Quarterly 2 · 2008 - German Films
Quarterly 2 · 2008 - German Films
Quarterly 2 · 2008 - German Films
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
Love, Peace & Beatbox<br />
Hiss, chirp, crackle, creak, squeak, gurgle, drum or simply<br />
plop – there isn’t a single sound that an accomplished<br />
human beatboxer can’t imitate with their mouth. After<br />
rapping, DJing, breakdancing and graffiti, beatboxing or<br />
mouth-drumming is widely regarded as the fifth element<br />
of hip hop. As in many other big cities, a rich and varied<br />
music scene has emerged in Berlin in recent years, one<br />
that includes one of <strong>German</strong>y’s most popular bands,<br />
4xsamples, who are the current team battle vice-world<br />
champions. Founded by DJ Mesia, BeeLow and Maxim,<br />
who was murdered in 2003, the beatbox championship<br />
has now been exported to countries as far away as<br />
Australia. As an art form that originated on the street and<br />
still feels most at home there, hip hop thrives on a mix ture<br />
of improvisation and virtuosity – and this is exactly what<br />
beatboxing is all about. In this way, beatboxing takes hip<br />
hop back to its roots.<br />
In 2006, documentarist Volker Meyer-Dabisch began film -<br />
ing the protagonists of Berlin’s beatbox community – at<br />
performances, in studios and during rehearsals. Love,<br />
Peace & Beatbox portrays the genre’s key proponents; in<br />
his film the filmmaker connects to their world of sounds,<br />
rhythms and noises, listens to their art, and opens a window<br />
on the world of beatbox.<br />
“You had to be there, during the final credits of this beatbox<br />
World Sales (please contact)<br />
Karl Handke Filmproduktion<br />
Wiener Strasse 20 <strong>·</strong> 10999 Berlin/<strong>German</strong>y<br />
mobile +49-1 77-7 88 59 11<br />
email: meyer-dabisch@gmx.de <strong>·</strong> www.karl-handke-filmproduktion.de<br />
documentary instructions were given and hundreds of viewers in<br />
the audience got involved in the sound. There’s hardly ever been<br />
that much rhythm in the cinema. No, the Berlinale didn’t rock,<br />
it scratched, sampled and mixed.” (Tagesspiegel)<br />
“During the whole film the audience claps, whistles and cheers.<br />
In my three years with The Young Journalists I have never seen<br />
anything like this, such an enthusiastic audience.” (Die jungen<br />
Journalisten)<br />
Genre Music, Society Category Documentary Cinema Year of<br />
Production <strong>2008</strong> Director Volker Meyer-Dabisch Directors<br />
of Photography Andreas Gockel, Hendrik Lier, Ralf Netzer,<br />
Peter Sebera Editor Volker Meyer-Dabisch Producer Volker<br />
Meyer-Dabisch Production Company Karl Handke Film -<br />
produktion/Berlin Principal Cast Mando, Wetlipz, Chlorophil,<br />
Pirate MC, BeeLow, DJ Mesia, Zeero, Ro Beat, Steff La Chef<br />
Length 70 min Format DigiBeta, color, 16:9 Letterbox<br />
Original Version <strong>German</strong> Subtitled Version English Sound<br />
Tech nology Stereo Festival Screenings Berlin <strong>2008</strong><br />
(Generation 14+/Perspectives <strong>German</strong> Cinema)<br />
Volker Meyer-Dabisch was born in 1962 in Kamen. After train -<br />
ing as an actor, he had various theater engagements and appear ed<br />
in television and film productions, including Rudolf Thome’s Frau<br />
faehrt, Mann schlaeft. His films as a director include: Zwirbels<br />
Traum (2003), Kohleladen Oezdemir (2003), and Love,<br />
Peace & Beatbox (<strong>2008</strong>).<br />
german films quarterly new german films<br />
2 <strong>·</strong> <strong>2008</strong> 56<br />
Scene from “Peace, Love & Beatbox” (photo © Karl Handke Filmproduktion)