MODERN AND CONTEMPORARY ASIAN ART - University of Sydney

175
Reyum Publishing, 2002.
Eastburn, Melanie., ‗Fragility and Strength: the Art of Marine Ky‘, in The Journal of the Asian Arts Society
of Australia, Vol. 13, No. 1, March 2004, p.17.
Edwards, Bradford. An Enduring Intimacy‘, Asian Art News, 8: 6 Nov/Dec 1998.
Edwards, Penny "Propagender: Marianne, Joan of Arc and the Export of French Gender Ideology to
Colonial Cambodia (1863-1954)", in Promoting the Colonial Idea, eds. Tony Chafer and Amanda
Sackur, Palgrave Publishers, Basingstoke, 2002, 116-30
Gleeson, Erin, ‗Svay Ken: Home and Country‘, ArtAsiaPacific, no. 46, 2005.
Kumar, Lakshmi, ‗The First Cambodian Visual Arts Open‘, ArtAsiaPacific, no. 46, 2005.
Kumar, Lex, ‗Cambodia‘s First Visual Arts Open‘, ArtAsiaPacific, no. 47, 2006.
Muan, Ingrid, ‗Selling Space: Socialism and Signage in Phnom Penh after the Khmer Rouge‘, in eds.
Clark, John, Peleggi, Maurizio and Sabapathy, T.K, Eye of the Beholder: Reception, Audience and
Practice of Modern Asian Art, University of Sydney East Asian Series no. 15, Wild Pony, Sydney,
2006, pp. 117-128.
Muan, Ingrid and Ly, Daravuth, ‗Cambodian Contemporary Art; a difficult search for foundation‘,
Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum,
1999
Muan, Ingrid and Ly, Daravuth, ‗Cambodian Contemporary Art; a difficult search for foundation‘,
Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum,
1999
Muan, Ingrid et al, Cultures of Independence: an introduction of Cambodian Arts and Culture in the 1950s and
1960s, Phnom Penh, Reyum Institute of Arts and Culture, 2002.
Muan, Ingrid, ‗Selling Space:Socialism and Signage in Phnom Penh after the Khmer Rouge‘, from
http://www.ari.nus.edu.sg/conf2004/asianart.htm
Muan, Ingrid, Citing Angkor: The ―Cambodian Arts‖ in the Age of Restoration, 1918-2000, PhD thesis,
Columbia Unicversity, 2001
Seams of Change. Clothing and the Care of the Self in Late 19 th and 20 th Century Cambodia. Phnom Penh, Reyum
Publishing, 2003.
The Legacy of Absence, Phnom Penh: Reyum Institute of Arts and Culture, 2000. [Catalogue with essay
for group show of contemporary Cambodian art considering the legacy of the KR regime]
Vann Molyvann, Modern Khmer Cities. Phnom Penh, Reyum Publishing, 2003.
Visions of the Future, Phnom Penh: Reyum Institute of Arts and Culture, 2003. [Catalogue with essay for
group show of contemporary Cambodian art on the theme of the Future]
Individual Artists
An, Prom: Sam Jin, Matsuura and Masae, Kamachi, The 1 st Fukuoka Asian Art Triennale 1999 [The 5 th
Asian Art Show]: Document of Art Exchange Programme, Fukuoka: Fukuoka Asian Art Museum, 1999
Chet Chan: Chet Chan, The Reamker, Phnom Penh, Reyum Publishing, 2002.
Soeung Vannara: Vannara, Soeung., Winds of Artists in Residence 2001-, Fukuoka: Fukuoka Asian Art
Museum, 2002
Sopheap Pich: Pettifor, Steven, ‗Speaking To The Past And The Present‘, in World Sculpture News, v. 13(4),
Autumn, 2007, pp. 32 – 35.
Svay Ken: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art
Museum, 1999
Vannara, Soeung: Vannara Soeung in Winds of Artists in Residence 2001-, Fukuoka: Fukuoka Asian Art
Museum, 2001
________________________________________________________________________________