MODERN AND CONTEMPORARY ASIAN ART - University of Sydney

279
Araeen, Rasheed, ‗Sleeping with the enemy and revisiting postcolonial theory‘, Third Text, 56, 2001, 75-
79.
Benjamin, Walter, ―Paris, the Capital of the Nineteenth-Century, 1935‖, in The Arcades Project, trans.
Howard Eiland and Kevin McLaughlin, The Belknap Press of Harvard University Press,
Cambridge and London, 1999
Bhabha, Homi K., ed., Nation and Narration, New York, Routledge, 1990.
Bhabha, Homi K., The Location of Culture, New York, Routledge, 1994.
Bharucha, Rustom, ‗Beyond the Box: Problematising the ―New Asian Museum‖‘, Third Text n52,
Autumn 2000, 11-19
Bharucha, Rustom, ‗Interculturalism and its Discriminations: Shifting the Agendas of the National the
Multicultural and the Global‘, Third Text, n46, Spring 1999, 3-24.
Boehmer, Elleke, Colonial & Postcolonial Literature: Migrant Metaphors, New York, Oxford University
Press, 1995.
Bréon, Emmanuel et al, Coloniales 1920-1940, exh. cat. Musée Municipal de Boulogne-Billancourt, 1990
Buchloh, B.H.D., ‗The Whole Earth Show‘, [interview with Jean-Hubert Martin], Art in America, May
1989
Buchloh, Benjamin H.D. and Jean-Hubert Martin, ‗Interview‘ Third Text, n6, Spring 1989, 19-27
Buell, Frederick, National Culture and the new Global System, Baltimore, The John Hopkins University
Press, 1994.
Çelik, Zeynep, "Speaking Back to Orientalist Discourse", in Orientalism‘s Interlocutors, eds. Jill Beaulieu
and Mary Roberts, Durham and London, 2002, 19-41
Chakrabarty, D., ‗Postcoloniality and the Artifice of History: Who speaks for ―Indian‖ pasts?‘
Representations, 37, Winter 1992.
Chambers, E., The Artpack a history of black artists in Britain, London, Minorities‘ Arts Advisory Service,
1988
Chambers, Iain, ‗Exposure, Abeyance and Dislocation: Some Comments on Benita Parry‘s Discussion
of Homi Bhabha‘s ―The Location of Culture‖ ‘, Third Text, n31, Summer 1995, 108-110
Chen, Kuan-Hsing ed., Trajectories: Inter-Asia Cultural Studies, Routledge, 1998.
Chow, Rey, Writing Diasporas, Bloomington, Indiana University Press, 1992.
Clark, John, ‗What Contemporary Asian Art Is [or Is Not]: The View from MoMA and the View from
Asia‘, in eds. Clark, John, Peleggi, Maurizio and Sabapathy, T.K, Eye of the Beholder: Reception,
Audience and Practice of Modern Asian Art, University of Sydney East Asian Series no. 15, Wild
Peony, Sydney, 2006, pp. 295-317.
Clark, John, ‗A Short Review of a Very, Very Long Book‘, Yishu: Journal of Contemporary Chinese Art, vol.
4, no. 4, Dec. 2005.
Clark, John, ―On Two Books by Edward W. Said‖, Jurnal Bicara Seni, 1996, 20-47
Clarke, David, The Influence of Oriental Thought on Postwar American Painting and Sculpture, New York,
Garland Publishing, 1988.
Clifford, J., The Predicament of Culture: 20th century ethnography, literature and art, Cambridge, Mass., Harvard
UP, 1988
Clifford, James, ―On Orientalism‖, in The Predicament of Culture: Twentieth Century Ethnography, Literature
and Art, Harvard University Press, Cambridge, 1988, 255-276
Crary, Jonathan, ‗Critical Comment‘, Art Forum, February 1994
Craven, David, ‗Some Reflections on the Achievements of Third Text‘, Third Text, n52, Autumn 2000,
88-90
Dirlik, Arif, The Postcolonial Aura: Third World Criticism in the Age of Global Capitalism, Boulder, Westview
Press, 1997.
Featherstone, Mike, ed., Global Culture, Nationalism, Globalization and Modernity, London, Sage, 1990
Fisher, Jean, ‗Magiciens de la Terre + Bildung‘, Artforum, 28, no.1, September 1989.
Fisher, Jean, ed., Global Visions: Towards a New Internationalism in the Visual Arts, London, Kala Press,
1994.