MODERN AND CONTEMPORARY ASIAN ART - University of Sydney

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Köppel-Yang, Martina, ‗The Ping-Pong Policy of Contemporary Chinese Art‘ in Yishu: Journal of
Contemporary Chinese Art, June 2004, pp. 60-66
Lemonnier, A., ed. Alors, la Chine?, Paris, Centre Pompidou, 2003.
Lu, Carol, ‗Chinese Pavilion Abolished‘ in Flash Art, Vol. XXXVI, No. 231 (July-September 2003), p.
51
Przerwa, Xenia Tetmajer Von., ‗Too Much Flavor at Chambers Fine Art, New York‘ (review), in Yishu:
Journal of Contemporary Chinese Art, Vol. 2 No. 2, June 2003, p.122-123.
Pollock, Barbara, ‗Mainland Dreams on Tape‘ in Art in America (June/July 2004), pp. 130-134
Ulrich Obrist, Hans, ‗Madacity‘ (Review) in Yishu: Journal of Contemporary Chinese Art, June 2004, pp. 103
2004
Fei Dawei, et.al., The Monk and the Demon, Lyon and Guangzhou, Guy & Myriam Ullens Foundation,
2004
Köppel-Yang, Martina, Odyssey (s) 2004, (Catalogue), Shanghai: Shanghai Gallery of Art, 2004
Wu Hung and Crisopher Phillips, Between Past and Future: New Photography and Video from China, Chicago,
Smart Museum of Art and The University of Chicago, 2004
2006
Cohen, Joan Lebold, ‗Chinese Art on Edge‘ (exhibition review), ArtAsiaPacific, no. 51, 2007.
de Baan, Christine, Huang Du, et.al., China Contemporary: Architecture, Art, Visual Culture (Bilingual),
Rotterdam, NAI Publishers, 2006
Gao Minglu, The Wall: Reshaping Contemporary Chinese Art, New York and Beijing, Albright-Knox Art
Gallery, University at Buffalo Art Galleries, and Millennium Art Museum, 2006
van Broekhuizen, Dick, Xianfeng: Chinese Avant Garde Sculpture (Bilingual), The Hague, Waanders, 2006
2007
Goodman, Jonathon, ‗Breakout: Chinese Art Outside China‘, in Yishu. Journal of Contemporary Chinese
Art, v. 7(2), March, 2008, pp. 91 – 97.
Haq, Nav, ‗China Power Station: Part 1 – Serpentine Gallery Offsite Project at the Battersea Power
Station‘, in Yishu. Journal of Contemporary Chinese Art, v. 6(1), March, 2007, pp. 119 – 121.
Mitchelson, Andrew, ‗VITAL: International Chinese Live Art Festival – Reflecting on Contemporary
Practices‘, in Yishu. Journal of Contemporary Chinese Art, v. 6(1), March, 2007, pp. 111 – 118.
Tinari, Philip, ‗The Real Thing: Contemporary Art from China‘, in ArtForum, vol. 46, no. 1, September,
2007, pp. 454 – 456.
2008
Art and China‘s Revolution. [Exhibition Catalogue. Chiu, M. and Zheng Shengtian]. New York: Asia
Society and Musuem, 2008.
Silbergeld, Jerome, ‗Double Vision: Art Out Of Joint‘ [Reason‘s Clue], in Asian Art News, v. 18(5),
Sept/Oct, 2008, pp. 64-72.
Yao, Pauline J., ‘85 New Wave: The Birth of Chinese Contemporary Art‘, Exhibition, Ullens Center for
Contemporary Art, Feb. 2008, in Flash Art, Vol. XLI, No. 258, Jan-Feb 2008, p. 145
2009
Hatch, Michael, Outside In: Chinese x American x Contemporary Art, Review in Yishu. Journal of Contemporary
Chinese Art, vol 8, no. 4, July/August 2009, pp. 74-87.
Hatch, Michael, The Third Mind: American Artists Contemplate Asia, 1860-1989, Review in Yishu. Journal of
Contemporary Chinese Art, vol 8, no. 4, July/August 2009, pp. 74-87.
Lee, Sohl, Outside In: Chinese x American x Contemporary Art, in Yishu. Journal of Contemporary Chinese Art,
vol 8, no. 4, July/August 2009, pp. 74-87.
The China Project. [Exhibition Catalogue comprising three exhibitions: Three Decades, The Contemporary
Chinese Collection; Zhang Xioagang Shadows in the Soul, William Yang, Life Lines], Brisbane:
Queensland Art Gallelry, 2009.