MODERN AND CONTEMPORARY ASIAN ART - University of Sydney

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Modern Japanese Art: Texts by John Clark
‗Modernity in Japanese Painting‘, Art History, vol.9, no.2, June 1986, 213-231
‗Yôga in Japan: Model or Exception? Modernity in Japanese art, 1850s-1940s: an international
comparison‘, Art History, vol.18, no.2, June 1995, 253-285.
‗Modernism and Traditional Japanese-style Painting‘, Semiotica, 1, 1989, 1-18;
‗Charles Wirgman (1832-1891), recent discoveries and re-evaluations‘, Proceedings of the 1988 Japan Studies
Colloqium, London, The British Library, 1990, 261-276.
‗Charles Wirgman‘, in Daniels, G., editor, Britain and Japan: Themes and Personalities, 1859-1991, [Japan
Society of London Centennial Volume], London, Routledge and Kegan Paul, The Japan Society, 1991,
54-63
Japanese Exchanges in Art [with other contributions by Luke Gartlan, Colin Osman, and John Fraser],
Sydney, Power Publications, 2001.
‗Indices of Modernity: Changes in Popular Reprographic representation‘, in Elise K. Tipton and John
Clark eds., Being Modern in Japan: Culture and Society from the 1910s to the 1930s, Sydney, Australian
Humanities Research Foundation & Honolulu, University of Hawai‘i Press, 2000, 25-49.
‗Artist and the State: The Image of China in Japanese Painting, 1890s - 1940s‘, in Elise Tipton, ed.,
Society and the State in Interwar Japan, London, Routledge, 1997.
[translation, unpublished] Kumasaka Atsuko, ‗Sanshirô and British Painting‘, 1985, [Japanese original in
Nihon Joshidagaku Kiyô, no.34, March 1985].
‗Surrealism in Japan‘, in Surrealism: Revolution by Night, Lloyd, M., Gott, T., Chapman, C., Australian
National Gallery, Canberra, 204-215.
‗Dilemmas of Selfhood: Public and Private discourses of Japanese Surrealism in the 1930s‘, published
as ‗Artistic Subjectivity in the Taisho and early Showa avantgarde 1945‘, chapter for Monroe,
Alexandra, ed., Scream against the sky: Japanese Art after 1945, New York, Abrams & The
Guggenheim Museum, 1995, 40-53.
Modern Boy, Modern Girl: Modernity in Japanese Art, 1910-1935 Sydney, Art Gallery of New South Wales,
1998. [originator of exhibition concept, writer of catalogue texts, translator of catalogue texts].
Surrealism in Japan, [a consolidation of the two earlier papers with extensive, previously unpublished
materials] Occasional paper no 28, of Japan Studies Centre, Monash Asia Institute, 1997, 80
pages.
‗The Art of Modern Japan Three Wars‘, Bulletin of the Japanese Studies Association of Australia, vol.11, no.2,
August 1991, 38-42.
‗Surface and Subterranean monuments in Modern Japanese Art‘ for The Nature of the Masterpiece in Europe
and Japan, Sainsbury Centre of the University of East Anglia, Norwich, September 1997 [to date
only published in Japanese translation].
[Translation] Akasegawa Genpei‘s ‗The art that destroyed itself‘ in Reconstructions, Oxford, Museum of
Modern Art, 1985;
[Translation] Iida Yoshikuni, ‗Sense of liberation in a black-market age‘, [unpublished paper for
Reconstructions Exhibition Symposium, as above].
‗Obscenity Deleted‘, 1979, [unpublished lecture to Institute of Contemporary Art on Japanese
pornographic comics].
‗The Conditions for Post-Modernity in Japanese Art of the 1980s‘, shortened version without tables in
Sugimoto, Y., & Arnanson, ed., The Postmodernity Debate and the Japanese Experience, London, Kegan
Paul International, 1994, 154-175;; French translation of a shortened form as ‗Modernisme et
postmodernisme au Japon (Quelques notes à propos des années 1980)‘ in Tamba Akira ed.,
L‘Esthétique contemporaine du Japon, Paris, CNRS Editions, 1997, 139-146.
Review of the ‗Ôsaka Triennale‘, Art & Asia Pacific, 1996, vol.3, no.1.
‗Modernities, Histories: the Japanese Case‘, 1995 [unpublished original of following shortened version];
‗Modernités, Histoires; le cas japonais‘, [traduit par Lacoste, J.) in Harry Belleter, ed., Face à
l‘Histoire , Paris, Centre Georges Pompidou, 1996,.