MODERN AND CONTEMPORARY ASIAN ART - University of Sydney

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‗The position of the transcultural: an end to hyphenation?‘, [essay on the work of John Young] in
Lumby, Kathy & Robinson, Julia eds, Antipodean Currents, Ten Contemporary Artists from
Australia, Washington, John F. Kennedy Centre for the Performing Arts, 1994.
‗Swimming in the Transcultural Sea: John Young‘, Asian Art News, vol.4, no.3, May/June, 1994.
‗Sons‘: an essay for a catalogue of works by Yvonne Boag, Mirabel Fitzgerald, and Patsy Payne
exhibited at Silpakorn University Bangkok, 1998
‗William Robinson‘, Asian Art News, vol.4 no.6, December, 1994.
Review: ‗Fragments of origin: Asian Women Artists‘ Group at Blaxland Gallery; Fresh Art: 20 Young
Artists at the S.H. Ervin Gallery: Moet & Chandon Touring Exhibition at the Art Gallery of New
South Wales‘, [Three Reviews of Sydney Exhibitions], Asian Art News, vol. 4, no.4, July/August
1994.
South Asia
Modern Indian Art: Some Literature and Problematics, Occasional Paper, no.21, Research Institute for Asia
and the Pacific, 1994.
‗Two Modern Indian Painters: Arpita Singh and Swaminathan‘, Art & Asia Pacific, supplement to Art
and Australia, 1993
Review of Bankim Chandra Chatterjee, tr. Marian Madden and S.N.Mukherjee, The Poison Tree: Three
Novellas, New Delhi, Penguin Books India, 1996, The Journal of the Oriental Society of Australia,
vol.31, 1999.
Review of Jyotindra Jain, Kalighat Painting: Images from a Changing World, Ahmedabad, Mapin Publishing,
1999; Yashodhara Dalmia, The making of Modern Indian Art: The Progressives, New Delhi, Oxford
University Press, 2001; Gulamohammed Sheikh, editor, Contemporary Art in Baroda, New Delhi,
Tulika, 1997; forthcoming in Art AsiaPacific, 2003
Review of Geeta Kapur, When was Modernism: Essays on Contemporary Cultural Practice in India, New Delhi,
Tulika, 2000, Australian and New Zealand Journal of Art, no.2, 2002
Southeast Asia
Clark, John, Modernities compared: Chinese and Thai Art in the 1980s and 1990s, Sydney, Power Publications,
2007.
‗The Transfer: Art in Colonial Southeast Asia‘, in Mashadi, Ahmad, ed., Visions and Enchantment:
Southeast Asian paintings, Singapore, Singapore Art Museum, 2000.
‗Mooi Indie and Persagi from the perspective of a Modern Asian Art‘ in Sidharta, Amir & Purnomo,
Ninsih, eds, Dari Mooi Indie Hingga Persagi, Tangerang, Museum Universitas Pelita Harapan, 1997
‗Into the Forest: Interview with Yeoh Jin-leng‘, Art & Asia Pacific, vol. 1, no.2, 1994.
Review:‗Panya Vijinthanasarn at Tadu Contemporary Art‘ Asian Art News, vol.8, no.2, 1998.
‗Asian Modernism: Diverse Developments in Indonesia, the Philippines, and Thailand‘, Asian Art News,
vol.6, no.1, January/February, 1996.
Review: Apinan Poshyananda, Western-Style Painting and Sculpture in the Royal Thai Court, 2 vols, Amarin
Printing Group, Bangkok,1993; in Art & Asia Pacific, vol.2.no.1, July 1994.
Review of Apinan Poshyananda, Modern Art in Thailand, Singapore, Oxford University Press, 1992, Art
Monthly Australia, April, 1993.
Review of Anne Richter, Arts and Crafts of Indonesia, London, Thames & Hudson, Australian Book Review,
December, 1993.
Asian Artists Transnational Activity – North America
General Works
‗Above & Beyond‘ review, Art AsiaPacific, 22, 1999
‗Art Directory‘, Art AsiaPacific, no.34, 2002.
Asian Traditions/Modern Expressions: Asian-American Artists and Abstraction, 1945-1970, Rutgers, Jane
Voorhees Zimmerli Art Museum, 1997. [Review: Roe Jae-ryung, Art AsiaPacific, no.17, 1998.]