The Baudrillard Index - Bishop's University

ambiguity of, CR:107
art of collusion,CR:110
contradiction of, CR:110
discourse of, to signify in same mode of objects in their latent systematic,
CR:109
function of is to defy all seduction of the gaze, exerting only the
magic of its disappearance, E:34
limiting condition of, CR:109, 110
managed to be part of the accursed share, CA:25
no longer contests anything, CR:110
truth of, CR:106
possibilities of, CR:107
the sublime of modern art lied in the magic of its disappearance, CA:106
was able to be part of the accursed share by being a sort of dramatic
alternative to reality, by expressing the irruption of unreality into reality,
but what can art mean now in a world that is hyperrealist from the outset,
SC:182
modernity, CR:104
multiples, CS:105 ff.
art moves into industrial era, CS:106
museum, (see museum)
must circulate at top speed, TE:14
neo-geometric abstraction, does not wish to be regarded and does not regard
you, U:139
non-official, MP:164
nouveau, CR:48
object, art interests me as an object, from an anthropological point of view,
CA:61
object as a newly victorious fetish, CA:101
(is) only thing which enables play, R:28
Only painting which itself succeeds in beings a monstrous act succeeds in
resolving and in reabsorbing the monstrosity of our lives, only painting that
succeeds in becoming a mythic operator also succeeds in resolving the
monstrosity of the social and of the social order, and in this Baj’s painting
succeeds admirably, U:142
painting(s), SO:31, 32; BL:67
a signed object, CR:102
commodity, CR:119
Painting, I have never, C5:1
market for permits us to decipher ideological labour, CR:112
oeuvre becomes a cultural object through signature, CR:103
operates, as does architecture and electronic media, on level of simulation,
ED:52
Performance art, CA:94
plagiarism in painting, but why not in literature? C2:16
playing on its own disappearance and the disappearance of its object was still