MODERN AND CONTEMPORARY ASIAN ART - University of Sydney

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1998.
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Postmodernity Debate and the Japanese Experience, London, Kegan Paul International, 1994
Clark, John, Editor and Contributor, Modernity in Asian Art, Sydney, Wild Peony Press, 1993.
Clarke, David, ‗Contemporary Asian Art and its Western Reception‘, Third Text, vol. 16, no. 3, 2002,
237-242.
Flores, Patrick, ‗Place and Presence: Conditions of Possibilities in Contemporary Asia Art‘,
unpublished Power Lecture, Museum of Contemporary Art, Sydney, unpaginated, 2002.
Friede, Claus, Seyfarth, Ludwig, eds, Kunst aus Megastädten Asiens – Art from Asia Pacific Megacities,
Hamburg, Kunsthaus Hamburg ,2000.
Kishi, Sayaka, ‗Bijutsukan ―Ajia‖ to deau toki – Fukuoka Ajia Bijutsukan no setsuritsu to tenkai‘, in
Hirano Kenichirô, kanshû, Sengô nihon no kokusai bunka kôryû, Tokyo, Chikusô Shobô, 2005
Lee Weng-Choy, ‗Just What Is It that Makes the Term Global-Local So Widely Cited, Yet So
Annoying?‘ in Flight Patterns, exhibition catalogue, The Museum of Contemporary Art, Los
Angeles, 2000
Mertens, Brian, ‗Womanifesto 2001‘, Art AsiaPacific, no.36, 2002.
McEvilley, Thomas: ‗Towards a World-class City‘, Art in America, Sept 1995 Vol 83 No 9 p45
Napack, Jonathan: ‗Alternative visions‘: (Art in America Nov 2002 Vol 90 Issue 11) p94-9
Nuridsany. Michel, China Art Now, [tr. Pickford, Susan] Paris, Flammarion, 2004
Poshyananda, Apinan, cur. & ed., Traditions/Tensions, New York, Asia Society, 1995.
Sekai Bijutsu Zenshû, Tokyo, Heibonsha, 1928-30
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Sydney, Australian Humanities Research Foundation and Honolulu, University of Hawaii Press,
2000.
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Books,2005
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Vine, Richard: ‗The Wild, Wild East‘, Art in America Sept 2003 Vol 91 Issue 9 p40-9
Wee, C.J. W-L: (2003) ‗Creating High Culture in the Globalized ‗Cultural Desert‘ of Singapore‘ in The
Drama Review, Vol 47, No 4, Winter 2003)
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Press, 2002
Australia, Art and Asia [duplicates some sections above]
Australian Academy of the Humanities, Knowing Ourselves and others: The Humanities in Australia into the 21 st
century, 3 volumes, Canberra, Australian Government Publishing Service, 1998
Barnes, Carolyn; Wright, William; John Young, Fisherman‘s Bend, Craftsman House, 2005.
Birrell, Bob, Rapson, Virginia, ‗Two Australias: Migrant settlement at the end of the 21 st century‘, People
and Place, vol.10, no.1, 2002
Broinowski, Alison , The Yellow lady: Austraian Impressions of Asia, Melbourne, Oxrford Unviersity Press,
1992;
Broinowski, Alison ,. ‗Asianization and its Discontents‘, Meanjin, vol. 57, no.3, 1998
Butler, Roger, ed., The Europeans: Emigré artists in Australia, 1930-1960, Canberra, National Gallery of
Australia, 1997.
Chinese Heritage of Australian Federation Project: http://www.chaf.lib.latrobe.edu.au/kwong_sue_duk.htm
Chiu, Melissa, ‗Rough Trade: Curating Cultural Exchange in Australia‘, in Ang et al eds. Alter/Asians:
Asian-Australian identities in art, media and popular culture, Pluto Press, Sydney, 2000.
Clark, John, ‗An Australian Creative Space: where is Australian-Asian art now?‘, in Waite Dianne, ed.,
Green, Charles & Stubbs, Mike, curators, 2006/ Contemporary Commonwealth/ , Melbourne,
Australian Centre for the Moving Image & National Gallery of Victoria, 2006, 26-33.