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MODERN AND CONTEMPORARY ASIAN ART - University of Sydney

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146<br />

Paik, John G. Hanhardt, Whitney Museum <strong>of</strong> American Art, New York, 1982. ; Nam June Paik:<br />

Videa ‗n‘ Videology 1958-73, Everson Museum <strong>of</strong> Art, Syracuse, New York, 1974. ; Paik, Nam<br />

June, ‗Expanded Education for the Paper-less Society‘ (1968), Nam June Paik: Videa ‗n‘ Videology<br />

1958-73, Everson Museum <strong>of</strong> Art, Syracuse, New York, 1974. ; Paik Nam June, Video Tte, Video<br />

Ttang, National Museum <strong>of</strong> Contemporary Art in Korea, Edition API, 1992. ; Ng, Elaine W.,<br />

‗Nam June Paik: 1932-2006‘, ArtAsiaPacific, no. 49, 2006; Hanhardt, John G., ‗Chance in a<br />

Lifetime‘, Artforum, vol. 44, Iss. 8, 2006; Devenport, Rhana, ‗A Transgressive Duet: Nam June<br />

Paik and Charlotte Moorman in Australia in 1976‘, Art and Australia, vol. 43, no. 1, 2005;<br />

Hanhardt, John, ‗Nam June Paik 1932-2006‘, Art in America, 94:4, April 2006; Goodman,<br />

Jonathan, ‗TV Buddha, Video Fish‘, Art AsiaPacific 29, 2001; Landi, Ann, ‗Screen Idyll‘, Art News,<br />

99, 6, 2000<br />

Park, Ga Hae: review, Art in America, 94.8 (Sept 2006)<br />

Park Seo-Bo: Soon Chun Co and Bloemink, B., Empty the Mind: The Art <strong>of</strong> Park Seo-Bo. New York:<br />

Assouline Publishing, 2009; Park Seo-Bo [Exhibition Catalogue, Beijing], Seoul and Beijing: Arario,<br />

200; Leffingwell, Edward, ‗Park Seo-Bo: at Arario‘, in Art in America 97.3 (March 2009): 146(1)<br />

Rhee, Jong-soong: Rhee, Jong-soong, ‗PortaPaik‘, Art Asia Pacific, vol.3, no.3 (1996), p.54. ;Rhee, Jieun,<br />

Performing the other : Asian bodies in performance and video art, 1950s-1990s, Boston <strong>University</strong> PhD,<br />

2002, AnnArbor <strong>University</strong> icr<strong>of</strong>ilms International, 2002.<br />

SEO: review, Flash Art, vol. XXXIX, no. 246, Jan-Feb, 2006; review, Flash Art, vol. XXXVIII, no. 240,<br />

Jan-Feb, 2005.<br />

Seung Yul Oh: review, Eyeline, no. 61, Spring 2006.<br />

Shin Mye.ng-eun: Shikata Yukiko, ‗Identity Complex: Shin Myeong-eun deconstructs the dog‘, Art<br />

AsiaPacific, no.17, 1998.<br />

Shin Sang Ok: Cushman, Andy, ‗Shin Sang Ok, 1926-2006‘, ArtAsiaPacific, no. 50, 2006.<br />

Sook Jin Jo: review, Art in America, vol. 93, iss. 4, Apr 2005.<br />

Soong, Path: review, Art in America, vol. 93, iss. 9, Oct 2005.<br />

Sung Neung-Kyung: Green, Charles, ‗Sung Neung-Kyung‘, Artforum International, Vol.40, Issue 8, April<br />

2002<br />

Yong Soon Min: Park, Soyang, ‗Xen: Migration, Labor and Identity. Yong Soon Min with Allan de Souza‘<br />

(review), Third Text, vol. 9, no. 4, 2005.<br />

Yoon Jin-me: ‗Jin-me Yoon: Unbidden‘ (review) ArtAsiaPacific, no. 48, 2006.<br />

Young Sun Lim: review, Art in America, 94:4, April 2006.<br />

Colonial Period<br />

Park, Hyun Ok, ‗Korean Manchuria: The Racial Politics <strong>of</strong> Territorial Osmosis‘, The South Atlantic<br />

Quarterly, 99.1, Winter 2000<br />

Kim Youngna, ‗Artistic trends in Korean painting during the 1930s‘, in Mayo, Marlene J., Rimer J.<br />

Thomas, Kerkham, H. Eleanor, eds, War, Occupation and Creativity: Japan and East Asia, 1920-1960,<br />

Honolulu, <strong>University</strong> <strong>of</strong> Hawai‘i Press, 2001, p.121-146.<br />

1950s-1960s<br />

National Museum <strong>of</strong> Contemporary Art, ed., An aspect <strong>of</strong> Korean Contemporary Art – in the 1950s to 1960s,<br />

Seoul, National Museum <strong>of</strong> Contemporary Art, 2000<br />

1970s-1980s<br />

Oh Kwang-su & Kim Bok-young, Korean Contemporary Art from the mid-1970s to mid-1980s: Age <strong>of</strong><br />

Philosophy and Aesthetics, Seoul, National Museum <strong>of</strong> Contemporary Art, 2002<br />

1980s and 1990s<br />

Ahn, En-Young, ‗Slowness <strong>of</strong> Speed‘, Art Monthly Australia, April 1999: 118<br />

Ahn, En-Young, Translatability, Modernism, and Postmodernism, Master <strong>of</strong> Visual Arts Thesis, <strong>Sydney</strong><br />

College <strong>of</strong> the Arts, 1994.

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