The Baudrillard Index - Bishop's University

censorship and, C4:69
(is) capable of creating scene other than the real, PW:28
challenge: art no longer posits a challenge to go beyond the reality principle,
rather, it simulates reality, ED:53
childhood of, P:102-111
COBRA, U:151
Conceptual art, CA:91
(our modern or postmodern) condition is really that of a mediation and it is
there that strategies are worked out or, indeed, another destiny, where one
can talk of the disappearance of art, BL:14
conspiracy of, anticipated but not yet named, ED:54; F:86 ff.
conspiracy of, brought home from Venice, C3:115
“The Conspiracy of Art”, SC:181-185; CA:25-29; C4:48; CA:66 ff.; CA:75-85
Art is not alone, politics, economics, the news all benefit from the same
complicity and ironic resignation from their “consumers”, CA:29
My article is contradictory, I use nullity or null and then say nullity is a
tremendous singularity, CA:62
A collusion of the order of insider trading, this isn’t just the case with art, it’s
the same with history and the political scene, the mystery isn’t their
disappearance but their survival, P:105
Irony is also part of, CA:27
Is the complicity of reciprocal praise, that is what I wanted to denounce,
passivity and servility as a form of conspiracy, CA:75
The real conspiracy lies in art’s complicity with itself, its collusion with
reality, becoming complicit as the mere return image of this integral
reality, CA:89
contemporary art, CS:105; CR:102-111; F:87 ff.; C5:45
ambiguity of, resides in its laying claim to worthlessness, insignificance,
non meaning and banality, straining for worthlessness, when it is in fact
already worthless, worthlessness is a secret quality that cannot be
claimed by just anyone, C3:115
art today denies its own death, CA:96
art today has thoroughly entered reality, in trash, on walls, in the street, in
the banality of everything that has been made sacred today without any
further debate, The aestheticization of the world is complete, CA:105
asserting nullity, striving for emptiness when already empty, CA;27
banality of is mixed up with the banality of the real world, CA:90
confiscating banality and it is truly null, CA:27
“Contemporary Art: Art Contemporary With Itself”; LP:105-113
contemporary art is purely contemporary, it is contemporary of itself, a
closed circle, it no longer transcends itself into the past or the future, its
only reality is its operation in real time and its confusion with this reality,
CA:89
emptiness of, C3:27
has lost the desire for illusion, preferring the elevation of everything to
aesthetic banality, SC:181; CA:25