MODERN AND CONTEMPORARY ASIAN ART - University of Sydney

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Fokkema, D.W., Literary Doctrine in China and Soviet Influence, 1956-1960, The Hague, Mouton, 1965.
Galikowski, Maria, Art and Politics in China, 1949-1984, Hong Kong, The Chinese University Press,
1998.
Laing, E.J., The Winking Owl, Art in The People‘s Republic of China, Berkeley, University of California Press,
1988.
Lu Jie, ‗Long march on the Road to Revolution‘ Kuiyi Shen, ‗Propaganda Posters and Art during the
Cultural Revolution‘ in Chiu, Melissa and Zheng Shentian, Art and China‘s Revolution, Asia Society,
New York in association with Yale University Press, New Haven and London, 2008:201-213.
Macfarquhar, Roderick, ‗The Cultural Revolution‘ in Chiu, Melissa and Zheng Shentian, Art and China‘s
Revolution, Asia Society, New York in association with Yale University Press, New Haven and
London, 2008: 41-56.
Shen Jiawei, ‗The fate of Painting‘ in Chiu, Melissa and Zheng Shentian, Art and China‘s Revolution, Asia
Society, New York in association with Yale University Press, New Haven and London, 2008:
103-104.
Yan Shanchun, ‗Painting Mao‘ in Chiu, Melissa and Zheng Shentian, Art and China‘s Revolution, Asia
Society, New York in association with Yale University Press, New Haven and London, 2008: 91-
102.
Yan Shanchun, ‗Chen Yanning‘s Chairman Mao Inspects the Guandong Countryside‘ in Chiu, Melissa and
Zheng Shentian, Art and China‘s Revolution, Asia Society, New York in association with Yale
University Press, New Haven and London, 2008: 103-132.
Zhao Yannian, ‗Thunder Sounding amid the Silence‘ Chiu, Melissa and Zheng Shentian, Art and China‘s
Revolution, Asia Society, New York in association with Yale University Press, New Haven and
London, 2008: 85-90
Selected Comparative Texts on Socialist Realism
Bichler, Lorenz, ‗Coming to terms with a Term: Notes on the History of the Use of Socialist Realism in
China‘, in In the Party Spirit. Socialist Realism and Literary Practice in the Soviet Union, East Germany and
China, Hilary Chung (ed,), 1996, pp. 30 – 43.
Bonnell, Victoria E., Iconography of Power. Soviet Political Posters under Lenin and Stalin, Berkeley, University
of California Press, 1997.
Chung, Hilary (ed.), In the Party Spirit. Socialist Realism and Literary Practice in the Soviet Union, East Germany
and China, Amsterdam, Rodopi, 1996.
Croizier, Ralph, ‗ The avant-garde and the Democracy Movement; reflections on late communism in
the USSR and China‘, Europe-Asia Studies vol. 51, no.3, 1999
Cullerne Bown, M., Art Under Stalin, Oxford, Phaidon, 1991.
Cullerne Bown, M., Elliott, D., Sidorovo, A., Soviet Socialist Realist Painting, Oxford, Museum of Modern
Art, 1992.
Cullerne Bown, M., Taylor, Brandon, eds., Art of The Soviets, Manchester, Manchester University Press,
1993.
Golomstock, I., Totalitarian Art, London, Collins Harvill, 1990 [review: Clark, Newsletter, Art Association
of Australia, no.33, August 1991].
Groys, Boris, ‗The Birth of Socialist Realism from the Spirit of the Avant-Garde‘, in The Culture of the
Stalin Period, Hans Gunther (ed.), Macmillan, New York, pp. 122 – 148.
Jiang, Joshua JH, ‗The Extermination or Prosperity of Chinese Artists – Mass Art in Mid-Twentieth
Century China‖ in Third Text, Vol. 18, Issue 2 (March 2004), pp. 169-182
Kollwitz, Käthe. Käthe Kollwitz, Introduction by Carl Zigrosser, New York, H. Bittner and Company,
1946.
Landsberger, Stefan, Bibliography on Chinese Propaganda Posters downloadable from
Nagel, Otto, Käthe Kollwitz, Greenwich, Conneticut, New York, Graphic Society Ltd, 1971.
Prelinger, Elisabeth, Käthe Kollwitz, Washington, National Gallery of Art, 1992.
Roger, Avermaete, Frans Masereel, London, Thames and Hudson, 1977.