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MODERN AND CONTEMPORARY ASIAN ART - University of Sydney

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55<br />

Gladston, Paul, ‗No matter from which side, it is still possible to see: a review <strong>of</strong> Karen Smith‘s Nine<br />

Lives: The Birth <strong>of</strong> the Avant Garde in China‘, Yishu: Journal <strong>of</strong> Contemporary Chinese Art, vol. 5, no. 4,<br />

Dec 2006.<br />

Gladston, Paul, ‗Chan-Da-da(o)- De-construction or, The Cultural (II) Logic <strong>of</strong> Contemporary Chinese<br />

―Avant-Garde‖ Art‘, in Yishu Journal <strong>of</strong> Contemporary Chinese Art, Vol. 7, No. 4, July 2008, pp. 63-<br />

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critique, vol. 9, no.1 Spring 2001.<br />

Grace, Helen., ‗Xiandai Shufa‘, in Artlink: The China Phenomenon, Vol. 23, No. 4, 2003, p.38-41.<br />

Grishin, Sasha, ‗After the Cultural Revolution: Contemporary Art in Shanghai‘, Art and Australia, vol.<br />

44, no. 2, 2006.<br />

Gu Zhenqing, and Li Yang, ‗The Decade <strong>of</strong> the Rise‘, in Artlink: The China Phenomenon, Vol. 23, No. 4,<br />

2003, p.63-67.<br />

Gu Zhenqing, ed., Back to the Future: Shanghai Arts, Timezone 8, Hong Kong, 2007<br />

Gu, Zhenqing and Li Yang, ‗Emerging from Behind the Screen <strong>of</strong> Female Art‘, in Yishu: Journal <strong>of</strong><br />

Contemporary Chinese Art, Vol. 2 No. 3, September 2003, p.43-49.<br />

Gustafson, Paula, ‗Unveiled reality‘, Art AsiaPacific, 25, 2000.<br />

Hantover, Jeffrey, ‗Serial Thrillers and the Art <strong>of</strong> the Steal‘, ArtAsiaPacific, no. 50, 2006.<br />

Hasegawa, Yuko, ‗Yang Fudong: Beyond Reality‘, Flash Art, vol. XXXVIII, no. 241, Mar-Apr, 2005.<br />

He, Fiona., ‗Observing Contemporary Chinese Art through Writing‘, in Yishu Journal <strong>of</strong> Contemporary<br />

Chinese Art, Vol 8, Number 4, July/August 2009, p. 6-17 and in Asia Art Archive,<br />

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Heartney, Eleanor, ‗The body East‘, Art in America, April 2002.<br />

Hou Hanru, ‗Barricades: The Big Tail Elephants‘, Hou Hanru and Andrey Powell (trans.), in Yishu:<br />

Journal <strong>of</strong> Contemporary Chinese Art, Vol. 3, No. 1, March 2004, p.47-55.<br />

Hou Hanru, ‗Canton Express‘, in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, Vol. 3, No. 1, March 2004,<br />

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Hou Hanru, ‗China Today: Negotiating the Real, Longing for Paradise‘, Flash Art, vol. XXXVIII, no.<br />

241, Mar-Apr, 2005.<br />

Hou Hanru, ‗Z.O.U.-Zone <strong>of</strong> Urgency‘, Yishu: Journal <strong>of</strong> Contemporary Chinese Art, vol.2, no., June 2003.<br />

Hou Hanru, ‗Living With(in) the Urban Fiction (Notes on Urbanization and Art in Post-Olympic<br />

China)‘, Yishu: Journal <strong>of</strong> Contemporary Chinese Art, vol.8, no. 3, May/June 2008<br />

Hou, H., and Jouanno, E., ‗Material Performance‘, in Shen Yuan, Campbell, S. and Tawadros, G., eds.,<br />

London, Institute <strong>of</strong> International Visual Arts, 2001, pp. 50 – 57.<br />

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ed., Hong Kong, Timezone 8, 2002, pp. 200 – 213.<br />

Huang Rui, ed., Beijing 798: Reflections on Art, Architecture, and Society in China, Hong Kong, Timezone 8,<br />

2005<br />

Jia Fangzhou, ‗The Eternal Quest for Self‘ (review <strong>of</strong> Ink and Sex exhibition, Beijing), Asian Art News,<br />

vol. 16, no. 5, Sep-Oct 2006.<br />

Jia Jia, ‗Female Subject Animated: A Case Study <strong>of</strong> Digital Online Animation in Contemporary China‘,<br />

in International Journal <strong>of</strong> Comic Art, Vol. 7, No. 1, Spring 2005, pp. 360-388.<br />

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73<br />

Köppel-Yang, Martina, ‗Black-Extreme-Vigorous-Figurative‘, Yishu: Journal <strong>of</strong> Contemporary Chinese Art,<br />

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