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The Baudrillard Index - Bishop's University

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eality, ED:53<br />

in taking simulation as a model, artists are no longer engaged in<br />

simulation, C2:36<br />

strongest works of, are those that abandon the whole business of art and art<br />

history and aesthetics, SA:13<br />

superficial and worthless, PC:129<br />

super realism, U:138<br />

surrealism, (see also nihilism), CS:115; CR:192 ff., 198; S:64; BL:93; PC:73,<br />

76; SC:129<br />

Bauhaus and, are inseparable, CR:193<br />

confront objects with the absurdity of their function, in a poetic unreality,<br />

AA:13<br />

illuminates growth crisis of the object, CR:194<br />

illustrates/denounces gap between subject and object, CR:194<br />

object and functional object, CR:192 ff.<br />

object is derisive and transgresses functional object, CR:192 ff.<br />

revolt against reality principle of the object, CR:194<br />

<strong>The</strong> word art bothers me a bit, BL:132<br />

thousands of works of art slumber in safes keeping the art market afloat, a<br />

striking demonstration that the abstraction of value is based on the<br />

subtraction of enjoyment, IE:74<br />

today, is simply the paradoxical confusion of art and the other side of art, and<br />

the aesthetic intoxication which ensues, PC:29<br />

transcends self towards its empty essence, FS:10<br />

Towards the Vanishing point of Art, CA:98-110<br />

value, art has been transformed into value but art is fundamentally form,<br />

CA:57; value of work of art, CR:120<br />

Vienna Actionists, C5:37<br />

was the poetic transfiguration of the real, C3:140<br />

we must have illusionists who know that art and painting are illusion, and are<br />

as far from intellectual criticism as from aesthetics properly speaking,<br />

illusionists who know that all art is first a form of trompe l’oeil, AA:17<br />

we no longer believe in art, but only in the idea of art, which has itself, nothing<br />

aesthetic about it, PC:81<br />

weightlessness, at the moment is adrift in a kind of, BL:93<br />

what can art do in a world simulated and travestied in advance? PC:129<br />

whole task of art, is to bring language down to its singularity, F:80<br />

why art is dead, SD:186<br />

work of, breaking out of solitude, CS:106<br />

is made for stopping, to interrupt, arrest the gaze, arrest contemplation,<br />

BL:147<br />

world no longer believes in a destiny of art, CA:56<br />

a completely self referential world, CA:56<br />

insider trading (see also Art: conspiracy): everyone makes claims on<br />

banality, insignificance, no one<br />

claims to be an artist anymore, CA:56

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