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The Baudrillard Index - Bishop's University

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Biosphere 2, is not what captivates me but the world they translate: the<br />

WTC translates a society experiencing hyperrealism, two towers<br />

resembling perforated bands, clones of each other, architecture is not<br />

part of reality but the fiction of a society, SA:4<br />

not in the sense that architecture would have truth as its goal or<br />

culmination, SA:37<br />

the lapse of architectural reason would be clone architecture, SA:45<br />

the strongest architecture abandons the whole idea of art, art history and<br />

aesthetics, a process of disappearance, of controlling disappearance as<br />

much as appearance, SA:13<br />

what is it that constitutes the radicality of architecture? That is how we should<br />

pose the question of truth in architecture, SA:37<br />

archives, all, are whitewashing devices, P:30<br />

Archaic mode, feudalism and, MP:93-109; of society, SD:107<br />

Archimedes, C5:88<br />

Ardennes cook, story of, S2:90<br />

Are-Are, money distribution, SD:203<br />

Arendt, Hannah, A:87; IE:21; U:104; CA:149; LP:136<br />

Argentina, Psychoanalytic Republic of, C2:10<br />

Ariès, Philippe, P:40<br />

Aristotle(ian), CR:45, 116; FS:63; C1:47; C5:86<br />

His logic saw a progression from virtual to actual, our virtual has overtaken the<br />

actual, we are no longer in passage from virtual to actual but in a<br />

hyperrealist logic of the deterrence of the real by the virtual, G:27<br />

Arizona, (see also Biosphere 2); C3:25; C5:39<br />

Armenians, the (see also identity); B:160; exhaust themselves trying to prove<br />

they were massacred in 1917, TE:90; P:19, 30; SC:16<br />

Arnaud, M., (see Gane, Mike)<br />

Aron, C1:161<br />

art, SO:20, 23, 27, 34, 61, 80, 87, 91, 104, 140; PC:1; U:66; LP:26<br />

a work of art is a singularity, and all these singularities can create holes,<br />

interstices, voids, etc., in the metastatic fullness of culture, SA:21

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