976.
Supangkat, Jim, et.al., Outlet: Yogyakarta within the Contemporary Indonesian Art Scene, Yogyakarta, Cemeti
Art Foundation, 2001
Supriyanto, Enin, Sentengah Abad Seni Grafis Indonesia/ Half a Century of Indonesian Printmaking (Bilingual),
Jakarta, Bentaya Budaya, 2000
Susanto, Mikke, Ambarwati, Nunuk, and Suseno, Indro, Icon: Retrospective [Indonesian Art of the 1970s
to 2000+], Yogyakarta, Jogja Gallery, 2006
Wright, A., ‗Artist roles and meaning in Modern Indonesian Painting‘, in Clark, J., ed., Modernity in Asian
Art, Sydney, Wild Peony 1993.
Wright, A., ‗Indonesia in the 1980s‘, Art Monthly Australia, 41, June 1991.
Wright, A., ‗Undermining the Order of the Javanese Universe; the self-portraits of Kartika Affandi-
Köberl, Art & Asia Pacific, vol.1, no.3, 1994.
Wright, A., Soul, Spirit and Mountain: Preoccupations of contemporary Indonesian Painters, Kuala Lumpur,
Oxford University Press, 1994. [Review: Spanjaard,H., Art & Asia Pacific, vol.2, no.2, 1995].
Art in the 1990s
[Cemeti Art House] ‘15 Years Cemeti Art House – Exploring Vacuum‘, Yogyakatrta: Cemeti Art
House, 2000
[RuangRupa] Effedy, Rifky, ‗RuangRupa‘ in Art Asia Pacific, Issue 37 (2003), p. 41
‗Performances‘ in Indonesia, RIMA, vol. 29, double issue, 1995.
‗Supplement Indonesia‘, Asian Art News vol.4, no.2, March-April 1994.
Burhan, M. Agnus, ‗Pencil, Pen, Ink‘ in Asian Art News, Vol. 14, Number 3 (May/June, 2004), pp.66-71
Dermawan, Agus, ‗Role of Galleries in Contemporary Art‘, Artlink, Vol. 13, No.3&4, November-
March 1993/94
Ewington, J., ‗Indonesia at a glance: four cities, five galleries, Art Monthly Australia, 65, November 1993.
Findlay, Ian, ‗From Strength To Strength‘ in Asian Art News, Vol. 14, Number 3 (May/June, 2004), pp.
72-73
Harsono, FX, ‗Art of Social Concern‘, Artlink, Vol. 13, No.3&4, November-March 1993/94
Hasan, Asikin, ‗Notes on Contemporary Indonesian Sculpture‘ in in World Sculpture News, Vol. 10, No. 2
(Spring 2004), pp. 32-37
Henschkel, Marina‘ ‗Perceptions of popular culture in contemporary Indonesia: five articles from
Tempo‘, RIMA, vol.28, no.2.
Hoffie, Pat, ‗The Politics of Misinterpretation‘,[On Australia Indonesia Today], Art Monthly Australia,
no.74, Oct 1994.
Howards, Michael C., ‗Maro paintings of Irian Jaya‘, Art AsiaPacific,no.18, 1998.
Larner, Melissa, Yogyakarta within the Contemporary Indonesian Art Scene‘ , Yogyakarta: Cemeti Art House,
2001
Lingham, Susan., ‗Art and Political Activism in Indonesia‘, in Asian Art News, Vol. 14, No. 1,
January/February 2004, p.62-67.