MODERN AND CONTEMPORARY ASIAN ART - University of Sydney

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1989
Magiciens de la terre, Martin, Jean-Hubert, overall curator, Paris, Centre Georges Pompidou, 1989
Europalia 89: Japan in Belgium, Nakahara Yûsuke et al, Gent, Museum van Hedenndaagse Kunst, 1989.
[Belgium, 28.10.1989- 7.1.1990]
Against Nature: Japanese Art in the 1980s, Halbreich, Kathy; Kômoto Shinji, Nanjô Fumio; Sokolowski,
Thomas; New York, New York University Grey Art Gallery, 1989. [Toured USA, 15.6.1989-
12..2.1991]
1990
Art Chinois 1990 Demain pour Hier curated by Fei Dawei, organized by Association Française d‘Action
Artistique & Les Domaines de l‘Art, Pourrières & Editions Carte Segrete
Tezuka Osamu ten = Osamu Tezuka , Osamu Tezuka, et al, Tokyo, Tokyo Kokuritsu Kindai Bijutsukan,
1990
Japan Art Today, Namba Hideo, Okada Takahiko, Tokyo, Sezon Museum of Art, 1990. [sent to
Scandinavia, 24.1.1990-25.8.1991]
Japansicher Kunst der Achtziger Jahre, Kondô Yukio; Nanjô Fumio; Weiermaier, Peter; Frankfurt, for the
Frankfurter Kunstverein, Edition Stemmle, 1990. , [Frankfurter Kunstverein then 15.2.1991-
7.4.1991, Museum der moderner Kunst, Wien]
A Primal Spirit, Hara Toshio; Fox, Howard T., Tokyo, Hara Museum of Contemporary Art & Los
Angeles, Los Angeles County Museum of Art, 1990. [USA, toured 10.3.1990-22.9.1991]
1991
Exceptional Passage curated by Fei Dawei, Fukuoka Art Museum
―I don‘t want to play cards with Cézanne‖ and other works¸ selections from the Chinese ―New Wave‖ and ―Avant-
Garde‖ art of the eighties, curated by Strassberg, Richard L., essays by Zheng Shengtian,Tang
Qingnian, Lee Ou-fan, organized by Pacific Asia Museum.
Gebrochene Bilder, Junge Kunst aus China: Selbstdarstellungen, Köppel-Yang, Martina; Schneckman Peter;
Schneider, Ernst R.; Heidelberg, Gesellschaft für Kulturaustausch mit Asien, 1991
Annear, Judy, Tatehata Akira; Zones of Love, Sydney, Museum of Contemporary Art, 1991. [Australia,
5.1991-9.1992
1992
New Art From China curated by Claire Roberts, Art Gallery of New South Wales, 1992.
Artists Regional Exchange, Perth, April 1992: Four Views‘: Binns, Vivienne, ‗Culture as Transformation‘ ;
Howard, Ian, ‗Towards a Legitimate Interest‘; Kirker, Anne, ‗A Dialogue with Thailand‘; and
Jones, Adrian, ‗Managing ARX‘, Artlink, Vol. 12, No.3, Spring 1992
1993
China Avant-Garde, Pöhlmann, Wolfger et al, Berlin, Haus der Kulturen der Welt& Editions Braus
[Berlkin 20 January -16 May, Oxford 4 September-24 October], 1993
Fragmented Memory: The Chinese Avant Garde in Exile curated by Andrews, Julia, F.; Gao Minglu, organized
by Wexner Center for the Arts
Silent Energy: curated by David Elliott and Lydie Mepham, organized by Museum of Modern Art,
Oxford.
China‘s New Art, Post 1989, with a retrospective from 1979-1989curated by Chang Tsong-zung & Li
Xianting, organized by Hanart TZ Gallery, Hong Kong.
1994
Out of the Centre: Chinese Contemporary Art curated by Ho Hanru, Pori Art Museum, Pori [Finland]
Scream against the sky: Japanese Art after 1945, Munro, A., et al., New York, Harry N. Abrams, 1994
1995
Contemporary Art of the Non-Aligned Countries 1995, Jakarta, Indonesia: Programme Book, 1995
Contemporary Art of the Non-Aligned Countries 1995, Jakarta, Indonesia: Catalogue, 1995
Contemporary Art of the Non-Aligned Countries 1995, Jakarta, Indonesia: Contemporary Balinese Art: Continuity in
Change, 1995