MODERN AND CONTEMPORARY ASIAN ART - University of Sydney

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Arttaiwan, 46th Biennale di Venezia, Taipei, Taipei Fine Arts Museum, 1995. (Commissioners: Tsai Chinfen
& Paolo De Grandis.
Yang Wen-i & Enrico Pedrini, VOC: Handle with care [Huang Yongping & Yang Maolin], 1997 Taiwan
pavilion: curated by Shih Ju-jen, 1999.
Yang We-I & Chen, Odile (editors), VOC: Handle With Care, Huang Yong-ping & Yang Mao-lin, 48 th
Biennale di Venezia, Taiwan, Lin & Keng Gallery, 1999.
Kao Chien-hui, Taiwan pavilion at 49 th Biennale di Venezia, Taipei, Taipei Fine Arts Museum, 2001
Lei Yi-ting (Editor), Limbo Zone: organized by Taipei Fine Arts Museum, 50 th Biennale di Venezia, Taipei,
Taipei Fine Arts Museum, 2003. (Guest Curator: Lin Shu-min).
Limbo Zone: organized by Taipei Fine Arts Museum, 50 th Biennale di Venezia, Exhibition Guide, Taipei, Taipei
Fine Arts Museum, 2003. (Guest Curator: Lin Shu-min).
Thailand:
Poshyananda, Apinan (Commissioner), Dreams and Conflicts: The Dictatorship of the Viewer,, Thai Pavilion,
5oth Biennale di Venezia,, Office of Contemporary Art & Culture, Ministry of Culture, Thailand,
2003. (Co-ordinators: Somsak Chowtadapong & Samart Chansoon).
Poshyananda, Apinan (Commissioner), Those Dying Wishing to Stay, Those Living Preparing to Leave, Montien
Boonma & Araya Rasdjarmrearnsook, Thai Pavilion, 51 st Biennale di Venezia, Office of Contemporary
Art & Culture, Ministry of Culture, Thailand, 2005. (Curators: Panya Vijinthanasarn, Luckana &
Sutee Kunavichayanont).
United Kingdom:
Bowness, Sophie; Phillpot, Clive, eds., Britain at the Venice Biennale, London, The British Council, 1995
Britain and the São Paulo Bienal 1951-1991 / A Grã-Bretanha e a Bienal de São Paulo 1951-1991, with essays
by Margaret Garlake and Guy Brett, The British Council Brazil, 1991.
Furlong, William et al, Venice Biennale 1999, Wimbledon, Wimbledon School of Art Research Centre in
association with Audio Arts Magazine, 1999
Furlong, William et al, Venice Biennale 2001: Research Symposium March 2000, Wimbledon, Wimbledon
School of Art Research Centre in association with Audio Arts Magazine, 2000
Furlong William, et al, International; Venice Agendas 2003, a series of three breakfast meetings, Wimbledon,
Wimbledon School of Art Research Centre in association with Audio Arts Magazine, 1999
Biennales from an Asian perspective
Burke, Gregory, ‗Distance Up Close: The Asian Biennials‘, ArtAsiaPacific, no. 50, 2006.
Maerkle, Andrew, ‗Curating by Committee: Behind Asia‘s Biennials‘, ArtAsiaPacific, no. 50, 2006.
Sinha, Gayatri, ‗Locating Biennales, Revising Frameworks‘, Art India, volume X, issue ii, quarter ii,
2005.
Other Catalogues consulted by Year of Publication [duplicates some sections above]
1968
When attitudes became form Bern, Szeeman, Harald, curator, Bern, Kunsthalle, 1968.
1985
Art in the 20 th Century, Painting and Sculpture 1905-1985, Joachimides, Christos M.; Rosenthal Norman;
Schmied, Wieland, German , London, Royal Academy of Arts & Munich, Prestel Verlag, 1985.
Reconstructions: Avant-Garde Art in Japan 1945-1965, Kaido, K., and Elliott, D., Oxford, Museum of
Modern Art, 1985
1987
Beyond the open door, contemporary paintings from the People‘s Republic of China, mostly chosen Nielsen,
Waldemar A., essay by Strassberg, Richard L., organized by Pacific Asia Museum, Pasadena,
1987.
Peintres et Sculpteurs Chinois à Paris, Pierquin-Tian, Odile, typescript catalogue of exhibition, Paris, Centre
de Recherches et de Documentation sur la Chine contemporaine, EHSS, 18 May to 3rd June
1987