MODERN AND CONTEMPORARY ASIAN ART - University of Sydney

247
Bordewekar, Sandhya, ‗Reality Bites‘, Art India, Volume X, Issue IV, Quarter IV, 2005.
Bordewekar, Sandhya, The Aert of the matter. Which are the major privately sponsored art awards in
India today?‘ in Art India, Vol XIII, Iss III & IV, 2008, p. 7779
Dadi, Iftikhar, ‗Art, Archaeology and the Museum in India‘ (book review), Art Journal, vol. 63, iss. 3,
2006.
Dalmia, Yashodhara & Hashmi, Salima , Memory, Metaphor, Mutations: Contemporary Art of India and
Pakistan, New Delhi, Oxford University Press, 2007.
Findlay, Ian, ‗Indian voices, universal spirit‘, Asian Art News, vol.11. no.2, 2001
Gupta, Latika, ‗Two Hats Are Better Than One‘, interview with curator Gayatri Sinha, in Art India, Vol
XIII, Iss. III & IV, 2008, 63.
Gupta, latika, ‗Role Play (India‘s first live art festival, KHOJ LIVE 08: Perfornmance art festival), in Art
India, Vol XIII, Iss. I, (2008) p. 118-120kaleka
Hoskote, Ranjit, ‗India: A Long Time Coming‘, ArtAsiaPacific, no. 45, 2005.
Lewis, David, ‗World in Flux‘ Art India, volume X, issue ii, quarter ii, 2005.
Lokhandwala, Arshiya Mansoor, ‗Re-claiming the Body‘, Art India, volume X, issue i, quarter i, 2005
(special issue on video art);
Malhotra, Priya, ‗A Multitude of Voices‘, Asian Art News, vol. 15, no. 6, 2005.
Melwani, Lavina, ‗All in the Family: the Ahuja Collection of Indian Contemporary Art‘, ArtAsiaPacific,
no. 43, 2005.
Möntmann, Nina, ‗Mumbai‘, Artforum, vol. 45, iss. 4, 2006.
Nielsen, Henrikke, ‗The Artist Lives and Works in.. Baroda/ Bombay/ Calcutta/ Mysore/ Rotterdam/
Trivandrum‘ (review), ArtAsiaPacific, no. 47, 2006.
Pande, Alka, The Margi & the Desi: between tradition and modernity, exhibition catalogue, New Delhi: Gallery
Espace, 2004
Patel, Chitra Prasad, ‗On the Path to Prominence: Cultivating the Landscape for Contemporary Indian
Art‘, in Orientations, vol. 35, no. 5, June, 2007, pp. 83 – 86.
Pijnappel, Johan, ‗Art in Exile?‘, Art India, volume X, issue I, quarter I, 2005 (special issue on video art).
Sambrani, Chaitanya et. al., Edge of Desire: recent art in India, London: Philip Wilson Publishers, 2004.
Sambrani, Chaitanya, ‗Here, out, there ( and somewhere in between): contemporary art in India,
Australian and New Zealand Journal of Art, vol.3, no.2, 2002
Sambrani, Chaitanya, ‗Home and away: Contemporary Indian art in the international arena‘, Art Monthly
Australia, no.153, 2002.
Sambrani, Chaitanya, ‗Printing across borders: the Aar-Paar Project‘, in Art Monthly Australia, No. 171
(July, 2004), pp. 12-15
Sansone, Valentina, ‗Artist‘s Dictionary. A Survey of Contemporary Indian Art‘, in Flash Art, vol. XLI,
no. 258, Jan-Feb, 2008, pp. 110 - 119.
Sardesi, Abhay, ‗Object at the Centre‘, Art India, volume X, issue iii, quarter iii, 2005.
Sengupta, Ratnottama., ‗A City of Remarkable Narratives‘, in Asian Art News, Vol. 14, No. 1,
January/February 2004, p.68-73.
Shahane, Girish, ‗Altered Egos‘, Art India, vol 9, issue 1, quarter 1, 2004, special issue on ‗identity‘.
Sood, Pooja, ‗In the fast lane. The new buzz around contemporary Indian Art‘, in Flash Art, vol. XLI,
no. 258, Jan-Feb, 2008, pp. 102 - 104.
Snell, Ted, ‗Edge of Desire: Recent Art from India‘, Art and Australia, vol. 42, no. 3, 2005.
Tharu, Susie, ‗Common Threads, Different Weaves‘, Art India, volume X, issue ii, quarter ii, 2005.
Vali, Murtaza, ‗Indian Summer‘ (review), ArtAsiaPacific, no. 48, 2006.
Yun Chea Gab, Cho Il-sung, Gwak June K., Sambrani, Chaitanya, Hungry God: Indian Contemporary Art,
Beijing & Seoul, Arario Gallery, 2006.
Zitzewitz, Karin, ‗Mapping South Asian Art‘, Art India, vol ix, issue ii, quarter 11, 2004.
Indian Photography
Barath, Stephanie Roy, ‗John Edward Saché: Master of the Picturesque in TAASA Review. The Journal of
the Asian Art Society of Australia, v.17, No. 3, September 2008, p. 7-9