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Quarterly 2 · 2008 - German Films

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Love, Peace & Beatbox<br />

Hiss, chirp, crackle, creak, squeak, gurgle, drum or simply<br />

plop – there isn’t a single sound that an accomplished<br />

human beatboxer can’t imitate with their mouth. After<br />

rapping, DJing, breakdancing and graffiti, beatboxing or<br />

mouth-drumming is widely regarded as the fifth element<br />

of hip hop. As in many other big cities, a rich and varied<br />

music scene has emerged in Berlin in recent years, one<br />

that includes one of <strong>German</strong>y’s most popular bands,<br />

4xsamples, who are the current team battle vice-world<br />

champions. Founded by DJ Mesia, BeeLow and Maxim,<br />

who was murdered in 2003, the beatbox championship<br />

has now been exported to countries as far away as<br />

Australia. As an art form that originated on the street and<br />

still feels most at home there, hip hop thrives on a mix ture<br />

of improvisation and virtuosity – and this is exactly what<br />

beatboxing is all about. In this way, beatboxing takes hip<br />

hop back to its roots.<br />

In 2006, documentarist Volker Meyer-Dabisch began film -<br />

ing the protagonists of Berlin’s beatbox community – at<br />

performances, in studios and during rehearsals. Love,<br />

Peace & Beatbox portrays the genre’s key proponents; in<br />

his film the filmmaker connects to their world of sounds,<br />

rhythms and noises, listens to their art, and opens a window<br />

on the world of beatbox.<br />

“You had to be there, during the final credits of this beatbox<br />

World Sales (please contact)<br />

Karl Handke Filmproduktion<br />

Wiener Strasse 20 <strong>·</strong> 10999 Berlin/<strong>German</strong>y<br />

mobile +49-1 77-7 88 59 11<br />

email: meyer-dabisch@gmx.de <strong>·</strong> www.karl-handke-filmproduktion.de<br />

documentary instructions were given and hundreds of viewers in<br />

the audience got involved in the sound. There’s hardly ever been<br />

that much rhythm in the cinema. No, the Berlinale didn’t rock,<br />

it scratched, sampled and mixed.” (Tagesspiegel)<br />

“During the whole film the audience claps, whistles and cheers.<br />

In my three years with The Young Journalists I have never seen<br />

anything like this, such an enthusiastic audience.” (Die jungen<br />

Journalisten)<br />

Genre Music, Society Category Documentary Cinema Year of<br />

Production <strong>2008</strong> Director Volker Meyer-Dabisch Directors<br />

of Photography Andreas Gockel, Hendrik Lier, Ralf Netzer,<br />

Peter Sebera Editor Volker Meyer-Dabisch Producer Volker<br />

Meyer-Dabisch Production Company Karl Handke Film -<br />

produktion/Berlin Principal Cast Mando, Wetlipz, Chlorophil,<br />

Pirate MC, BeeLow, DJ Mesia, Zeero, Ro Beat, Steff La Chef<br />

Length 70 min Format DigiBeta, color, 16:9 Letterbox<br />

Original Version <strong>German</strong> Subtitled Version English Sound<br />

Tech nology Stereo Festival Screenings Berlin <strong>2008</strong><br />

(Generation 14+/Perspectives <strong>German</strong> Cinema)<br />

Volker Meyer-Dabisch was born in 1962 in Kamen. After train -<br />

ing as an actor, he had various theater engagements and appear ed<br />

in television and film productions, including Rudolf Thome’s Frau<br />

faehrt, Mann schlaeft. His films as a director include: Zwirbels<br />

Traum (2003), Kohleladen Oezdemir (2003), and Love,<br />

Peace & Beatbox (<strong>2008</strong>).<br />

german films quarterly new german films<br />

2 <strong>·</strong> <strong>2008</strong> 56<br />

Scene from “Peace, Love & Beatbox” (photo © Karl Handke Filmproduktion)

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