MODERN AND CONTEMPORARY ASIAN ART - University of Sydney

285
‗Asia and Modernity‘, Special Issue of Humanities Research, 2, 1999 with articles by Clark, Lilley, Low,
Labrador, Sang.
‗Asian Art: Prospects for the Future.‘ International Symposium 1999 with articles by Elliott, Davenport,
Mashadi, Nakamura, Poshyananda, Rajah, Tatehata, Tokyo, Japan Foundation, 1999.
‗Avant-garde: a parallax view‘, [with articles by Bris Groys, Kuroda Raiji, Hasegawa Yûko, and
Sumitomo Fumihiko], A journal of contemporary art and culture / Kanazawa 21 seiki Bijutsukan
Kensetsujimukyoku, Kenkyû Kiyô, Issue 02/2003.
Baudrillard, Jean, ‗The Beaubourg Effect: Implosion and Deterrence‘ in October 20 1982 3-13
Crimp, Douglas On the Museum‘s Ruins. MIT Press, Cambridge and London, 1993.
Davis, A.R., ed., Search for identity: Modern Literature and the Creative Arts in Asia, Sydney, Angus and
Robertson, 1974.
Enwezor, Okwui, ‗Between worlds: postmodernism and African artists in the Western metropolis‘, in
Oguibe& Enwezor, 1999.
Evans, Graeme: ‗Hard-branding the cultural city--from Prado to Prada‘. (International Journal of Urban and
Regional Research June 2003 v27 i2 p229-255
Ferguson, Bruce et al 1997 ‗Maing International Exhibitions‘ in A. Harding ed Curating: The Contemporary
Art Museum and Beyond, Art and Design, no.52.
Hall, Stuart 2001 ‗Museums of Modern Art and the End of History‘ in Annotations 6: Stuart Hall and
Sarat Maharaj, Modernity and Difference, Institute of International Visual Arts, London.
Hansen, David & Martin, Jean-Hubert, 1992, ‗A view from the Centre‘, Art Monthly Australia, no.48
April & no.51 July 1992.
Hassan and Oguibe, eds., Hassan, Salah M.; Oguibe, Olu, Authentic Ex-Centric, Ithaca, Forum for
African Arts, 2001.
Holubizky, Ihor , ‗Here and Now‘, International Contemporary Art, November 1999 - January 2000, 11-14
‗Global Tendencies: Globalism and the large-scale exhibition‘, Art Forum, vol. XLII, no.3, November
2003
Hong Kong Art Archive, http://web.hku.hk:8400/~hkaa/hkaa/
Hou Hanru; Obrist, Hans-Ulrich, Cities on the Move, Ostfildren-Ruit, Verlag Gerg Hatje, 1997.
Manton, Neil, ‗The Arts of Diplomacy‘, Artlink, Vol. 20, No. 2, July 2000Art Asia Pacific, vol.3, no.4,
1996.
McEvilley, Thomas, ‗Arrivederci Venice‘, On the ‗Third World‘ Biennials, Artforum International, Vol.32,
Issue 3, November 1993
Möntmann. Nina., ed., Art & Intit6tutions: current conflicts, critique and collaborations¸ London, Black Dog
Publishing.2006.
Mosquera, Gerardo, 1995, ed., Beyond the Fantastic: Contemporary Art Criticism from Latin America, Lonon,
inIVA, 1995.
Mosquera, Gerardo, ‗On art, politics and the millennium in Latin America‘, in Chambert, C., ed.,
Strategies for Survival – now!, Paris, AICA Press, 1995
Mosquera, Gerardo, ‗Alien-Own / Own Alien: note son globalization and cultural difference‘, in
Papastergiadis, Nikos, Complex Entanglements: Art Globalization and Cultural Difference, London,
Rivers Oram Press, 2003
Oguibe, Olu; Enwezor, Okwui, Reading the Contemporary, African Art from Theory to Marketplace, London,
inIVA, 1999.
Osborne, Peter, ‗The power of assembly –art, world, industry‘, in Macdonald, Ewan & Parker, Luke
editors, 2006 Biennale of Sydney: Zones of Contact, Sydney, Biennale of Sydney, 2006
Poshyananda, Apinan et al, Traditions / Tensions: Contemporary Art In Asia, New York, Asia Society
Galleries & Sydney, The Fine Arts Press, 1996 [reports: Art Asia Pacific, vol.3, no.4, 1996; Mehta
in Eyeline: contemporary visual arts, no.32, summer 1996; Art in America, Februrary 1997;
Ewington, Yang, Munroe in ART AsiaPacific, no.15, 1997; Owen, Michael. ‗Contemporary Art in
Asia: Traditions/Tensions.‘ Third Text no.41 Winter 1997-98
Poshyananda, Apinan, ‗A new cure for Asian art curators‘, Asian Art News, vol.9, no.4, 1999