MODERN AND CONTEMPORARY ASIAN ART - University of Sydney

273
Sakai, Naoki, 1946- ‗"You Asians:" On the Historical Role of the West and Asia Binary‘, South Atlantic
Quartely, 99.4, Fall 2000
Schein, Louisa, ‗Diaspora Politics, Homeland Erotics, and the Materializing of Memory‘ in positions: east
asia cultures critique, volume 7, number 3 (winter 1999), pp. 698-729
Tai, Mikala, ‗Defining and Curating the Global‘, in Contemporary Visual Arts + Culture Broadsheet, vol. 36,
no. 3, September, 2007, pp. 171 – 173.
Tomlinson, John, The Globalization of Culture, Cambridge, Polity Press, 1999.
Theories of Art [selected]
Ben-Amos, Dan, ‗The seven strands of tradition‘, Journal of Folklore Research, no.21, 1984.
Bourdieu, Pierre, The Rules of Art: Genesis and Structure of the Literary Field, [1992, tr. Emanuel, S.],
Cambridge, Polity Press, 1996.
Couteau, Jean, ‗Toward a Consensual Definition of Contemporary Art?‘, in C Arts. Asian Contemporary
Art and Culture, vol. 02, March/April, 2008, pp. 38 – 49.
Gell, Alfred, Art and Agency: an Anthropological Theory, Oxford, Clarendon Press, 1998.
Adorno, T., Aesthetic Theory, [1970] London, Routledge and Kegan Paul, 1984,
Adorno, T., Horkheimer, M., The Dialectic of Enlightenment [1944, 1969], London, Verso, 1979
Adorno,T., Minima Moralia [1951], London, Verso, 1978
Anderson, P., ‗Modernity and revolution‘, New Left Review, no.152, July/August 1985
Baumann, Z., Legislators and Interpreters, Ithaca, Cornell University Press, 1987
Berman, Marshall, All that is Solid Melts into Air: The Experience of Modernity, Simon and Shuster, New
York, 1982
Bürger, P., Theory of the Avant-garde, [1974], Minneapolis,University of Minnesota Press, 1984
Crary J., Suspensions of perception: attention, spectacle and modern culture, Cambridge Mass., MIT Press, 2001.
Eagleton, T., ‗Capitalism, Modernism, and Postmodernism‘, New Left Review, no.152, July/August 1985
Eliot, T.S, Tradition and the Individual Talent, 1919, various editions.
Foster, H., ed., Postmodern Culture [originally The Anti-Aesthetic], Port Townsend, The Bay Press, 1983,
and London, Pluto Press,1987;
Foster, H., Recodings, Seattle, Bay Press,1985
Graburn, Nelson, Ethnic and Tourist Arts, Berkeley, University of California Press, 1976.
Greenberg, C., Modernist Painting, 1965, reprinted in Frascina, ed., Modern Art and Modernism, Harper and
Row, New York, 1982.
Guilbaut, Serge, How New York Stole the Idea of Modern Art, Chicago: University of Chicago Press, 1983.
Harvey, D., The Condition of Postmodernity, Oxford, Basil Blackwell, 1989.
Haskell, F., Past and Present in Art and Taste, New Haven, Yale University Press, 1987 [review by Duro,
P., Art History, vol.11, no.4, December 1988].
Hess, W., Dokumente zum Verständnis der modernen Malerei, Hamburg, Rowolts Taschenbuch Verlag, 1956;
Hofmann, W., Grundlagen der Modernen Kunst, Stuttgart, Alfred Kröner Verlag, 1978;
Huyssen, A., ‗Mapping the Postmodern‘, New German Critique, 33, Fall 1984, 5-52;
Huyssen, A., ‗The Search for Tradition: Avant-Garde and Postmodernism in the 1970s‘, New German
Critique, 22, Winter 1981, 23-40;
Iversen, M., ‗The Positions of Postmodernism‘, Oxford Art Journal, 12:1, 1989, pages 31-34;
Jameson, F., ‗Marxism and Postmodernism‘, New Left Review, 176, November / December 1989, 31-45;
Jameson, F., ‗Postmodernism: the cultural logic of late capitalism‘ New Left Review, 146, July/August
1984, 53-92;
Jameson, F., ‗The Politics of Theory: Ideological Positions in the Post modernism debate‘, New German
Critique, 33, Fall 1984;
Jameson, F., Postmodernism, Durham, Duke University Press, 1992.
Jencks, C., What is Post-Modernism?, New York, Academy Editions, 1986.
Lyotard, J-F,, The Postmodern Condition, Minneapolis, University of Minnesota Press, 1984;
Matisse, H., Écrits et propos sur l‘art, Paris, Hermann, 1972;
Mercer, Kobena, ‗Black Hair/Style Politics‘, New Formations, no.3, Winter 1987.